Yet her mom, always critical of her, is furious that Elinor is touching any part of the overflowing collection of random possessions. When county inspector Race Ericson threatens a court summons if the hoard isn’t massively reduced in a hurry, he pushes Elinor to choose: Surrender to her mother’s insistence that she do nothing, obey her bossy elder sister’s edict that she sort carefully through every single pile, or satisfy Race’s demand that she ruthlessly clear out the junk? Elinor has never been shy with attractive men. Satisfying Race would be a pleasure. But when family secrets come to light and surprises turn up on her doorstep, Elinor’s task gets even more complicated, forcing her to reevaluate her long-held beliefs about her family—and her life choices. Cleaning Her House is a meaty stand-alone women's fiction novel featuring a rich variety of characters, a romance with a hint of steam, family secrets, and a ton of clutter. There's a happy ending, too. (Maybe not for the clutter.)

    With Zach's mom in Bali and the woman of his dreams gone AWOL, he's facing a Christmas alone with Ringo—until Tessa the cute veterinarian appears at his door with an offer he and Ringo can't refuse.It's a Christmas he'll never forget....

    The Wall Street Journal called Fasting, Feasting "poignant, penetrating . . . a splendid novel, " while the Boston Globe celebrated Desai's "beautiful literary universe." Now, in this richly diverse collection, Desai trains her luminous spotlight on private universes, stretching from India to New England, from Cornwall to Mexico. Skillfully navigating the fault lines between social obligation and personal loyalties, the men and women in these nine tales set out on journeys that suddenly go beyond the pale -- or surprisingly lead them back to where they started from. In the mischievous title story, a beloved dog brings nothing but disaster to his obsessed master; in other tales, old friendships and family ties stir up buried feelings, demanding either renewed commitment or escape. And in the final exquisite story, a young woman discovers a new kind of freedom in Delhi's rooftop community. With her trademark "perceptiveness, delicacy of language, and sharp wit" (Salman Rushdie) in full evidence here, Anita Desai once again gloriously confirms that she is "India's finest writer in English" (Independent).

    Jhumpa Lahiri praises: "One Amazing Thing collapses the walls dividing characters and cultures; what endures is a chorus of voices in one single room." Late afternoon sun sneaks through the windows of a passport and visa office in an unnamed American city. Most customers and even most office workers have come and gone, but nine people remain. A punky teenager with an unexpected gift. An upper-class Caucasian couple whose relationship is disintegrating. A young Muslim-American man struggling with the fallout of 9/11. A graduate student haunted by a question about love. An African-American ex-soldier searching for redemption. A Chinese grandmother with a secret past. And two visa office workers on the verge of an adulterous affair. When an earthquake rips through the afternoon lull, trapping these nine characters together, their focus first jolts to their collective struggle to survive. There's little food. The office begins to flood. Then, at a moment when the psychological and emotional stress seems nearly too much for them to bear, the young graduate student suggests that each tell a personal tale, "one amazing thing" from their lives, which they have never told anyone before. And as their surprising stories of romance, marriage, family, political upheaval, and self-discovery unfold against the urgency of their life-or-death circumstances, the novel proves the transcendent power of stories and the meaningfulness of human expression itself. From Chitra Divakaruni, author of such finely wrought, bestselling novels as Sister of My Heart, The Palace of Illusions, and The Mistress of Spices, comes her most compelling and transporting story to date. One Amazing Thing is a passionate creation about survival -- and about the reasons to survive.

    When she accidentally opens the wrong letter, it changes her life. Decades later, her son Amit finds that letter and thinks he has discovered his mother's secret. But secrets have their own secrets sometimes.Amit does not know that Avinash, his dependable and devoted father, has been timidly visiting gay chat rooms, driven by the lifelong desires he never allowed himself to indulge. Avinash, for his part, doesn't understand what his dutiful wife gave up in marrying him -- the memories of romance she keeps tucked away.Growing up in Calcutta, in a house bustling with feisty grandmothers, Amit has been shielded from his parents' secrets. Now he's a successful computer engineer, settled in San Franscisco yet torn between his new life and his duties to the one he left behind.Moving from adolescent rooftop games to adult encounters in gay bars, from hair salons in Calcutta to McDonald's drive-thrus in California, Don't Let Him Know is an unforgettable story about family and the sacrifices we make for those we love. Tender, funny, and beautifully told, it marks the arrival of a resonant new voice.

    The novel sweeps across India, from an island, to a valley, a city, and a snow desert to tell a love story of epic proportions. We follow a scientist who studies trees and a clairvoyant who speaks to them; a geologist working to end futile wars over a glacier; octogenarian lovers; a mother struggling to free her revolutionary son; a yeti who seeks human companionship; a turtle who transforms first into a boat and then a woman; and the ghost of an evaporated ocean as restless as the continents. Binding them all together is a vision of life as vast as the universe itself. A young writer awarded one of the most prestigious prizes in India for this novel, Shubhangi Swarup is a storyteller of extraordinary talent and insight. Richly imaginative and wryly perceptive, Latitudes of Longing offers a soaring view of humanity: our beauty and ugliness, our capacity to harm and love each other, and our mysterious and sacred relationship with nature.

