from Berkeley and a wild streak, wakes up in jail yet again--after another epic alcoholic blackout. "Okay, what'd I do?"? she asks her lawyer and jailers. "I really don't remember."? She adds, jokingly: "Did I kill someone?"In fact, two Jehovah's Witnesses, a mother and daughter, are dead, run over in Patsy's driveway. Patsy, who was driving with a revoked license, will spend the rest of her life--in prison, getting sober, finding a new community (and a husband) in AA--trying to atone for this unpardonable act.Then, decades later, another unimaginable piece of information turns up.For the reader, it is an electrifying moment, a joyous, fall-off-the-couch-with-surprise moment. For Patsy, it is more complicated. Blame must be reapportioned, her life reassessed. What does it mean that her life has been based on wrong assumptions? What can she cleave to? What must be relinquished?FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDFINALIST FOR THE LOS ANGELES TIMES BOOK PRIZECHICAGO TRIBUNE FAVORITE FICTION OF THE YEARO, THE OPRAH MAGAZINE TEN TERRIFIC READS OF THE YEARA WASHINGTON POST BEST BOOK OF THE YEARA KANSAS CITY STAR 100 BEST BOOKS OF THE YEAR

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    Her recent troubles—widowhood, a failing business, an unemployed middle-aged son—are only the latest in a litany spanning dozens of countries, scores of marriages, and hundreds of children. In the 2,000 years since she made a spiritual bargain to save the life of her first son back in Roman-occupied Jerusalem, she’s tried everything to free herself, and only one other person in the world understands: a man she once loved passionately, who has been stalking her through the centuries, convinced they belong together forever.But as the twenty-first century begins and her children and grandchildren—consumed with immortality in their own ways, from the frontiers of digital currency to genetic engineering—develop new technologies that could change her fate and theirs, Rachel knows she must find a way out.Gripping, hilarious, and profoundly moving, Eternal Life celebrates the bonds between generations, the power of faith, the purpose of death, and the reasons for being alive.

    On a rocky patch of the sun-drenched Italian coastline, a young innkeeper, chest-deep in daydreams, looks out over the incandescent waters of the Ligurian Sea and spies an apparition: a tall, thin woman, a vision in white, approaching him on a boat. She is an actress, he soon learns, an American starlet, and she is dying.And the story begins again today, half a world away, when an elderly Italian man shows up on a movie studio's back lot—searching for the mysterious woman he last saw at his hotel decades earlier.What unfolds is a dazzling, yet deeply human, roller coaster of a novel, spanning fifty years and nearly as many lives. From the lavish set of Cleopatra to the shabby revelry of the Edinburgh Fringe Festival, Walter introduces us to the tangled lives of a dozen unforgettable characters: the starstruck Italian innkeeper and his long-lost love; the heroically preserved producer who once brought them together and his idealistic young assistant; the army veteran turned fledgling novelist and the rakish Richard Burton himself, whose appetites set the whole story in motion—along with the husbands and wives, lovers and dreamers, superstars and losers, who populate their world in the decades that follow. Gloriously inventive, constantly surprising, Beautiful Ruins is a story of flawed yet fascinating people, navigating the rocky shores of their lives while clinging to their improbable dreams.

       Day by day, Marjorie’s skills as a stoneworker increase, and so too does her intolerance for the bitter rules of her family life.  Gradually, through exposure to the world beyond her parents’ wood cabin thanks to the kindness of her aunt and her boss, and an almost superhuman determination, she discovers what is loveable within herself.  This newfound confidence and self-esteem ultimately allows her to break free from the bleak life she has known, to find love, to start a family, and to try to heal her old, deep wounds without passing that pain on to her husband and children.   By turns darkly menacing and bright with love and resilience, The Talk-Funny Girl is the story of one young woman’s remarkable courage, a kind of road map for the healing of early abuse, and a testament to the power of kindness and love.

    She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    It is a story about childhood and growing up, loss of innocence, eccentricity, familial ties and friendships, love and life. Stripped down to its bare bones, it’s about the unbreakable bond between a brother and sister.

    There is no school, but their mother teaches them to read and write, and once a month sends the boys on a two-day journey to the bazaar. They are poor, but inside their mud-walled home, the family has stability, love, and routine.When a convoy of armed men arrives in their village one day, their world crumbles. The boys survive and make their way to a small city, where they sleep among other orphans. They learn to beg, and, eventually, they earn work and trust from the local shopkeepers. Ali saves their money and sends Aziz to school at the madrassa, but when US forces invade the country, militants strike back. A bomb explodes in the market, and Ali is brutally injured.In the hospital, Aziz meets an Afghan wearing an American uniform. To save his brother, Aziz must join the Special Lashkar, a US-funded militia. No longer a boy, but not yet a man, he departs for the untamed border. Trapped in a conflict both savage and entirely contrived, Aziz struggles to understand his place. Will he embrace the brutality of war or leave it behind, and risk placing his brother and a young woman he comes to love in jeopardy?Having served five tours of duty in Afghanistan and Iraq, Elliot Ackerman has written a gripping, morally complex debut novel, an astonishing feat of empathy and imagination about boys caught in a deadly conflict.

