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    She also tries to kill herself every few years, without success. I hope she never succeeds, but one wonders if she is any good at anything.’ BARKIN, Ellen Ellen boasted of having an affair with George Clooney: ‘Yes, I have fucked George Clooney. I’m very proud of it, actually. If you don’t have chemistry with George Clooney, you need to check your pulse.’ BARRYMORE, John A very young Anne Baxter worked with Barrymore on ‘The Great Profile’ in 1940: ‘He was in terrible shape. In the morning, he was so wasted that his man would have to carry him in and set him down in an easy chair. Then he’d pour Barrymore a Coke. No response. Then he’d shake in some rum flavouring and this great actor would suddenly spring to life. Amazing. Once we were waiting for a take and I asked him why he read his lines from chalkboards. Couldn’t he remember his lines? And he stood up and recited a Hamlet soliloquy. He never made a pass at me, but it was hard going for our resident vamp, Mary Beth Hughes. She bent over once to fix her stockings and he instantly leapt up to pinch her behind.’ BEATTY, Warren Cher slept with him when she was a teenager: ‘Warren has probably been with everybody I know, and unfortunately I am one of them. But since I was only 16 maybe I can get out of it with that. I don’t know if I was a bimbo then, but I had pretty low self-esteem. He was technically good, but I felt nothing.’ He rather ungallantly told of Jane Fonda’s extraordinary sexual prowess: ‘…her ability to virtually unhinge her jaw. Like a python that swallows prey much larger than itself.’ BOW, Clara Louise Brooks’ husband considered Clara to be beneath them: ‘She wasn’t acceptable socially. Eddie Sutherland, my husband, gave absolutely the best parties in Hollywood. So I asked him one day to invite Clara Bow and he said, ‘Oh, good heavens, no! We can’t have her. We don’t know what she’d do. She’s from Brooklyn.’ BOYD, Stephen Brigitte Bardot once asked him to marry her: ‘I don’t know if she was joking, but I said no. I did not explain that I couldn’t marry an actress who could never be faithful to me. Or at least try. Like, I would at least try, for the first year or two.’ BRANDO, Marlon A drunken Brando disgraced himself on national television when he guested alongside Zsa Zsa Gabor on Johnny Carson’s Tonight Show and propositioned her: ‘Do you know what I want to do with that girl, Johnny? I want to fuck her! Zsa Zsa, a man can only do one thing with you: throw you down and fuck you!’ BRYNNER, Yul Ingrid Bergman and Brynner did not get along making ‘Anastasia’ (1956): ‘Yul Brynner was shorter, I suggested putting a little block under him. ‘You think I want to play it standing on a box? I’ll show the world what a big horse you are!’ I never had a complex about my height after that.’ After Steve McQueen up-staged him one too many times during the filming of ‘The Magnificent 7’ in 1960, Brynner issued him a warning: ‘If you don’t stop that I’m going to take off my hat, and then no-one will look at you for the rest of the film.

    She was a New Yorker, had just turned forty, and was about to put her youngest child in college. He was pushing 50 and relishing a sabbatical from his San Francisico law practice. Opposites attracted. A few weeks later they were engaged. A year later they were honeymooning on bicycles in Burgundy, after a wedding in a chapel at JFK. And after five years in San Francisco, they sold their house, quit their jobs and moved to Paris -- “permanently,” they said. For seven years their home was in a foreign country, in a foreign culture, bathed in a foreign language, on the rue des Marronniers in the 16th Arrondissement of the most beautiful city in the world. We Always Had Paris is the story of their adventure. It really happened. It is also a love story.

    I was being brave, although inside I felt very scared; absolutely petrified. My body felt battered, well the bits I could feel did. The rest felt dead. Two thirds of me was dead." This is the incredible battle to rebuild a life that was shattered in a split second. When Claire was 27 she suffered a devastating spinal injury in a freak accident whilst eventing. In April 2012 Claire made worldwide headlines when she walked the London Marathon in a pioneering robotic suit taking 17 days. 'FINDING MY FEET' is the moving true story of how one determined, courageous young woman had to fight through the darkest days to go on and have the best days of her life. Claire has already raised over £300,000 to help find a cure for paralysis, and this book will help provide more vital funds for the Nicholls Spinal Injury Foundation. "Claire is a distillation of all that we should find motivational- intensely driven, positive and an achiever despite the horrendous times which she has had to endure" Sir Matthew Pinsent "Claire has to be the most incredible person I have ever met. She simply lights up a room. To think of the difficulties she has had to overcome is mind blowing. She is an absolute inspiration to us all" Melanie C "Claire is a force of nature. Give her a challenge that seems impossible and she will smash it to bits. She knows no limits, sets no boundaries and never takes 'no' for an answer. Unless you ask her 'have you finished?' In which case, 'no' is the answer because she is never finished." Clare Balding

