A vivid, gripping tale of family secrets and lost love."SANDRA IRELAND, author of Beneath the SkinArizona, 1989Joy Sheldon loves the plants that bloom in the desert but dreams too of the sea's elemental wildness. Now, riven by terrible secrets, Joy embarks on a journey to seek her identity and to discover why the sea pulls at her heart.London, 1967Lewis Bell, a young graphic designer, is aiming for the big time if only he can keep his creative spark. But, as his talented girlfriend Marnie adds her own pressures, sixties Soho fast shows its darker side.Ireland, 1989Drawn together, Joy and Lewis fly across the Atlantic to the Irish coast. She's in search of a lost mother; he's looking for a lost love. They need to make peace with the past, themselves and others. But the truths they encounter will transform everyone's lives forever.Bold, intimate and joyful. This glorious novel tells an unforgettable story of love's true gravity.

    This collection announces a major new voice in literary fiction for the twenty-first century.

    Short story published in The New Yorker, July 12 & 19, 2021 Issue and available to read online at magazine's website.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    The attached tag bears his own name and address. Who is she? And why would a complete stranger send her to him? As Solly attempts to find the answers, other Ballygurry inhabitants are drawn into the mystery. Their inquiries lead to the secluded monastery of Santa Eulalia on the medieval trail to Santiago de Compostela. As the Ballygurry pilgrims begin to thaw in the Spanish sunshine, a number of interwoven mysteries from the past gradually unfurl to rekindle old hatreds--"and restore old passions.

    An absurdist short story collection about the woes of 21st-century living--from an author whose writing is "moving and necessary, not to mention frequently hilarious" (Miranda July)College students, recent graduates, and their parents work at Denny's, volunteer at a public library in suburban Florida, attend satanic ska/punk concerts, eat Chinese food with the homeless of New York City, and go to the same Japanese restaurant in Manhattan three times in two sleepless days, all while yearning constantly for love, a better kind of love, or something better than love, things which--much like the Loch Ness Monster--they know probably do not exist, but are rumored to exist and therefore "good enough."

    Ruth declares that a bad thing will happen in the coming year - she's sure of it. But she cannot see the outline of that thing - she cannot know that it will change their lives utterly, that the shape of their future will be carved into two parts; the before and the after. Or that it will break her heart and break her family.This is Ruth's story. It is the story of before.

    Across the country, Isabel is sent to convent school but runs away. Isabel and Nicholas are made for each other, but how will they know?

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom of the hill. James Dunford has come from America but he won’t say why. He spends his days fixing up the old cottage and walking the beach with a stray dog that showed up on his doorstep.As the weeks pass, Tara tries to get to know James, but he resists her at every turn. And it's not until a local villager recognizes him from the news that she realizes his visit might be about more than just a vacation. On the night of a big storm, Tara finally confronts James about why he is there. But how can she expect him to be honest when she, too, is hiding her own dark secret?Set against the backdrop of the Hunger Strikes in Northern Ireland, Sunsets Never Wait is a story about love, loss, and the risks of hanging on to the past. No matter how much the world has let you down, there’s always a possibility for second chances.

    The best bones weren’t on trails—deer and moose don’t die conveniently—and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories . . .”So Charles D’Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in The New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father’s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D’Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D’Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.The high divide --Drummond & son --Screenwriter --Up north --The scheme of things --The dead fish museum --Blessing --The bone game

    edition. British publication by Hart-Davis, McGibbon Ltd ('76).-- A companion to The Best of Myles, Further Cuttings culls more scathing selections from "Cruiskeen Lawn", Flann O'Brien's column in the Irish Times written under the pseudonym Myles na Gopaleen.-- This volume covers the years 1947-1957 and finds O'Brien's alter ego clashing with the law on numerous charges, including larceny, using bad language, and marrying without the consent of his parents. It also includes several bizarre obituaries, witty criticisms of George Bernard Shaw, Sean O' Faolain, and other literary figures, the return of the preposterous "Brother", and the first article ever ascribed to Myles (published in 1940).

    A young man walks through the hills of south-west Romania, where the locals have peculiar ideas about gold. On the morning of a medical examination, a woman tries to coax her husband off the roof. A smuggler pays off an old debt to his sister and resigns himself to a life of honest toil in the mine-shafts of his home town. A mysterious rodent named Brigitte enters the lives of two old men. And, in the astonishing long story 'In the Neighbourhood', the inhabitants of a crumbling tower-block go about their business, unforgettably.The stories of Philip Ó Ceallaigh create a world that is utterly original and yet immediately recognizable - a world of ordinary people grappling with work and idleness, ambition and frustration, wildness and sobriety, love and lust and decay. Scabrously honest, screamingly funny and beautifully crafted, Notes from a Turkish Whorehouse is a brilliant debut from a writer who cannot be ignored by anyone who cares about the art of fiction.

    The collection consists of five short stories: 'The Small Rain', 'Lowlands', 'Entropy', 'Under the Rose', and 'The Secret Integration', as well as an introduction written by Pynchon himself for the 1984 publication. The five stories were originally published individually in various literary magazines but in 1984, after Pynchon had achieved greater recognition, Slow Learner was published to collect and copyright the stories into one volume. The introduction also offers a rare insight into Pynchon's own views on his work and influences.

    As the Protestant-Irish emerge from the postwar years, the refuse to face the inevitable: They have beautiful old houses, but can scarcely afford to heat them; eat meals on exquisitely set tables, while the roof leaks; and talk very seriously about the importance of making suitable marriages.When Molly flees the genteel poverty of Ireland for London of the 1960s, she must balance the allure of the new against the romance of a world that no longer exists.