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Dear Specimen: Poems by W.J. Herbert


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1414°


Paul Bradley Carr - 2021
    Her crusade has cost her everything: Her apartment, friends, relationships, and any hope of promotion. And for what? Readers don’t care, her boss and workmates pity her, and the billionaire bro-ciopaths she writes about continue to fail upwards. But when two of her highest profile subjects are killed on the same night, their deaths staged as gruesome public suicides, Lou’s work is suddenly and violently thrust into the spotlight. Blamed for the deaths, fired from her job, and pursued by vengeful trolls who have already attacked her mother, Lou has only one chance of survival: To find the killer obsessed with her work, and stop them before anyone else dies. Or perhaps not. Because the more Lou discovers about the ingenious killer's past, and their methods, the more she becomes determined to help them succeed. PRAISE FOR PAUL BRADLEY CARR“For a cautionary tale, everyone cites Paul Bradley Carr.” – THE SUNDAY TIMES“A testament to the virtues of debauchery… uproarious and brilliant.” – WIRED“Carr has made a reputation as one of the feistiest writers on the beat. His [public] spats are legendary, as are his bust-ups with former employers.” – THE GUARDIAN“The more things that go wrong for Paul, the better a writer he becomes. It’s like the grey goo that he feeds off.” – MIKE BUTCHER, TECHCRUNCHUtterly endearing. Completely addictive reading.” – PAPERBACK CHOICE, THE PRESS ASSOCIATION“The columnist [and] enfant terrible has been summarily sacked from practically every outfit he’s worked for, including companies he started.” – ZDNET“Like James Bond, Paul symbolises a freedom man would sell his own sister to achieve.” – LOADED MAGAZINE“There’s no denying that he’s an idiotic, irresponsible chancer – qualities that make him an unpredictable travel companion, but put his story-telling skills in first class.” – SCOTTISH DAILY RECORD“Makes me want to vomit for all the right reasons.” – MIL MILLINGTON, AUTHOR, THINGS MY GIRLFRIEND AND I HAVE ARGUED ABOUT“Just because Paul Carr is a raging asshole doesn’t mean he’s not right.” – ADAM PENENBERG“The most irritating and self-satisfyingly smug person I have ever met. Annoyingly, he is also the funniest.” – ZOE MARGOLIS, AUTHOR, GIRL WITH A ONE TRACK MIND“Commenting on Paul Carr is beneath my dignity. He’s absurd.” – MATT TAIBBI

Erosion


Jorie Graham - 1983
    It is this girlby Pierodella Francesca, unbuttoningher blue dress, her mantle of weather, to go intolabor. Come, we can go in.It is beforethe birth of god. No-onehas risen yetto the museums, to the assemblyline bodiesand wings to the open airmarket. This iswhat the living do: go in.It's a long way.And the dress keeps openingfrom eternityto privacy, quickening.Inside, at the heart, is tragedy, the present momentforever stillborn, but going in, each breathis a buttoncoming undone, something terriblynimble-fingeredfinding all of the stops.Jorie Graham grew up in Italy and now lives in northern California.She has received grants from the Ingram-Merrill Foundation, the Bunting Institute, and the John Simon Guggenheim Memorial Foundation.Her first book, Hybrids of Plants and of Ghosts (Princeton, 1980), won the Great Lakes Colleges Association Award as the best first book of poems published in 1980.

Hothouse


Karyna McGlynn - 2017
    Disappointing lovers surface in the bedroom; in the bathroom, "the drained tub ticks with mollusks & lobsters;" revenge fantasies and death lurk in the basement where they rightly belong. With lush imagery and au courant asides, Hothouse surprises and delights.Karyna McGlynn is the author of I Have to Go Back to 1994 and Kill a Girl and three chapbooks. She is currently a Visiting Assistant Professor of Creative Writing and Translation at Oberlin College.

Zirconia


Chelsey Minnis - 2001
    With formal invention and a wild personae, ZIRCONIA compels one to follow gem-strewn trails of feminine intuition, savagery, ennui, fantasy, and intimacy to their diabolically fruitful conclusions.

Telling the Bees


Peggy Hesketh - 2013
    Into his tightly repressed existence bursts a brash young neighbour, whose vivacity and boldness begin to transform his life. Yet years pass by, feelings are repressed, opportunities missed. Until one day - led by a trail of bees - Albert discovers her body and is plunged back into his memories, where he must finally confront the lies and secrets that led to their estrangement. In doing so he unearths the truth of Claire’s murder – a question not so much of who but why.