These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    In America, anybody can become president. In 1920, anybody did. Harding was a strikingly handsome man, a high school graduate of impenetrable ignorance whose only two qualifications for the presidency were that he looked and sounded presidential--provided you didn't look or listen too closely. Ohio's "favorite son" at the nominating convention, he recognized his deficiencies, did not want such high office, and never expected to be nominated, no less elected. But his destiny was to become the first packaged candidate, elected largely on the strength of a carefully crafted image. Thus began 12 years of Republican rule that fostered unbridled capitalism and willful isolation, leading to the Great Depression and the rise of European dictatorships, which set the stage for World War II. Greatly complicating things was the relationship between Harding and Nan, who shared a deeper intimacy and hotter sex than anything enjoyed by more contemporary White House occupants. But woven around and through their furtive couplings is the tapestry of corruption and scandal generated by a half-dozen uniquely odious presidential cronies. But this tale is not unremittingly bleak. After having been content all of his life to just slide by, Harding reinvented himself in his last year, proving that nobility can triumph over selfishness, that listening to your heart may be more reliable than listening to your head, and that love which is pure can transcend death itself.

    This new collection of sixteen stories reveals John Cheever's expertness employed with greater power to even more impressive effect than heretofore.

    Together they commit the sexual perfidies and blasphemous acts of which they had been forced to accuse one another before a tribunal.

    It has become a modern Irish classic, promising to make immortal the Tailor and his irrepressible wife, Ansty. The Tailor never travelled further than Scotland, yet the breadth of the world could not contain the wealth of his humour and fantasy. All human life is here - marriages, inquests, matchmaking, wakes - and always the Tailor, his wife and their black cow.

    What we have here in this big fat volume is a cockeyed chrestomathy of 37 Algren pieces... with his hallmark stamped on every link." —The New York Times Book Review"The range of the book is satisfying—rich, will titillate even the most fastidious dilettante or culture vulture... also contains pieces that will make you laugh your head off. Once you begin reading it, you will not be able to put it aside." —The Chicago Tribune"Essential Algren." —The Washington Post"Very good, fast, funny and tough... Algren, where have you been hiding?" —The San Francisco ChronicleHere again is Algren's rich output from the 1960s and '70s, tough, streetwise stories and travelogues from around the world: accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of his beloved Chicago White Sox, among other subjects.

    But behind the scenes in his New York studio is the freethinking Clara Driscoll, head of his women’s division. Publicly unrecognized by Tiffany, Clara conceives of and designs nearly all of the iconic leaded-glass lamps for which he is long remembered.Clara struggles with her desire for artistic recognition and the seemingly insurmountable challenges that she faces as a professional woman, which ultimately force her to protest against the company she has worked so hard to cultivate. She also yearns for love and companionship, and is devoted in different ways to five men, including Tiffany, who enforces to a strict policy: he does not hire married women, and any who do marry while under his employ must resign immediately. Eventually, like many women, Clara must decide what makes her happiest—the professional world of her hands or the personal world of her heart.

    The narrator, sent to an African country to run a branch of a large French bank, begins a liaison with Clotilde, only to discover in her unexpected and shocking depths of perversity. Tense and bleak, Hecate and Her Dogs is a novella of high literary quality and disconcerting power.This elegant novella of disturbing eroticism was the book with which Morand returned triumphantly to the literary scene in 1954. Paul Morand’s Venices and The Allure of Chanel are also available from Pushkin Press.Pushkin Collection editions feature a spare, elegant series style and superior, durable components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken Premium White Paper and notch-bound by the independently owned printer TJ International in Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.

    Maud Heighton came to Lafond's famous Academie to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Époque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become hers. Before the New Year arrives, a greater deception will plunge her into the darkness that waits beneath this glittering city of light.

     When the million-dollar stock prediction startup of Lakshya and Naman (two brilliant IIT-grads) tanks; they are taken in by Manav, their college friend who makes a living out of selling drugs. Debt-ridden and homeless, the two decide to help their friend in selling ‘The Holy Grail’, the newest drug in the Indian markets which is sold for margins never heard before, and the three end up making the quickest money they have seen. Lured and intrigued, they decide to sell and make as much as possible in two months before leaving the drug trade for good, and in that time, they expand their drug enterprise under Lakshya’s guidance by applying their startup strategies. Unknown to them though, they cross paths with the five infamous historical gangs of Bombay, who’ve survived and thrived since the British occupation of the city. Artavardiya, the powerful boss of the Parsi gang Surtis, takes interest in Lakshya and his drug enterprise after being charmed by his brilliance and vision. He takes him under his guidance and that is when Lakshya is able to gauge the extent to which the criminal underbelly of Mumbai is spread, spiralling down and knowing in his heart that he’d never be able to escape. In a tale of gang-wars and blood, love and loss, loyalty and betrayal, and mind-numbing revelations spread amidst brutal action and insane twists— explore the crime of the city that never sleeps. Will Lakshya and his friends expand their drug business like a startup? Will they succeed in dealing with mind-games and bullets of the five historical gangs of Mumbai? Will they survive the trials of their personal lives while the demons of their pasts try to catch up with them? And will these brilliant minds fall against the richest crime syndicates of the country? Read the crime-thriller that would keep you on the edge of your seats, about a few brilliant minds who lost their million-dollar startup and turned their skills to create a criminal empire.

    Among the women’s most powerful weapons in their assault is laughter, but they also threaten literary and linguistic customs of the patriarchal order with bullets. In this breathtakingly rapid novel first published in 1969, Wittig animates a lesbian society that invites all women to join their fight, their circle, and their community. A path-breaking novel about creating and sustaining freedom, the book derives much of its energy from its vaunting of the female body as a resource for literary invention."A delectable epic of sex warfare . . . an extraordinary leap of the imagination into the politics of oppression and revolt." --Mary McCarthy

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, when, owing to a case of mistaken identity, another man is arrested in his place; and by the relentless investigations of the dogged Inspector Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty.

    Rulers such as Prince Basil of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the Bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn how to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. D’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from East to West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.

    Complete with the screenplay and photos from the new film starring Peter O'Toole and Sam Neill.