    Emilia Brown is a woman of a certain age. She has spent a frugal, useful, and wholly restrained life in Ashville, a small town in Rhode Island. Overlooked especially by the industries of fashion and media, Mrs. Brown is one of today’s silent generations of women whose quiet no-frills existences would make them seem invisible. She is a genteel woman who has known her share of personal sorrows and quietly carried on, who makes a modest living cleaning and running errands at the local beauty parlor, who delights in evening chats with her much younger neighbor, twenty-three-year-old Alice Danvers. When the grand dame of Ashville passes away, Mrs. Brown is called upon to inventory her estate and comes across a dress that changes everything. The dress isn’t a Cinderella confection; it’s a simple yet exquisitely tailored Oscar de la Renta sheath and jacket—a suit that Mrs. Brown realizes, with startling clarity, will say everything she has ever wished to convey. She must have it. And so, like the inspired heroine of Paul Gallico’s 1958 classic Mrs. ‘Arris Goes to Paris, Mrs. Brown begins her odyssey to purchase the dress. For not only is the owning of the Oscar de la Renta a must, the intimidating trip to purchase it on Madison Avenue is essential as well. If the dress is to give Mrs. Brown a voice, then she must prepare by making the daunting journey—both to the emerald city and within herself. Timeless, poignant, and appealing, My Mrs. Brown is a novel for every mother in the world, every woman who ever wanted the perfect dress, and every child who wanted to give it to her.

    The survivor, Isabelle, is left to pick up the pieces, not only of her own life but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why. As these three lives intersect, they are left to ask, How well do we really know those we love--and how do we forgive the unforgivable?

    Joseph March, a twenty-one-year-old working class kid from Seattle, is on top of the world. He has just graduated college and his future beckons, unencumbered, limitless, magnificent. Joe's life implodes when he starts to suffer the symptoms of bipolar disorder, and, not long after, his mother kills a man she's never met with a hammer. Joe moves to White Pine, Washington, where his mother is serving time and his father has set up house. He is followed by Tess Wolff, a fiercely independent woman with whom he has fallen in love. The lives of Joe, Tess, and Joe's father fall into the slow rhythm of daily prison visits followed by beer and pizza at a local bar. Meanwhile, Anne-Marie March, Joe's mother, is gradually becoming a local heroine as many see her crime as a furious, exasperated act of righteous rebellion. Tess, too, has fallen under her spell. Spurred on by Anne-Marie's example, Tess enlists Joe in a secret, violent plan that will forever change their lives. Maksik sings of modern America's battered soul and of the lacerating emotions that make us human. Magnetic and masterfully told, Shelter in Place is about the things in life we are willing to die for, and those we're willing to kill for.

    Grace is also the author of You Should Have Known, a book in which she castigates women for not valuing their intuition and calls upon them to examine their first impressions of men for signs of serious trouble later on. But weeks before the book is published, a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

    M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her keen ability to explore how extraordinary the ordinary can be is at the heart of her touching and funny new novel, her first in six years. Richard Novak is a modern-day Everyman, a middle-aged divorcé trading stocks out of his home. He has done such a good job getting his life under control that he needs no one- except his trainer, nutritionist, and housekeeper. He is functionally dead and doesn't even notice until two incidents-an attack of intense pain that lands him in the emergency room, and the discovery of an expanding sinkhole outside his house-conspire to hurl him back into the world. On his way home from the hospital, Richard forms the first of many new relationships: He meets Anhil, the doughnut shop owner, an immigrant who dreams big. He finds a weeping housewife in the produce section of the supermarket, helps save a horse that has fallen into the sinkhole, daringly rescues a woman from the trunk of her kidnapper's car, and, after the sinkhole claims his house and he has to relocate to a Malibu rental, he befriends a reluctant counterculture icon. In the end, Richard is also brought back in closer touch with his family-his aging parents, his brilliant brother, the beloved ex-wife whom he still desires, and finally, before the story's breathtaking finale, with his estranged son Ben. The promised land of Los Angeles-a surreal city of earthquakes, wildfires, mudslides, and feral Chihuahuas-is also very much a character in This Book Will Save Your Life. A vivid, revealing novel about compassion, transformation, and what can happen if you are willing to lose yourself and open up to the world around you, it should significantly broaden Homes's already substantial audience.

    She does so as he drives down to Cape Cod, where he and his wife, Joy, will celebrate the marriage of their daughter Laura’s best friend. For Griffin this is akin to driving into the past, since he took his childhood summer vacations here, his parents’ respite from the hated Midwest. And the Cape is where he and Joy honeymooned, in the course of which they drafted the Great Truro Accord, a plan for their lives together that’s now thirty years old and has largely come true. He’d left screenwriting and Los Angeles behind for the sort of New England college his snobby academic parents had always aspired to in vain; they’d moved into an old house full of character; and they’d started a family. Check, check and check.But be careful what you pray for, especially if you manage to achieve it. By the end of this perfectly lovely weekend, the past has so thoroughly swamped the present that the future suddenly hangs in the balance. And when, a year later, a far more important wedding takes place, their beloved Laura’s, on the coast of Maine, Griffin’s chauffeuring two urns of ashes as he contends once more with Joy and her large, unruly family, and both he and she have brought dates along. How in the world could this have happened?That Old Cape Magic is a novel of deep introspection and every family feeling imaginable, with a middle-aged man confronting his parents and their failed marriage, his own troubled one, his daughter’s new life and, finally, what it was he thought he wanted and what in fact he has. The storytelling is flawless throughout, moments of great comedy and even hilarity alternating with others of rueful understanding and heart-stopping sadness, and its ending is at once surprising, uplifting and unlike anything this Pulitzer Prize winner has ever written.From the Hardcover edition.