Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian ***2021 ARA HISTORICAL NOVEL PRIZE SHORTLIST*** ***2022 INDIE BOOK AWARDS LONGLIST*** ***2022 VICTORIAN PREMIER'S LITERARY AWARDS HIGHLY COMMENDED*** _______________________________________________ Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache?Set on timeless Wiradyuri country, where the life-giving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging.Praise for Bila Yarrudhanggalangdhuray (River of Dreams) 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' – Saturday Paper 'Tells a powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.’ – Canberra Times ' A profoundly moving showcase of Heiss’ skill ... Intimate, reflective, and impossible to put down.’  – The AU Review ‘Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.’ – Melissa Lucashenko ‘A powerful story of family, place and belonging.’ – Kate Grenville ‘A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page.’ – Tony Birch'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' – Terri Janke ‘Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.’ – Larissa Behrendt 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.’ – Kate Forsyth

    Readers of Liz Byrski, Monica McInerney, and Rachael Johns will love this book. A cruise – no matter how magical – can't change your life. Can it…? Clever, charming dressmaker Ketty Clift is embarking on her final cruise from Sydney before she must make serious changes in her life. Supported by the ship's all-powerful maitre d' Carlos, she has a mission: transform the lives of those who join her at her dining table every evening. Not only can Ketty turn Cinderellas into princesses with her legendary style–eye, but she has a gift for bringing people together. But this trip is different. As the glamour and indulgence of the cruise takes hold, and the ship sails further away from Sydney towards the Pacific Islands, it becomes clear that her fellow travelers – a troubled family, a grieving widower and an angry divorcee determined to wreak revenge on her ex – are going to be harder work than usual. As Ketty tries to deal with her own problems, including the unexpected arrival on board of her long-lost love, Leo – the man who broke her heart – as well as troubling news from home, she begins to realize this might be the one cruise that defeats her…A witty, warm and wise story of how embracing the new with an open heart can transform your life.

    A sweeping, big-hearted Australian family saga for readers of Judy Nunn and Victoria Purman. 7 February, 1967. Walls of flame reduce much of Tasmania to ash.Young schoolteacher Catherine Turner rushes to the Huon Valley to find her family's apple orchard destroyed, her childhood home in ruins and her brother dead. Despite her father's declaration that a woman will never run the orchard, Catherine resolves to rebuild the family business.After five sons, Catherine's friend and neighbour, Annie Pearson, is overjoyed by the birth of a much longed for daughter. As Annie and her husband Dave work to repair the damage to their orchard, Dave's friend Mark pitches in, despite the fact that Annie wants him gone. Mark has moved his family to the valley to escape his life in Melbourne, but his wife has disappeared leaving chaos in her wake and their young son Charlie in Mark's care.Catherine becomes fond of Charlie, whose strange upbringing has left him shy and withdrawn. However, the growing friendship between Mark and Catherine not only scandalises the small community but threatens a secret Annie is desperate to keep hidden. Through natural disasters, personal calamities and the devastating collapse of the apple industry, Catherine, Annie and those they love battle to save their livelihoods, their families and their secrets.PRAISE FOR THE LAST OF THE APPLE BLOSSOM:'What a cracker of a debut! A beautiful story of family and orchards, of secrets and love and forgiveness' - Victoria Purman, author of The Women's Pages'The crisp prose sparkles and the characters stay with you long after the story ends' - Lauren Chater, author of Gulliver's Wife'Timeless yet also telling an achingly familiar story to us here and now, this is an unforgettable tale of love and loss, triumph and tragedy' -Karen Brooks, author of The Good Wife of Bath

    A missing manuscript. An undying love.Thisbe Chisholm wants to be a writer. It's 2007, a time of digital revolution and skyrocketing property prices, but she's an old-fashioned girl. She doesn't even own a mobile phone. She has no stars-in-her-eyes desire for fame, to see her name on the cover of a book, either. She longs only to tell of the stories written on her heart.While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but it's paid the rent for the last three years since university graduation.Just as she completes her novel, though, she is brutally killed at the end of John's street.Who murdered Thisbe? What will become of her novel?From the gritty glamour of Bondi Beach to the cold streets of London, here is a tale of tragedy and literary betrayal, of a publishing industry grappling with change and a great love drowning in guilt-wracked grief. Haunting, whimsical and sharply observed, Her Last Words lays bare the truth that, while some crimes might go unpunished among the privileged, words themselves have a way of enduring - and exacting a justice all their own.Praise for Kim Kelly'deeply moving...alive, full-hearted and shimmering with hope' - Belinda Castles, Bluebottle'Kelly is a masterful creator of character and voice.' - Julian Leatherdale, Palace of Tears'history that makes you think as well as feel' - Wendy James, The Golden Child'an author who writes with such a striking sense of atmosphere and sublime instinct' - Theresa Smith Writes'storytelling is clearly encoded in her DNA' - Writerful Books'It is uplifting to know that there are people who can write like this, with clarity, a bit of devilment and a hint of a smile.' Canberra Times'marvellous depth and authenticity based on some impressive research, and her characters, plot and fluid prose draw the reader into this world' - Daily Telegraph'colourful, evocative and energetic' - Sydney Morning Herald'storytelling that breaks the rules so beautifully' - Jenn J McLeod, A Place to Remember'Kim Kelly's writing is magnificent' - With Love for Books'told with wit, warmth and courage' - Kylie Mason, The Newtown Review of Books'vivid and enthralling' - Lisa Walker, The Girl with the Gold Bikini'simply superb' - Karen Brooks, The Darkest Shore