    Sherry Rupke of SwissRidge Kennels was the first breeder to deliberately cross Bernese Mountain Dogs and Poodles. Rupke loved everything about the Bernese, except for the short-lived breed’s genetic propensity for cancer. Plus it sheds. And it can be a little stubborn. Rupke decided to add Poodle to the hybrid equation to create an intelligent, lively, healthy and low- to non-shedding dog. Over the past decade, she’s built her Bernedoodle program with care to ensure that each scrupulously health-checked breeding dog has an impeccable pedigree, a calm temperament, and great conformation. Bernedoodles: A Head to Tail Guide takes readers on a journey from Rupke’s early days of breeding purebred dogs to establishing her highly successful hybrid program. This comprehensive, easy-to-read and entertaining book also covers everything you need to know about finding the right breeder and puppy, to caring for your Bernedoodle. You’ll discover the best training techniques for Bernedoodles (and any dog) from Rupke’s partner, Lucas Mucha. Anecdotes from owners of SwissRidge Bernedoodles, along with stunning photos, are likely to convince you that this fun, fun, affectionate, and allergy-friendly hybrid is the perfect companion dog.

    For an intelligence analyst without SEAL training, it can be traumatic. Navy Lieutenant (JG) Lee Toliver, Naval Academy Graduate, Linguist and Middle East Polyglot, is assigned to Trident, an Office of Naval Intelligence group dedicated to Naval Special Warfare Command. Having survived injuries from a suicide bombing in London, and almost a year in and out of Brooke Military Burn Center in Texas, he is ready to get his career back on track and anticipating his introduction to the SEAL Team he will support. American born linguists fluent in Middle East languages are in short supply and always in demand. His fluency in Pashto brought him to the attention of Detachment Bravo of SEAL Team 2 deploying to Bagram, Afghanistan. But Lee was also fluent in several dialects of Arabic. Seal Team 3 was raging across Anbar Province in Iraq, and in 2006, Ramadi is back on the radar for a major operation. Lee is about to find out that deploying with a SEAL Team has only a passing acquaintance with intelligence office work. In SEAL Team direct action ops, interpreters and interrogators are needed outside the wire as much as inside. Going kinetic, is a term he will come to understand intimately.

    

    Beavis and Butt-head give us their view of the world from A to Z in their own version of an encyclopedia--just in time for Christmas. Illustrated.

    Into the Dark captures this alluring genre with a cavalcade of compelling photographs and a guide to 82 of its best films.Into the Dark is the first book to tell the story of film noir in its own voice. Author Mark A. Vieira quotes the artists who made these movies and the journalists and critics who wrote about them, taking readers on a year-by-year tour of the exciting nights when movies like Double Indemnity, Mildred Pierce, and Sunset Boulevard were sprung on an unsuspecting public. For the first time, we hear the voices of film noir artists speak from the sets and offices of the studios, explaining the dark genre, even before it had a name. Those voices tell how the genre was born and how it thrived in an industry devoted to sweetness and light.Into the Dark is a ticket to a smoky, glamorous world. You enter a story conference with Raymond Chandler, visit the set of Laura, and watch Detour with a Midwest audience. This volume recreates the environment that spawned film noir. It also displays the wit and warmth of the genre's artists. Hedda Hopper reports on Citizen Kane, calling Orson Welles "Little Orson Annie." Lauren Bacall says she enjoys playing a bad girl in To Have and Have Not. Bosley Crowther calls Joan Crawford in Possessed a "ghost wailing for a demon lover beneath a waning moon." An Indiana exhibitor rates the classic Murder, My Sweet a "passable program picture." Illustrated by hundreds of rare still photographs, Into the Dark conveys the mystery, glamour, and irony that make film noir surpassingly popular.About TCM:Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.

    #1 Bestseller! Sweethearts is the bestselling true story of one of Hollywood’s greatest cover-ups—the love affair between Jeanette MacDonald and Nelson Eddy. Known as “America’s Singing Sweethearts” of the 1930s and ‘40s, they made eight box office hits together for Metro-Goldwyn-Mayer and became the most popular singing team in movie history. Rumor had it that they hated each other off-screen but the truth was that they were secretly engaged in the summer of 1935 while filming their famous "Mountie" movie, Rose-Marie. Interference by MGM studio boss Louis B. Mayer triggered a series of tragic events that caused them to eventually marry others, self-destruct their film careers, health, and ultimately their lives. The 20th Anniversary Edition has been completely updated and features a wealth of startling new information, more photos and documentation, and previously anonymous sources coming forward to set the record straight. Reviews: “Offers considerable proof they may have been secret lovers for years.” – Robert Osborne “One of the finest books about Metro-Goldwyn-Mayer and Hollywood during the Golden Era. It is a bittersweet love story of a famous couple whose musical duets on the silver screen thrilled a generation of moviegoers. They were a once-in-a-lifetime experience. With the knowledge, thanks to Miss Rich, that the actors were in love off the screen, gives their films a heartbeat. Included are love letters, notes from diaries, and observations of those who kept their secret. You will enjoy every word of Sweethearts and you will find a new meaning when viewing their musicals. Then you’ll read it a second time. – Jane Ellen Wayne, The Golden Guys of MGM “That rarity among star bios, an absorbingly written, exhaustively researched, and fully sourced work.” – Preview, AFI “The star-crossed love affair of the century. Sharon Rich paints a story of love so passionate, volatile and ultimately futile, even Shakespeare’s frustrated lovers pale by comparison. At least Romeo and Juliet solved matters in less than a week. The account is anything but sugar-coated. Ms. Rich’s book certainly contains much to raise the eyebrows. She names names and pulls no punches. Still, this is not a sensational expose; one comes away feeling sorry for the protagonists, and wishing that their story could have had a happier resolution. Further, Ms. Rich appears to have scrupulously documented each element of her narrative. Nelson’s own letters, and the frequent comments of Jeanette’s older sister, Blossom Rock, give credibility to an amazing story.” – Rob Ray, Past Times One of Hollywood’s least well-kept secrets. Rich affords a long, exciting, revealing look at two of the most important screen personalities of the 1930s. Vital reading to anyone interested in film history, Hollywood, or popular culture.” – Mike Tribby, Booklist “A surprisingly interesting look at two people so wrapped up in make-believe that they began taking it seriously.” – Harry Bowman, The Dallas Morning News "A bonanza for MacDonald/Eddy fans, a pan full of nuggets for aficionados of Hollywood and MGM.” – Kirkus Reviews “This book rings true. Fans will love it.” – John Smothers, Library Journal

