The day Grace is called from the slave cabins to work in the Big House, Mama makes her promise to keep her eyes down. Uncle Jim warns her to keep her thoughts tucked private in her mind or they could bring a whole lot of trouble and pain.But the more Grace sees of the heartless Master and hateful Missus, the more a rightiness voice clamors in her head-asking how come white folks can own slaves, sell them on the auction block, and separate families forever. When that voice escapes without warning, it sets off a terrible chain of events that prove Uncle Jim's words true. Suddenly, Grace and her family must flee deep into the woods, where they brave deadly animals, slave patrollers, and the uncertainty of ever finding freedom.With candor and compassion, Ann E. Burg unearths a startling chapter of American history -- the remarkable story of runaways who sought sanctuary in the wilds of the Great Dismal Swamp -- and creates a powerful testament to the right of every human to be free.

    All twelve-year-old Sophie wants to do is write her book, star in the community play, and hang out with her friend Jennifer. But she’s the new black kid in a nearly all-white neighborhood; her beloved sister, Lily, is going away to college soon; and her parents’ marriage is rocky. There’s also her family’s new, disapproving housekeeper to deal with. When riots erupt in nearby Watts and a friend is unfairly arrested, Sophie learns that life—and her own place in it—is even more complicated than she’d once thought.       Leavened with gentle humor, this story is perfect for fans of Rita Williams-Garcia.

    Jesslyn, her sister and former confidante, no longer has the time of day for her now that she’ll be entering high school. Then there’s her best friend, Frankie. Things have always been so easy with Frankie, and now suddenly they aren’t. Maybe it’s the new girl from the North that’s got everyone out of sorts. Or maybe it’s the debate about whether or not the town should keep the segregated public pool open.Augusta Scattergood has drawn on real-life events to create a memorable novel about family, friendship, and choices that aren’t always easy.

    Growing up in Las Vegas with her fun-loving mother, she's learned to be tough. But she never expected a betrayal that would land her in a foster care. When she's placed with the Murphys, a lively family with three boys, she's blindsided. Do happy families really exist? Carley knows she could never belong in their world, so she keeps her distance. It's easy to stay suspicious of Daniel, the brother who is almost her age and is resentful she's there. But Mrs. Murphy makes her feel heard and seen for the first time, and the two younger boys seem determinded to work their way into her heart. Before she knows it, Carley is protected the boys from a neighbourhood bully and even teaching Daniel how to play basketball. Then just when she's feeling like she could truly be one of the Murphys, news from her mother shakes her world.

    And she has a plan. If Raymie can win the Little Miss Central Florida Tire competition, then her father, who left town two days ago with a dental hygienist, will see Raymie's picture in the paper and (maybe) come home. To win, not only does Raymie have to do good deeds and learn how to twirl a baton; she also has to contend with the wispy, frequently fainting Louisiana Elefante, who has a show-business background, and the fiery, stubborn Beverly Tapinski, who’s determined to sabotage the contest. But as the competition approaches, loneliness, loss, and unanswerable questions draw the three girls into an unlikely friendship — and challenge each of them to come to the rescue in unexpected ways.

    All her friends are coming to her party, her mama is making a big cake, and she has a good feeling about a certain wrapped box. Turning ten is a big deal to Armani. It means she's older, wiser, more responsible. But when Hurricane Katrina hits the Lower Nines of New Orleans, Armani realizes that being ten means being brave, watching loved ones die, and mustering all her strength to help her family weather the storm. A powerful story of courage and survival, Upside Down in the Middle of Nowhere celebrates the miraculous power of hope and love in the face of the unthinkable.

    Owens grabbed a brick and hurled it at the trash picker. Arthur had his reasons, and the brick hit the Junk Man in the arm, not the head. But none of that matters to the judge—he is ready to send Arthur to juvie for the foreseeable future. Amazingly, it’s the Junk Man himself who offers an alternative: 120 hours of community service . . . working for him. Arthur is given a rickety shopping cart and a list of the Seven Most Important Things: glass bottles, foil, cardboard, pieces of wood, lightbulbs, coffee cans, and mirrors. He can’t believe it—is he really supposed to rummage through people’s trash? But it isn’t long before Arthur realizes there’s more to the Junk Man than meets the eye, and the “trash” he’s collecting is being transformed into something more precious than anyone could imagine. . . . Inspired by the work of American folk artist James Hampton.