    It will then be about them only. It will be all about the one they loved like thunder, about the one they struggled hard to keep, about the one who had left them in the middle of their 'forever', about their world shattering into pieces, about them gluing together every piece, and about them falling in love one more time.And if you still think it is about you and me, you haven't loved someone like thunder, yet.

    In “Requiem”, a woman goes to Alaska to try and make sense of her aunt’s disappearance. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past.Singh's work dives into the vast strangeness of the universe without and within, and she unblinkingly explores the ways we move through space and time: together, yet always apart.Contents:- With Fate Conspire (2013)- A Handful of Rice (2012)- Peripeteia (2013)- Lifepod (2007)- Oblivion: A Journey (2008)- Somadeva: A Sky River Sutra (2010)- Are You Sannata3159? (2010)- Indra's Web (2011)- Ruminations in an Alien Tongue (2012)- Sailing the Antarsa (2013)- Cry of the Kharchal (2013)- Wake-Rider (2014)- Ambiguity Machines: An Examination (2015)- Requiem (2018)

    She is incomplete without a man,” averred Kamala Das shortly before her death in May, 2009. One of the most controversial and celebrated Indian authors, she combined in her writings rare honesty and sensitivity, provocation and poignancy. The Kept Woman and Other Stories explores the man-woman relationship in all its dimensions. Deprived, depraved, mysterious, mystical and exalted, each character, culled from experience and observation, is an incisive study of love, lust and longing.

    With her partner Kevin off on assignment, she’s lured into taking a case involving a missing fisherman. Nothing about the man’s disappearance is as it seems. Although Julie is no stranger to the dark currents that churn below the surface, can she count on her friend Jimmer, and her lover Tony Martinez, to keep her from getting in too deep?

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    It's on India's southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It's blessed with rich soil and scenic beauty, and it's been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl's first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of "intimates" who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. Between the Assassinations showcases the most beloved aspects of Adiga's writing to brilliant effect: the class struggle rendered personal; the fury of the underdog and the fire of the iconoclast; and the prodigiously ambitious narrative talent that has earned Adiga acclaim around the world and comparisons to Gogol, Ellison, Kipling, and Palahniuk. In the words of The Guardian (London), "Between the Assassinations shows that Adiga...is one of the most important voices to emerge from India in recent years." A blinding, brilliant, and brave mosaic of Indian life as it is lived in a place called Kittur, Between the Assassinations, with all the humor, sympathy, and unflinching candor of The White Tiger, enlarges our understanding of the world we live in today.

    Nearly a decade has passed since Rahul Satyabhagi, heir to the mega Satyabhagi business empire, had raped Avni Rambha, bested her in court, and gone on to become a men’s rights activist, and the who’s-who of Badrid Bay had breathed a sigh of relief that the sordid mess was over. But now a sting operation proves what many, the three friends included, had suspected all along – he’d been lying. Furious that he has been exposed, Rahul plans to sue the media as well as his long-suffering victim. Now, Rhea, Hitaishi and Amruta find themselves at a crossroad - can they carry on doing nothing? DC Virendra Dixit was among those who’d believed that the Rambha rape case had been a ‘false allegation’, but now the sting tape brings him to a case that promises to be a turning point in his career. Just as he thinks he is nearing a resolution, he finds himself at a crossroad of his own. Rhea, Hitaishi and Amruta have carved out a path that has already affected DC Dixit’s, but do their paths cross? Who is the hunter, and who is the hunted? Can a story of hard questions and difficult choices have an easy resolution?

    Having spent the summer working in LA, she’s back home in New York, and missing the three key elements in a girl’s life – a roommate, a job and a boyfriend. Jenny formulates a plan; surely someone must need a roommate and surely someone must need a girlfriend?By the end of the day, she has arranged a viewing for a potential roommate, the gay blond aka the Sex God,secured two dates, and work looking after a top supermodel. Things look like they are back on track; everything is going to work out great. If only life was so easy…

    Ayyan Mani, one of the thousands of dalit (untouchable caste) men trapped in Mumbai’s slums, works in the Institute of Theory and Research as the lowly assistant to the director, a brilliant self-assured astronomer. Ever wily and ambitious, Ayyan weaves two plots, one involving his knowledge of an illicit romance between his married boss and the institute’s first female researcher, and another concerning his young son and his soap-opera-addicted wife. Ayyan quickly finds his deceptions growing intertwined, even as the Brahmin scientists wage war over the question of aliens in outer space. In his debut novel, Manu Joseph expertly picks apart the dynamics of this complex world, offering humorous takes on proselytizing nuns and chronicling the vanquished director serving as guru to his former colleagues. This is at once a moving portrait of love and its strange workings and a hilarious portrayal of men’s runaway egos and ambitions. .