A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

    When the policeman bent down to ask “Auntie, are you going to move?” all the strength of all the people through all those many years joined in her. She said, “No.”A picture book account of Rosa Park's historic choice.

    But soon after he arrives, he crosses paths with Emmett Till, a black teenager from Chicago who is also visiting for the summer, and Hiram sees firsthand how the local whites mistreat blacks who refuse to "know their place." When Emmett's tortured dead body is found floating in a river, Hiram is determined to find out who could do such a thing. But what will it cost him to know? Mississippi Trial, 1955 is a gripping read, based on true events that helped spark the Civil Rights Movement.

    Drawing on Anderson's own writings and other contemporary accounts, Russell Freedman shows readers a singer pursuing her art despite the social constraints that limited the careers of black performers in the 1920s and 1930s. Though not a crusader or a spokesperson by nature, Marian Anderson came to stand for all black artists -- and for all Americans of color -- when, with the help of such prominent figures as Eleanor Roosevelt, she gave her landmark 1939 performance on the steps of the Lincoln Memorial, which signaled the end of segregation in the arts.Carefully researched, expertly told, and profusely illustrated with contemporary photographs, this Newbery Honor and Sibert Medal-winning book is a moving account of the life of a talented and determined artist who left her mark on musical and social history. Through her story, Newbery Medal-winning author Russell Freedman, one of today's leading authors of nonfiction for young readers, illuminates the social and political climate of the day and an important chapter in American history. Notes, bibliography, discography, index.

    The story takes place in a small Vermont town in the year 1924, revealing the devastating impact of the Ku Klux Klan on this pastoral, insular community. At the heart of the tale are two motherless girls who come to the attention of the newly formed Klan: 12-year-old Leanora Sutter, who is black, and 6-year-old Esther Hirsch, who is Jewish. Hesse tells her story, which is based on real events, through the eyes of 11 different characters. Each point of view is expressed in poetic form, but with a stark clarity of difference that makes the voices unique and identifiable. There is a fire-and-brimstone preacher whose sermons reveal him as a zealot and whose actions brand him as a hypocrite. There is a middle-aged farm woman named Sara who takes Esther under her wing despite the warnings of her neighbors, trying to help the child understand why the Klan has marked her and her widowed father as targets for their hatred. Esther's only other friend is Leanora, who is about to learn some harsh lessons on tolerance and hatred herself at the hands of the Klan. And linking them all together is 18-year-old Merlin Van Tornhout, a young man struggling to fit in with the adult world and determine for himself the difference between right and wrong. The remaining characters who circle the periphery of this core group reflect the various mind-sets and biases that were common during this era of fear and persecution, even in a setting as bucolic as the Vermont countryside.Hesse weaves real historic events into her tale, such as the murder trial of the infamous kidnappers Leopold and Loeb, giving the work a definite period flavor. Using prose that is both sparse and powerful, she builds the tension with a slow crescendo of inevitability that ends in violence, but also offers up an unforgettable lesson on the true power of friendship and acceptance. (Beth Amos)

     An eye-opening book that tells the important, overlooked story of black women as a force in the suffrage movement--when fellow suffragists did not accept them as equal partners in the struggle.Susan B. Anthony. Elizabeth Cady Stanton. Alice Paul. The Women's Rights Convention at Seneca Falls. The 1913 Women's March in D.C. When the epic story of the suffrage movement in the United States is told, the most familiar leaders, speakers at meetings, and participants in marches written about or pictured are generally white.The real story isn't monochromatic.Women of color, especially African American women, were fighting for their right to vote and to be treated as full, equal citizens of the United States. Their battlefront wasn't just about gender. African American women had to deal with white abolitionist-suffragists who drew the line at sharing power with their black sisters. They had to overcome deep, exclusionary racial prejudices that were rife in the American suffrage movement. And they had to maintain their dignity--and safety--in a society that tried to keep them in its bottom ranks.Lifting as We Climb is the empowering story of African American women who refused to accept all this. Women in black church groups, black female sororities, black women's improvement societies and social clubs. Women who formed their own black suffrage associations when white-dominated national suffrage groups rejected them. Women like Mary Church Terrell, a founder of the National Association of Colored Women and of the NAACP; or educator-activist Anna Jullia Cooper who championed women getting the vote and a college education; or the crusading journalist Ida B. Wells, a leader in both the suffrage and anti-lynching movements.Author Evette Dionne, a feminist culture writer and the editor-in-chief of Bitch Media, has uncovered an extraordinary and underrepresented history of black women. In her powerful book, she draws an important historical line from abolition to suffrage to civil rights to contemporary young activists--filling in the blanks of the American suffrage story.

