That is, until the day a strange green sprite leads him to Gawain, King Arthur's nephew, who is on his way to Camelot hoping to be knighted. Trevisant can see the future and knows that Terence must leave to serve as Gawain's squire. From that moment on, Terence's life is filled with heart-stopping adventure as he helps damsels-in-distress, fights battles with devious men, and protects King Arthur from his many enemies. Along the way, Terence is amazed at his skills and new-found magical abilities. Were these a gift from his unknown parents? As Gawain continues his quest for knighthood, Terence searches for answers to the riddles in his own past.

    "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.

    A young boy searches for his father, but before he can claim his heritage he must first prove his worthiness by passing through the four ceremonial chambers: the kiva of lions, the kiva of snakes, the kiva of bees, and the kiva of lightning. Striking in its simplicity and grace, Arrow to the Sun vividly evokes the Native American reverence for the source of all life--the Solar Fire.Winner of the Caldecott

    Sort of.Meet the Evil Princess and the Brave Knight. She casts terrible spells, while he fights dragons. He rescues cats in distress, while she makes mischief. No wonder there isn't much peace in this kingdom! But is the Evil Princess really so evil? And is the Brave Knight truly as chivalrous as he seems? Children and parents will laugh at seeing familiar family dynamics play out in this charming and imaginative new story.

    Every member of the family will enjoy this tale of wagon trains, cowboys, settlers, love, romance, and did I mention wagons?

    In his room for a time-out, Skippyjon Jones lets his imagination take him to a shack where his Chihuahua friends are yipping and yapping and hiding out from the bad Bobble-ito, who has taken over their doghouse. How El Skippito chills the Chihuahuas and banishes the Bobble-ito will make more amigos for this endearing and irresistible rascal, who made his first appearance in the favorite Skippyjon Jones.

    Let the carriage to a royal ball wait. There is a story to be told: of a starless night, a mother and her sick son, and a mortal who falls in love with the snow god, and will do anything to have her...

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    A Grimm fairy tale, gloriously illustrated by Maurice Sendak, about a little girl who is sent to the forest by her mother to escape a war.

    It was there that he wrote most, if not all, of his works, completing the last in about 1470. Some fifteen years later William Caxton published the entire collection of his tales in one volume, "Le Morte Darthur."

    Instead he watches from his balcony. He feels something is coming?something he can?t describe. When he sees the monster wave pulling away from the beach, he knows. Tsunami! But the villagers below can?t see the danger. Will Ojiisan risk everything he has to save them? Can he? Illustrated in stunning collage by Caldecott winner Ed Young, here is the unforgettable story of how one man?s simple sacrifi ce saved hundreds of lives. An extraordinary celebration of both the power of nature and the power each of us holds within.

    

    Fluffy is thrilled to have the chance to play with Max, but is soon rejected by the observant child who notices that his ears are too new and perky. Can Fluffy find a way into his favorite boy's heart?  The Backup Bunny will keep you laughing and inspire you to make room for another favorite story.

    Nibbles is a very naughty book monster - he's chomping, munching and nibbling his way through fairytales that don't belong to him! Can you help catch him and put him back in his own story? Lift the flaps, peek through the peep holes, and chase Nibbles through a fantastical world of fairy tales including Little Red Riding Hood, Jack and the Beanstalk and Goldilocks and the Three Bears.

    She tells us of the ancient and misunderstood disease of leprosy, exploring the themes of stigma, shame and the treatment of those who are different, which are as relevant for children as adults. Gill Smith's rich, full-colour illustrations will transport the reader to the timeless and beautiful Greek landscape and Mediterranean seascape.