    Hope Farm sticks out of the ragged landscape like a decaying tooth, its weatherboard walls sagging into the undergrowth. Silver's mother, Ishtar, has fallen for the charismatic Miller, and the three of them have moved to the rural hippie commune to make a new start. At Hope, Silver finds unexpected friendship and, at last, a place to call home. But it is also here that, at just thirteen, she is thrust into an unrelenting adult world — and the walls begin to come tumbling down, with deadly consequences. Hope Farm is the masterful second novel from award-winning author Peggy Frew, and is a devastatingly beautiful story about the broken bonds of childhood, and the enduring cost of holding back the truth.

    But failed efforts to win a fortune at the racetracks turned Emmett into a broken down gambling drunk who terrorized his wife and children. Starting at Emmett’s funeral and reflecting back, the two eldest Brown children—Louise and Rob—recount the rise and fall of their family. Each of Emmett’s children must address the fallout of Emmett, and each comes to discover that they loved and learnt from their father in both his golden and his dark days.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    No one knows where Ben is, but everyone wants to find him – especially The Department. And they should know, the all-seeing government body has fitted the entire population with a universal tracking chip to keep them ‘safe’.But suddenly Ben can’t be tracked. And Mim is questioned, made to surrender her passport and threatened with the unthinkable – her two children being taken into care at the notorious BestLife.Cornered, Mim risks everything to go on the run to find her husband – and a part of herself, long gone, that is brave enough to tackle the journey ahead.From the stark backroads of the Australian outback to a terrifying sea voyage, Mim is forced to shuck off who she was – mother, daughter, wife, sister – and become the woman she needs to be to save her family and herself.

    This is the Pilbara. And it’s the Pilbara that makes the rules’Lena Todd is a city girl who thrives on cocktails and cappuccinos. So when her boss announces he’s sending her to the outback to join a construction team, her world is turned upside down.Lena’s new accommodation will be an aluminium box called a dongar.Her new social network: three hundred and fifty men.Her daily foot attire: steel-capped boots.Unfortunately, Lena can’t refuse. Mistakes of the past are choking her confidence. She needs to do something to right those wrongs and prove herself. Going into a remote community might just be the place to do that, if only tall, dark and obnoxious Dan didn’t seem so determined to stand in her way ...

    When they do talk: Muriel Kemp eyes my pregnant belly and tells me if I really want to succeed, I'd get rid of the baby.Driven to find out more about her curmudgeonly neighbour, Jane Cooper begins to investigate the life of Muriel, who claims to be a famous artist from Sydney's bohemian 1920s. Contemporary critics argue that legend, rather than ability, has secured her position in history. They also claim that the real Muriel Kemp died in 1936.Murderer, narcissist, sexual deviant or artistic genius and a woman before her time: Who really is Muriel Kemp?

    This trilogy features the novels 'Missus', 'The Harp in the South', and 'Poor Man's Orange' by Ruth Park.

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    Now imagine that’s the best thing to happen to you all week …When Charlie sees a man who is the spitting image of her husband Oliver on a dating app, her heart stops. Her first desperate instinct is to tell herself she must be mistaken – after all, she only caught a glimpse from a distance as her friends were laughingly swiping through the men on offer. But no matter how much she tries to push her fears aside, she can’t because she took that photo. On their honeymoon. She just can’t let it go.Suddenly other signs of betrayal begin to add up and so Charlie does the only thing she can think of to defend her position – she signs up to the app to catch Oliver in the act.But Charlie soon discovers that infidelity is the least of her problems. Nothing is as it seems and nobody is who she thinks they are ...

    One involves the public shaming of her teenage daughter, the other is a discovery about her husband that shocks her to her core. With her world unraveling around her, Paula does the only thing that makes any sense to her: she runs away from it all.She pulls her children out of school and takes off on a trip across Australia with her elderly father and his caravan. The only rule is No Technology - no phones, no Facebook, no Instagram, no tablets, games or computers. It's time to get back to basics and learn how to be a family again.It all sounds so simple - and for a while, it is. But along the way Paula will meet new, exciting complications, and realise that running away is only a temporary solution. The past has to be faced before the future can begin.A thrilling, tender and hugely entertaining story of loss, love and discovery from the bestselling author of The Mothers' Group.

    This exceptional collection of stories is about young women of different ages, from their early teens to their late twenties, coming to terms with what it means to desire, and be desired, with funny, surprising and sometimes confronting results.Ulman first made her mark with the story Chagall's Wife in Meanjin; this collection shows that she's a young Australian writer to put alongside Ceridwen Dovey, Nam Le and Fiona McFarlane.