A two-time loser at the marriage game as well, Doyle, usually ultra-confident, fishes himself out of a bottle to take stock, realizing, “with a thumping finality, that Life sure as hell did have his Number and was crunching it.”At loose ends, Doyle accepts a most unusual offer from an acquaintance, Moe Kellman, to fix a horse race. The context of making the deal, a Cubs game at storied Wrigley Field, sets the tone for the drama that follows. Thus begins a chain of events that will lead the FBI to Doyle’s door where they “coopt” him into a quest after people who are maiming or killing thoroughbred horses for their insurance values. Their number one target is a loathsome media mogul who can’t bear to lose…at anything.Built upon recent factual events, spiced with satire and peppered throughout with engaging loonies, Blind Switch is a noteworthy first novel with a hero forced to ask in its ultimate line, “Where have I gone right?”

    His wife, Amber, has divorced him and is remarrying a rich wall street hedge fund manager. His boss hates him, his partner tolerates him, and he likes to stand on the ledge ten stories up, bottle in hand. Four years ago his infant son passed away in his crib sending his life into a tail spin. All he has left is saving lives, and saving them on his terms. That's not enough. Enter Brooklyn, a fiery red headed stringer, who works the overnight selling video and stills to the New York media and she's had a long standing crush on Brian. She's out to prove that a paramedic isn't the only one who can save a life.

     While up in the mountains, he discovered a wilderness plagued by nature and haunted by superstition, but one that he thought he could tame with his experience and strong back. He didn't know he was going to have to kill to keep the home he planned for his family, but he didn't let that stop him. Sam had been looking for a home for his family for years. That search had been interrupted by the Civil War. Now Sam is putting down roots, and not even the Devil himself can stand in the way.

    Intent on burying the past, Taylor determines to keep busy in the present. This includes following in her mother's footsteps (whether she likes it or not), a part-time job learning the art of the perfect latte from a sharp-tongued barista, and volunteer hours at an animal shelter. At the shelter, Taylor meets a savagely wounded mare whose strength and grace mysteriously touch her own damaged spirit, reawakening old ghosts and inviting new healing. With the help of friends - including a handsome veterinarian with saving hands - Taylor discovers second changes are found in unlikely places and that, against all odds, love restores a broken heart.

    JacksonSet on the stage of America's westward expansion, the story's theme is centered around the unique lives of two young boy's whose lives are picked clean of everything they know and love. The boys are left alone to travel the road from childhood to manhood with nothing but their friendship and their determination to survive.In the end they are two old men with the recklessness of youth still in their nature as they embark on one last mission, one grand adventure wherein, for at least that fleeting moment, they are able to recapture that point in time when we are all at our best.

    The first avocado pears are appearing at the greengrocer's, people are thinking about carpeting their lavatories and boxing in their banisters, and Ronnie Glover, housepainter, husband and father, is feeling the first vague stirrings of discontent with his life. Then, out of the blue, the fabulous, sophisticated (and married) Jacqueline bursts into his life and teaches him to tango. She seems to offer everything he ever dreamt of. But is it all too good to he true?

