He drew his nine brothers and sisters, and his parents. He drew the red earth of the fields where they all worked, the hot sun that beat down, and the rows and rows of crops. As Benny hauled buckets of water, he made pictures in his head. And he dreamed of a better life—something beyond the segregation, the backbreaking labor, and the limited opportunities of his world.      Benny’s dreams took him far from the rural Georgia of his childhood. He became one of the most important African American painters of the twentieth century, and he opened doors for other artists of color. His story will inspire budding young artists to work hard and follow their dreams.

    Her nearest rival has cheated. Undaunted, she leaves Chinatown and walks up Nob Hill after school, determined to find more scrap newspaper. Nim's sweet seriousness and ingenuity are captured in the text and in the luminous, grave illustrations." --The New York Times Book Review"Based on the author's childhood memories, Nim's story celebrates the patriotism of Asian family members in embracing their new home and country and their efforts to maintain their cultural traditions. A fine addition." -- School Library JournalNim and the War Effort is a 1997 New York Times Outstanding Book of the Year.

    After three days of marveling at the sights and sounds of the Serengeti, Father—Auntie Sharon’s brother—takes the group to the coastal town of Bagamoyo (Swahili for “to let go of one’s heart”) and tells its sad history as a slave-trading post. “e are much more fortunate than our African ancestors who were forced to leave the country that they loved and had no chance of retuning,” Father says. “We are blessed with the freedom to move back and forth.” Robinson (Jackie’s Gift), the daughter of baseball legend Jackie Robinson, bases this book on family history and a family trip, and while her tale isn’t particularly dramatic, her pride in her family’s resilience shines through. Ford’s (Barack) acrylics don’t add much emotional depth despite their detail and rich palette, but he brings a matter-of-fact approach to a distant landscape that underscores how a close family can transcend geography.

    The morning of the ceremony, Auntie Amina prepares Nadia's hands in the traditional way. Using henna, a natural dye, she creates intricate designs, called mehndi, on Nadia's hands. But Nadia is worried. Mehndi lasts a long time and doesn't wash off right away. When she goes to school on Monday, what will her classmates think of her hands? Will they understand that mehndi is part of her Pakistani heritage? By the afternoon, Nadia is swept up in the excitement of the wedding. Now she can't wait till Monday, when she can "share her hands from Pakistan" with the kids at school. Karen English's loving story of a Pakistani-American girl, who comes to an understanding of the rich culture she has inherited, is vividly illustrated by Jonathan Weiner.

    Jacob and his little brother make a snowman out of the dingy snow on their street, and wrap their creation in a scrap of cloth they find. But the cloth is really a kente, an African storytelling shawl that has special, magical qualities. Soon, Jacob's snowman has come to life-and is about to teach him an unforgettable lesson about history, hope, heritage...and faith.

    The true story of Hawaiian Duke Kahanamoku, six-time Olympic swimming champion and legendary surfer who popularized surfing around the world.

    A new generation of artists--as well as some who never abandoned figurative painting in the first place--is relishing the solitary, slow, subtle set of processes involved in not just painting, but painting people. They are choosing paint's unique ability to distill a lifetime of events rather than photography's glimpse of a frozen moment. Painting People, edited by the prominent London art historian and critic Charlotte Mullins, unites and contrasts the work of a key group of artists from around the world, and investigates their richly varied accomplishments in lucid text with detailed commentaries, accompanied by more than 150 reproductions. The list of contributing artists is stellar, ranging from photo-based painters like Luc Tuymans, Peter Doig and Marlene Dumas to Pop artists like Sigmar Polke and Alex Katz, photorealists like Chuck Close and Gerhard Richter, Neoexpressionists like Cecily Brown, and comics-inspired painters like Yoshitomo Nara, Inka Essenhigh and Takashi Murakami. There are erotic grotesques from John Currin and Lisa Yuskavage, meditations on the muse by Elizabeth Peyton and Lucian Freud, "Repro-realistic" work from Neo Rauch and of course self-portraits by Philip Akkerman and Marcel Dzama, among others.

    Then Henry runs across a sparrow with the same ability and suddenly takes off! Suddenly airborne, he delivers papers from above then realizes a bully is threatening his neighbors. This super-boy knows it’s up to him to take the neighborhood under his wing!

    Richards. First published in 1951, her poem is given new life in this edition that includes an introduction by LisaGay Hamilton and stunning illustrations by R. Gregory Christie. With its inspirational messsage, this book will empower children with the realization that "the path of life goes up and up/not down!"

    But it is not until Lalla realizes that a malafa is not just worn to show a woman's beauty and mystery or to honor tradition—a malafa is for faith—that Lalla's mother agrees to slip a long cloth as blue as the ink in the Koran over Lalla's head, under her arm, and round and round her body. Then together, they pray. An author's note and glossary are included in the back of the book.

    To earn money, a young boy decides to collect and redeem empty soft drink cans, but ends up giving away his money to help a local homeless man.

    It doesn't sound at all like myChinese name, Na-Li, which means beautiful.It's a long way from Taiwan to San Francisco, but Hannah's family has made the journey because they want to make America their home. Here in America, Baba tells his daughter, people are free to say what they think, and children can grow up to be whatever they choose. And so Hannah takes a new name, begins a new school, learns a new language, and starts to adjust to a new way of life. Meanwhile, they all wait — and hope — for the arrival of the green cards that will assure they are finally home to stay.

    When the teacher talks about slavery, she can feel all of her classmates staring at her. When they talk about civil rights, she is the one that other kids whisper about on the playground. In those moments, she wants to slip away or seep into the ground; and she wonders, is that all you see when you look at me?What really matters is what she sees when she looks at herself. She is a reflection of the courage, strength, intelligence and creativity that's been passed down from generation to generation through her ancestors.Inspired by the author's daughter's experience in school as well as her own.

    When Grandpa practices tai chi in the garden, Vinson asks to learn, hoping it will be like kung fu, full of kicks and punches. But tai chi’s meditative postures are slow and still, and Vinson quickly gets bored. He can’t understand why Grandpa insists on calling him by his Chinese name, Ming Da, or why he has to wear a traditional Chinese jacket to the Chinese New Year parade. As the parade assembles, however, he notices the great respect given to his grandfather and the lion dancers under his training. And when Vinson is offered a role in the parade, he realizes that being part Chinese can be pretty cool—and is ready to start learning from his grandpa’s martial-arts mastery in earnest.

    How many donkeys are there? His son helps him count ten, but once the journey starts, things change. First there are ten donkeys, then there are nine! When Jouha stops to count again, the lost donkey is back. What's going on? Silly Jouha doesn't get it, but by the end of the story, wise readers will be counting correctly - and in Arabic! Margaret Read MacDonald and Nadia Jameel Taibah are the tellers of this funny tale from the Middle East. The sunny pictures were painted by Carol Liddiment.