    He has been a reviewer since 1965 (long for Time magazine), has written almost forty books on the subject, and has produced and directed thirty documentaries. He has counted as personal friends many of the leading filmmakers of the twentieth century. Call it “obsession,” “lunacy,” or a “grand passion” (Schickel grants all three), but there’s simply no one who knows film better. Now Schickel gives us the ultimate summing up: a history of film as he’s seen—and lived—it, a tour of his favorites, a master class in what makes a film soar or flop. Schickel’s no-holds-barred, often raucously irreverent opinions can range from panning classics, to spotlighting forgotten treasures, to defending the art of “popular” genres such as horror, westerns, screwball comedy, and noir. Beyond his picks and pans, Schickel offers a wealth of behind-the-scenes anecdotes (a love note from Marlene Dietrich, Frank Capra’s unlikely path to success, Annie Hall’s original title), career studies of our greatest performers and auteurs, and candidly intimate glimpses of his own life in pictures (an evening with Greta Garbo, John Ford’s advice on directing, a “dust-up” in defense of Monty Python). Above all, Schickel gives us a collection of the true gems, the immortal moments that have stuck with him over a lifetime of movie watching—the transcendent scenes, characters, lines, shots, scores, even lighting cues that offer, each in their way, pure “movie magic.” Buster Keaton, His Girl Friday, Ingrid Bergman, Taxi Driver, Star Wars, Stanley Kubrick, Pulp Fiction—Schickel reveals all the films and the forces behind them that have kept him coming back for more. An essential addition to any cinephile’s library, Keepers is the curation of a brilliant connoisseur and critic, but more than that, it’s a love letter to film from one of its most dedicated devotees.

    Even events off-set can conspire to stop the mightiest movies in their tracks. Witness the collapse of Francis Ford Coppola's "Megalopolis" in the aftermath of 9/11, or the demise of "Something's Got to Give" following the mysterious death of Marilyn Monroe (leaving the most famous sequence in the history of unmade movies). In exhaustive detail, this book untangles the misfortune, quarrels, and twists of fate that doomed some of the greatest movies you'll never see. With doyens of directing from Kubrick to the Coen Brothers and stars from Salvador Dali to the Sex Pistols, the eye-opening entries in "The Greatest Movies You'll Never See" unravel just why unmade masterpieces are stuck in "development hell" and assess the chances of them ever being completed and released. Each ill-fated work--from Charlie Chaplin's pet project on Napoleon to David Fincher's foray into sex and mutation--is examined in an in-depth essay. Selected entries boast script extracts, test footage frames, and concept art. Sidebars shine a spotlight on related movies, stars, and sources. Acclaimed designers and illustrators have executed spectacular original poster artwork--loyal to the vision of each original director--to accompany each of the unmade films.

    The talent agent who worked with the likes of John Belushi, Jim Henson, Phil Hartman, and Dennis Miller reveals how he began at the mail room at the William Morris Agency, working his way to the top.

    Smith Goes to Washington," and "The Philadelphia Story." He symbolized the patriotism of the time, and even joined the army in World War II, winning a Distinguished Flying Cross. Up to that point, his characters had espoused the same values that Stewart himself, a devout Presbyterian, lived by. But after the war, his youthful exuberance faded, and he settled into darker roles, including his classic performances in Hitchcock's "Rear Window" and "Vertigo." Biographer Donald Dewey suggests that while the boyish charm of his early characters reflected pre-war hopefulness, his disturbed, nearly psychotic later characters mirrored the introspection and suspicion of the 1950s.

    Most of them stunk. With over 2500 reviews on the Horror Movie A Day website, finding the worthwhile ones can be a chore, so Collins has curated a selection of choice films - 365 of them in fact, one for every day of the year. Each month has a different theme and offers a variety of films within that theme for your viewing enjoyment. Every movie is someone's favorite movie - perhaps this book will introduce you to yours.