    But nothing prepared him for Milkwood: a fat, ugly bastard who could take a beating like a government mule, but never, ever won. So when Malcolm risks his life to discover Milkwood's secret, he convinces the fighter to stop being a punching bag and to go for broke in the local tournament. Only problem? A beautiful woman called Lash who needs Milkwood for her own purposes, and a fouler creature on her heels known only as Dizzy Colt. But for Malcolm and Milkwood? Hell, it’s just another day of Blood and SawdustPRAISE FOR BLOOD AND SAWDUST!"With wicked, playful prose that blends the best of pulp with the supernatural, Jason Ridler’s Blood and Sawdust creates an unholy, hell-raising hybrid, the kind of tale Christopher Moore and Jim Thompson might swap after a long night of drinking, trying to one-up one another with acerbic absurdity." Joe Clifford, Author of CHOICE CUTS and JUNKIE LOVEPRAISE FOR THE WORK OF JASON RIDLER!"An exciting new writer." Lucius Shepard, multiple-award-winning author of HANDBOOK OF AMERICAN PRAYER. “Jason Ridler is kind of like a bull rider who’s tossed a saddle on a Tiger tank, and he’s riding that bucking sucker for all he’s worth, because, hey, no one told him that he couldn’t do it, did they? So here he is, the Man in the Barbed-Wire Straitjacket." Norman Partridge, Award Winning Author of DARK HARVEST. "Jason Ridler’s work is intense and taut, with incredible characters and plots that keep your mind buzzing long after you’ve reached the final page." Trent Zelazny, author of TOO LATE TO CALL TEXAS, and FRACTAL DESPONDENCY. ABOUT THE AUTHORJason S. Ridler is the author of BLOOD AND SAWDUST, the Spar Battersea thrillers (DEATH MATCH, CON JOB and DICE ROLL), the short story collection KNOCKOUTS, and has published over fifty stories in such magazines and anthologies as Beneath Ceaseless Skies, Brain Harvest, Chilling Tales, and more. His popular non-fiction has appeared in Clarkesworld, Dark Scribe, and the Internet Review of Science Fiction. A former punk rock musician and cemetery groundskeeper, Mr. Ridler holds a Ph.D. in War Studies from the Royal Military College of Canada. Visit him at twitter at http://twitter.com/JayRidler, Facebook ,http://www.facebook.com/Ridlerville, or his writing blog, Ridlerville, atwww.jsridler.com

    I had just come off I-65, and my high beams lit her up from behind. She was walking along the road between dark, endless cornfields, and her right leg was in a cast. She wore denim shorts and a yellow tank top that didn’t quite reach the shorts. Without crutches, she moved as fast as she could on the gravelly shoulder. She would take a long step with her good leg, stiffly swing the cast forward the same distance, and immediately start the next step. Tilting jerkily, she looked as if she would fall with every stride. I crossed the centerline to give her more room to fall. Just as I was about to pass her, she glanced over her shoulder and stuck out a thumb.When Phil Larrison picks up a hitchhiker, he gets more than he bargained for.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    That was over nineteen hundred years ago and the American government is tracking her.Here is the story of an administration during its eighth and final year in office looking for a way to salvage its legacy by finding and killing the world's most wanted terrorist. For seven years America has failed to accomplish this mission and now, desperate and beset by scandal, the government hatches a covert plan to capture, and then coerce, the world's first vampire into locating and killing the Sheikh.The government's lead researcher, a competent molecular biologist, begins to uncover the secrets of this remarkable and deadly creature. But as his research moves forward he discovers that instead of finding a remorseless killer driven to feed on humankind, the female vampire is a being who desires companionship and love.It is when they are sent to the Pashtun Belt on the mission to find and assassinate the Sheikh that the researcher and the vampire, facing death, make the ultimate sacrifice for each other.

