When he goes to Italy to prepare a critical study of Giotto, a zany adventure ensues. Pursued through the streets of Rome by the refugee Susskind, forced to abandon Giotto, feeling a reawakening desire to create art, falling into the hands of art thieves, hand-carving wooden Madonnas for sale, becoming a pimp, attempting to sculpt the perfect hole, Fidelman is a comic creation of genius.

    A hymn to the glorious landscape of the Welsh border territories and a portrait of a community under siege.1944. After the fall of Russia and the failed D-Day landings, a German counterattack lands on British soil. Within a month, half of Britain is occupied. The seat of British government has fled to Worcester, Churchill to Canada. A network of British resistance cells is all that is left to defy the German army.Against this backdrop, Resistance opens with Sarah Lewis, a twenty-six-year-old farmer's wife, waking to find her husband, Tom, has disappeared. She is not alone, as all the other women in the Welsh border valley of Olchon wake to find their husbands gone. With this sudden and unexplained absence, the women regroup as an isolated, all-female community and wait, hoping for news.Later, a German patrol arrives in the valley, the purpose of their mission a mystery. When a severe winter forces the two groups together, a fragile mutual dependency develops. Sarah begins a faltering acquaintance with the patrol’s commanding officer, Albrecht Wolfram, and it is to her that he reveals the purpose of the patrol. But as the pressure of the war beyond presses in on this isolated community, this fragile state of harmony is increasingly threatened. Imbued with immense imaginative breadth and confidence, Owen Sheers's debut novel unfolds with the pace and intensity of a thriller. A hymn to the glorious landscape of the Welsh border territories and a portrait of a community under siege, Resistance is a first novel of grace and power.

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

    When Henry joins this nefarious crew, which includes a beautiful blonde tattooist named Tulip, contortionist twins, and a woman referred to only as “the knockout,” he becomes inextricably linked to its ringleader, the mysterious herring connoisseur Mr. Kindt, whose identity can be traced through twists and turns all the way back to the corpse depicted in Rembrandt’s The Anatomy Lesson.Mirrored by a concurrently running story set in a hospital where Henry and Mr. Kindt are patients attended to by a certain Dr. Tulp, the mysteries surrounding Mr. Kindt’s past, Henry’s fate, and murders both staged and real begin to unravel in the most extraordinary ways. Substantive, stylish, and darkly comic, The Exquisite is a skillful dissection of reality, human connection, and the very nature of existence.

    They must truly accept the tragic past or risk losing the peace of the future together. First U.S. publication. Simultaneous with a hardcover library edition.

    These are the elements of The Fall of Atlantis, Marion Zimmer Bradley's epic fantasy about that ancient and legendary realm.On one side stand the Priests of the White Robe, guardians of powerful natural forces which could threaten the world if misused. Ranged against them are the Black Robes, sorcerers who secretly practice their arts in the labyrinthine caves beneath the very Temple of Light. Caught between are Domaris and Deoris, daughters of the arch-priest Talkannon, trapped in a web of deadly sorcery--the same forbidden sorcery that could bring about the fall of Atlantis.

    Lars Powderdry and Lilo Topchev are counterpart weapons fashion designers for a world divided into two factions - Wes-bloc and Peep-East. Since the Plowshare Protocols of 2002, their job has been to invent elaborate weapons that only seem massively lethal. But when alien satellites hostile to both sides appear in the sky, the two are brought together in the dire hope that they can create a weapon to save the world, a task made all the more difficult by Lars falling in love with Lilo even as he knows she's trying to kill him.

    Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the “floating world”—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

    In these spine-tingling tales of battles in the sky - and in the psyche - he draws on his own experiences and those of his friends and colleagues to convey the bizarre reality of a pilot's existence. From the nervy jollity of life in the Ops room and the Mess in 'Death of an Old Old Man' to the nightmarish horror of being shot down in 'A Piece of Cake', or the infectious madness of war in 'Someone Like You', these stories capture with chilling clarity the experience of living with the daily possibility of extinction.--back cover

    A village in Syria. A woman, dressed in rags and covered in blisters and sores, is seen approaching on the road coming from the north. Suspicious of her, the villagers shout and throw rocks at her. She is struck and falls. She seems dead...Her story encompasses one of the great collective acts of heroism of the ancient world. She was the mistress of Xenophon, a general in the vast army of ten thousand Greek mercenaries from virtually every Greek city state that was employed by Cyrus the Younger, in his quest to seize the throne of Persia from his brother, Artaxerxes II.Manfredi, one of the world's experts, has created an rip-roaring adventure seen from the perspective of the women who accompanied the soldiers on their long journey. A new and intense account of the most celebrated march in man's history, by the acclaimed author of the " Alexander" trilogy.

    Thievery and survival soon forced him into the Indian camp, where he began a dangerous adventure that changed his life forever. Relive the adventure and beauty of the incredible movie, Dances with Wolves.

    Sommer. Moving through the landscape in silent haste, like a man possessed, with his empty rucksack and his long, odd-looking walking stick, Mr Sommer runs like a black thread through the boy's days.

    The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

    His piano keys have given life to melodies by Mozart, Haydn, Beethoven, and many more. On his deathbed, moved by the wish to keep his children united, he leaves a will specifying that his descendants, if they are to get their inheritance, must live together in the family home. Over successive generations of the Alt family, history itself passes through the doors, down the halls, and into the private rooms of the Alt’s building. There is intrigue at the court of Franz-Josef: an heir to the throne has fallen in love with Henrietta Alt, who will have to carry the guilt for his eventual suicide. There are betrayals, beloved illegitimate children, and despised legitimate offspring. There are seething passions and icy relations, a world war and the rise of Nazism to contend with. There are duals, ambitions, hopes, affairs of the heart and affairs of state. Three generations of Alts live and die at number 10 Silerstatte and each member of the family, in his or or her own way, is a privileged witness to the winds of change and a Europe at the height of both its splendor and decadence

    Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara’s lover. But one of them works for the secret police and is reporting on all of the group.One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it’s the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police—the fox was ever the hunter.Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it’s hard to tell victim from perpetrator.In The Fox Was Always a Hunter, Herta Müller once again uses language that displays the "concentration of poetry and the frankness of prose"—as the Swedish Academy noted upon awarding her the Nobel Prize—to create a hauntingly cinematic portrayal of the corruption of the soul under totalitarianism.