An intricately researched and elegantly written epic history peopled with larger-than-life characters, it is the work of a major scholar at the peak of his abilities...

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    Imbued with his love for India, and informed by his experience of India (where he worked for the BBC for over 20 years), Mark Tully has woven together a series of stories set in Uttar Pradesh, which tell of very different lives.

    Set in a middle-class housing colony, this is the story of stay-at-home mum Monalisa, who cannot clean the kitchen counter enough times; Meera, who is bullied constantly by her traditional mother-in-law; college-going Abeer, who isnt sure how to impress the glamorous Mandy; academic Aparajita, who has no takers on the marriage mart; philosopher Ananda, whom no one takes seriously; and Treeza, a former school secretary now sunk in gloom. Into their midst arrives Oxford-returned Sandhya: half hippie, half saadhvi, full spiritual guru. Under her aegis is formed The Weight Loss Club, throwing the lives of our heroes and heroines into utter and delightful disarray. But while chemistry brews and equations change, one question remains: who is Brahmacharini Sandhya, and why on earth has she moved into Nancy Housing Cooperative?

    When the mystified librarian opens it, she screams before she falls unconscious to the floor. An elite group calling itself the Lashkar-e-Talatashar has scattered around the globe, the fate of its members curiously resembling that of Christ and his Apostles. Their agenda is Armageddon. In the labyrinthine recesses of the Vatican, a beautiful assassin swears she will eliminate all who do not believe in her twisted credo. In Tibet, Buddhist monks search for a reincarnation while in strife-torn Kashmir, a tomb called Rozabal holds the key to an ancient riddle. Father Vincent Sinclair, has disturbing visions of himself and of people familiar to him, except that they seem located in other ages. He goes to India to piece together the violent images burnt onto his mind. Shadowing his every move is a clandestine society, which would rather wipe out creation than allow an ancient secret to be disclosed.

    The Fonseca family gathers in the Carvalho mansion for the birthday of Savio Fonseca. for his 75th birthday, Savio Fonseca's two daughters Joanna and Carol, who are settled abroad, come down to celebrate his birthday with Savio's son-in-law Sam. On this occasion, Eduardo, who is Savio's cousin drops in with his wife.On the night before Savio's birthday, when the family is spending time together, the electricity fails, because of which the entire place is in darkness. In this dark setting, the occasion seems right for sharing ghost stories. Soon the entire family starts to swap ghost stories, which revolve around the history of the Fonseca family. These stories range from mysterious sightings to lonely buildings and magic spells.The stories are split up into two sections and every character has a story to narrate. These stories have their roots in the Fonseca family and give readers a look into the happenings of the family members in the past. The hopes, dreams, personalities and traits of all the members of this family are revealed through the course of this book. Even the family name is a topic of speculation, with Savio's wife Lillian being keener on safeguarding its honor than Savio himself. This interest raises a number of doubts. The secret that Savio and his wife have been guarding from their daughters is soon to be unravelled.

    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951

    Mounting it, he puts one foot on the pedal, the other on the threshold, and waits for Teresa. This was how he used to wait for her at the station two years ago. He used to be in love with her then… Sahitya Akademi-awardee Damodar Mauzo is one of the most prominent, prolific and feted figures in contemporary Konkani literature. His writing spans an enormous range, straddling both urban and rural geographies, and runs the gamut of human emotion—the paralyzing helplessness of the small farmer in the face of implacable nature; the eternal ebbs and flows of the man-woman relationship; and the many humiliations, small and large, of raising a differently abled child. In the title story, an ineffectual husband finally reaches his boiling point; ‘Coinsanv’s Cattle’ is a heart-breaking depiction of how a farmer couple must make the impossible choice—send their beloved animals to slaughter or face starvation; and, in the quietly humorous ‘A Writer’s Tale’, a senior author becomes the unwitting subject of a woman’s fiction. Compiled with care, and smoothly, felicitously translated by Xavier Cota, Teresa’s Man and Other Stories from Goa brings to readers tales which are as compellingly local in their flavour as they are universal in the ideas and emotions they evoke. This volume is a must-read.

    The Argumentative Indian is "a bracing sweep through aspects of Indian history and culture, and a tempered analysis of the highly charged disputes surrounding these subjects--the nature of Hindu traditions, Indian identity, the country's huge social and economic disparities, and its current place in the world" (Sunil Khilnani, Financial Times, U.K.).

    Gods disguised as beggars and beasts, animals enacting Machiavellian intrigues, sagacious jesters and magical storytellers, wise counselors and foolish kings--all inhabit a fabular world, yet one that is also firmly grounded in everyday life. Here is an indispensable guide to India's ageless folklore tradition.With black-and-white illustrations throughoutPart of the Pantheon Fairy Tale and Folklore Library

    This novel describes a day in the life of Bakha, sweeper and toilet-cleaner, as he searches for a meaning to the tragic existence he has been born into - and comes to an unexpected conclusion.

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    Damayanthi, along with the bunch of unsuitable prospective husbands her Amma throws at her, a dead-end job as an accountant in a decrepit firm, the oppressiveness of Chennai. When she finally jettisons her job and some of her inhibitions to join a bank in Mumbai, Amma's parting words are: 'Be good. Don't do anything silly.' Translation: 'Stay away from sex and alcohol! ' Soon Damayanthi is negotiating competitive corporate corridors and big-city life. Aided by dubious words of wisdom from the cherub-faced Jimmy, she must impress the intellectual C.G., who has a low opinion of her; battle Sonya Sood, flatmate and size-zero sophisticate, for the TV remote; choose between resisting or giving in to temptation in the form of the seductive Rahul; deal with the moral dilemma of 'stealing' a million-dollar idea for her project. Can a good girl have a really good time? Can the conservative, curd-rice-eating Damayanthi become a cool, corporate babe? Keep the Change is a rollicking, wickedly witty story of every girl's journey to fulfill her dreams and find her own place in the world.

    Biography, memoir, narrative history, reportage, the travel account: all these forms now have their interesting and original practitioners in India. In this Granta issue they tackle questions ranging from rape in village India to scandal in Mumbai clubs. And there is room, as always, for the best of India's fiction.