    He's smart and handsome, yet haunted by memories that plague his sleep and send him flying for cover at sudden noises. Kathy Woodbridge is a white student in one of Richard's classes. She's pretty, idealistic, and drawn irresistibly to Richard's combination of charm and aliveness. It leads her into a relationship different from any she had expected -- and to a tragedy greater than any she can face. Lacey Greer is a secretary in San Pedro, California. When Kathy shows up at her office and is hired with no record of her past, Lacey wonders what Kathy could be running from. She's determined to find out, and to help if she can. Set in the early seventies, "Pacific Avenue" explores themes of love, belonging, helpfulness, hope, forgiveness, reconciliation, interracial marriage, and healing from the trauma of war.  ///////////////////////////////////////////////// Anne L. Watson, a retired historic preservation architecture consultant, is the author of numerous novels, plus books on such diverse subjects as soapmaking and baking with cookie molds. Anne has lived at various times in New Orleans, Baton Rouge, and San Pedro, California, the settings of "Pacific Avenue." She currently lives in Friday Harbor, Washington, in the San Juan Islands, with her husband and fellow author, Aaron Shepard. ///////////////////////////////////////////////// SAMPLE I chose a window seat on the Greyhound, but I didn't look out. For almost the whole trip, I stared at the rough tan upholstery of the seat in front of me. It had a rip on one side and three dark stains.  A woman settled into the aisle seat. She raised her footrest, but it clunked back down. When I glanced her way, she caught my eye and smiled."How do you make these things stay put?" she asked. I meant to answer -- the words were lined up in my mind. But before I could say them, they slipped apart like beads when the string breaks. I gave up and studied the seat cover again. Still tan, still ripped, still stained. The next time I looked, the woman was gone. Evening came, but I didn't use my reading light. Late at night, awake in the breathing dark, I imagined running my fingers over the seat back, erasing the stains, mending the seam. In the morning, I almost believed I could fix it. So, I took care not to touch it, not to find out for sure. In the afternoon, the bus left the freeway and crept through downtown traffic. I turned then, and peered through the mud-spattered window. As far as I could see, Los Angeles was a city of warehouses. I sank back into my seat. When we reached the station, I claimed my suitcase and dragged it through the waiting room to the street. Outside I found blank walls and empty sidewalks. No direction and no one to ask.  Well, I ran away from college, then from New Orleans, and then Baton Rouge. Is it too soon to run away from here?

    More than a century later, Kyle Ghostkiller is given the chance to go back and save them.Kyle has just returned to his hometown to accept a medicine bundle that gives him the power to time travel and reverse a curse on an old government document. But when four teenagers are found brutally murdered, newcomer Kyle becomes a prime suspect. With the FBI hot on his trail, and a jilted childhood sweetheart learning to love him all over again, Kyle escapes into the past where he must confront dark forces to save the "38" or risk losing them to the hangman's noose forever. It's a fierce battle between good and evil that Kyle must win. Only the sacred ceremonies of his ancestors and Kyle's sheer determination can save the "38", but can he successfully change history for the Great Sioux Nation?

    Even if that means literally throwing herself at the Duke and risking her own ruination.No man is arguably more broken and debauched than Timothy Burton, the Duke of Marfront. But, according to his father’s will, he needs to wed and produce an heir. Only, he never sleeps with the same woman twice.When Diana finds herself bound to the same man she wanted to frame, she starts discovering not only his tender, guarded heart, but the big secret surrounding his mother’s death. For, she is about to follow her cold trail...

    But when he learns that the young spy sent by the OSS to Prague is a woman, he has misgivings about working with her. He had expected a man—a man who could handle his assignment with the help of Janak and his fellow Resistance workers. It doesn’t take long, however, for Janak to realize the beautiful blonde spy has enough daring and resourcefulness to do what it takes in the occupied city. The Nazis are everywhere, but Tereza’s knowledge of Czech and German allows her to fit right in.Both of them have an unspoken determination to keep their relationship professional, to keep distractions at a minimum, but is that going to be possible when every day might be their last? The bond that develops between them can only be destroyed by death, but that’s a real possibility for covert activists in Nazi-occupied Prague.

    There’s just GOTTA be an explanation.But it’s not coming from Mary, as she’s quickly dubbed. She seems to have taken a vow of silence. So it’s up to the citizens of Bellingham to make their own miracles—or at least their own myths. The new celeb is instantly surrounded by hangers-on, miracle-seekers, paparazzi, preachers, and promoters—to hilarious effect.But are they dealing with an angel here, or someone playing an angle? Con, in a word, or icon? And by the way, what’s up with that strange light in the sky? Could be she came off a spaceship.Neither sacred nor profane, nor even paranormal, Campbell’s beautifully written book is at once funny and wise, a savvy story of how myths are made, how minds twist and turn around the extraordinary, how the human organism just can’t help grabbing for the supernatural, whether out of the spiritual need for a miracle or a mundane desire for cash.Think Barbara Kingsolver, Margaret Atwood, Anne Tyler, only really really funny.