    But that's hard to get when her best friend is feuding with her, her sister has disappeared, and her uncle is fighting an old war in his head. Her saintly younger brother is no help, and the cute boy across the street only complicates things. Worst of all, everyone is walking around just waiting for a bomb to fall. It's 1962, and it seems that the whole country is living in fear. When President Kennedy goes on television to say that Russia is sending nuclear missiles to Cuba, it only gets worse. Franny doesn't know how to deal with what's going on in the world -- no more than she knows how to deal with what's going on with her family and friends. But somehow she's got to make it through. Featuring a captivating story interspersed with footage from 1962, award-winning author Deborah Wiles has created a documentary novel that will put you right alongside Franny as she navigates a dangerous time in both her history and our history.

    Brandon, a 9-year-old boy, goes to work for the day with his dad . . . at the World Trade Center in New York City. When two planes hit the towers, Brandon and his father are trapped inside a fiery nightmare as terror and confusion swirl around them. Can they escape -- and what will the world be like when they do?In present-day Afghanistan, Reshmina is an 11-year-old girl who is used to growing up in the shadow of war, but she has dreams of peace and unity. When she ends up harboring a wounded young American soldier, she and her entire family are put in mortal danger. But Reshmina also learns something surprising about the roots of this endless war.

    The first is that he and his big brother, Ernie, are leaving Brooklyn for the very first time to spend the summer with their grandparents all the way in Virginia—in the COUNTRY! The second surprise comes when Genie figures out that their grandfather is blind. Thunderstruck and—being a curious kid—Genie peppers Grandpop with questions about how he covers it so well (besides wearing way cool Ray-Bans).How does he match his clothes? Know where to walk? Cook with a gas stove? Pour a glass of sweet tea without spilling it? Genie thinks Grandpop must be the bravest guy he’s ever known, but he starts to notice that his grandfather never leaves the house—as in NEVER. And when he finds the secret room that Grandpop is always disappearing into—a room so full of songbirds and plants that it’s almost as if it’s been pulled inside-out—he begins to wonder if his grandfather is really so brave after all.Then Ernie lets him down in the bravery department. It’s his fourteenth birthday, and, Grandpop says to become a man, you have to learn how to shoot a gun. Genie thinks that is AWESOME until he realizes Ernie has no interest in learning how to shoot. None. Nada. Dumbfounded by Ernie’s reluctance, Genie is left to wonder—is bravery and becoming a man only about proving something, or is it just as important to own up to what you won’t do?

    It's 1942, after the attack on Pearl Harbor, and Manami and her family are Japanese American, which means that the government says they must leave their home by the sea and join other Japanese Americans at a prison camp in the desert. Manami is sad to go, but even worse is that they are going to have to give her dog, Yujiin, to a neighbor to take care of. Manami decides to sneak Yujiin under her coat, but she is caught and forced to abandon him. She is devastated but clings to the hope that somehow Yujiin will find his way to the camp and make her family whole again. It isn't until she finds a way to let go of her guilt that Manami can accept all that has happened to her family.

    Iggie was gone, moved to Tokyo. And there was Winnie, cracking her gum on Grove Street, where she'd always lived, with no more best friend and two weeks left of summer.Then the Garber family moved into Iggie's house—two boys, Glenn and Herbie, and Tina, their little sister. The Garbers were black and Grove Street was white and always had been. Winnie, a welcoming committee of one, set out to make a good impression and be a good neighbor. That's why the trouble started.Glenn and Herbie and Tina didn't want a "good neighbor." They wanted a friend.

    Hanna, a half-Asian girl in a small town in America's heartland, lives in 1880. Hanna's adjustment to her new surroundings, and the townspeople's prejudice against Asians, is at the heart of the story.

    Fortunately, a Black man named Meriwether pushes him out of the way just in time, and fixes his damaged bike. As a thank you, Gabriel gets him a job at his dad's auto shop. Gabriel's dad hires him with some hesitation, however, anticipating trouble with the other mechanic, who makes no secret of his racist opinions.Gabriel and Meriwether become friends, and Gabriel learns that Meriwether drove a tank in the Army's all-Black 761st Tank Battalion in WWII. Meriwether is proud of his service, but has to keep it a secret because talking about it could be dangerous. Sadly, danger finds Meriwether, anyway, when his family receives a frightening threat. The South being the way it is, there's no guarantee that the police will help--and Gabriel doesn't know what will happen if Meriwether feels forced to take the law into his own hands.

    It turns out he was wrong, and Phil has to ask himself the question: Would he have made the same assumption if the boy wearing the jacket hadn't been African American? And that question leads to others that reveal some unsettling truths about Phil's neighborhood, his family, and even himself.