    The same is true for gifted, prolific, women poets of the Harlem Renaissance who are little known, especially as compared to their male counterparts. In this poetry collection, bestselling author Nikki Grimes uses "The Golden Shovel" poetic method to create wholly original poems based on the works of these groundbreaking women-and to introduce readers to their work. Each poem is paired with one-of-a-kind art from today's most exciting female African-American illustrators: Vanessa Brantley-Newton, Cozbi A. Cabrera, Nina Crews, Pat Cummings, Laura Freeman, Jan Spivey Gilchrist, Ebony Glenn, April Harrison, Vashti Harrison, Ekua Holmes, Cathy Ann Johnson, Keisha Morris, Daria Peoples-Riley, Andrea Pippins, Erin Robinson, Shadra Strickland, Nicole Tadgell, and Elizabeth Zunon. Legacy also includes a foreword, an introduction to the history of the Harlem Renaissance, author's note, and poet biographies, which make this a wonderful resource and a book to cherish. Acclaim for One Last Word A Boston Globe-Horn Book Honor winnerA New York Public Library Best Kids Book of the YearA Kirkus Reviews Best Book of the Year, Middle GradeA School Library Journal Best Book of the Year, Nonfiction

    As General Tubman she was a Union spy. As Moses she led hundreds to freedom on the Underground Railroad. As Minty she was a slave whose spirit could not be broken.

    Among these biographies, readers will find heroes, role models, and everyday women who did extraordinary things - bold women whose actions and beliefs contributed to making the world better for generations of girls and women to come.Whether they were putting pen to paper, soaring through the air or speaking up for the rights of others, the women profiled in these pages were all taking a stand against a world that didn't always accept them. The leaders in this book may be little, but they all did something big and amazing, inspiring generations to come.

    More than 400 slaves were sold. On the first day of the auction, the skies darkened and torrential rain began falling. The rain continued throughout the two days, stopping only when the auction had ended. The simultaneity of the rain storm with the auction led to these two days being called "the weeping time." Master storyteller Julius Lester has taken this footnote of history and created the crowning achievement of his literary career.Julius Lester tells the story of several characters including Emma, a slave owned by Pierce Butler and caretaker of his two daughters, and Pierce, a man with a mounting gambling debt and household to protect. Emma wants to teach his daughters-one who opposes slavery and one who supports it-to have kind hearts. Meanwhile, in a desperate bid to survive, Pierce decides to cash in his "assets" and host the largest slave auction in American history. And on that day, the skies open up and weep endlessly on the proceedings below.Using the multiple voices of enslaved Africans and their owners, Julius Lester has taken a little-known, all-true event in American history and transformed it into a heartbreaking and powerfully dramatic epic on slavery, and the struggle to affirm humanity in the midst of it.

    As she listened to the preacher’s words, smooth as glass, she sat up tall. And when she heard the plan—picket those white stores! March to protest those unfair laws! Fill the jails!—she stepped right up and said, I’ll do it! She was going to j-a-a-il!Audrey Faye Hendricks was confident and bold and brave as can be, and hers is the remarkable and inspiring story of one child’s role in the Civil Rights Movement.

    From where she sat in the office, Ruby Bridges could see parents marching through the halls and taking their children out of classrooms. The next day, Ruby walked through the angry mob once again and into a school where she saw no other students. The white children did not go to school that day, and they wouldn't go to school for many days to come. Surrounded by racial turmoil, Ruby, the only student in a classroom with one wonderful teacher, learned to read and add.This is the story of a pivotal event in history as Ruby Bridges saw it unfold around her. Ruby's poignant words, quotations from writers and from other adults who observed her, and dramatic photographs recreate an amazing story of innocence, courage, and forgiveness. Ruby Bridges' story is an inspiration to us all.

    But first, he was a boy named Malcolm Little. Written by his daughter, this inspiring picture book biography celebrates a vision of freedom and justice.Bolstered by the love and wisdom of his large, warm family, young Malcolm Little was a natural born leader. But when confronted with intolerance and a series of tragedies, Malcolm’s optimism and faith were threatened. He had to learn how to be strong and how to hold on to his individuality. He had to learn self-reliance. Together with acclaimed illustrator AG Ford, Ilyasah Shabazz gives us a unique glimpse into the childhood of her father, Malcolm X, with a lyrical story that carries a message that resonates still today—that we must all strive to live to our highest potential.

    As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father’s actions.Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today’s world, and how one boy grows to understand American blackness in the aftermath of his own death.

    Louis to the grandest stages in the world. Meticulously researched by both author and artist, Josephine's powerful story of struggle and triumph is an inspiration and a spectacle, just like the legend herself.