In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

    With a fluency of tone and a gifted eye, he examines the dark and unfathomable moments in the most committed relationships; the small distances that stretch into miles between generations and couples when long-buried secrets tumble out into the light; or the eccentricities that may label us as odd yet mark us as unique. Capturing the bewilderment and tenderness in failed connections or missed moments, his characters stand vivid in their human frailty and we warm to them almost despite ourselves. A lonely wife determined to gather her far-flung family for a reunion invents the perfect lie to persuade them; an old woman recalls how she once trained a black crow the art of thieving; and the off-duty small-town cop on his last round of the evening who does a distressed family a great service when he summons the courage to shoot their gravely injured dog.These poignant tales reveal the subtleties in love and indifference or the strange, sad, breathtaking tricks of chance that can change a life in a second. As Lychack moves among these characters with all their virtues and failings, he observes the inevitable disparity between their realities and their dreams even while investing their stories with wit, humility, and a large measure of grace. That he succeeds so remarkably in transferring it all to the page is evidence of his prodigious talent.

    The system worked this way: When a man committed a crime important enough to interest the king, notice was given that the fate of the accused person would be decided, on a given date, in the arena of the amphitheater. When the date arrived and everyone had assembled in the galleries, the king gave a signal, a door beneath him opened, and the accused stepped out into the arena. Two doors, exactly alike and side by side, faced the accused, and it was his duty to open one of them. He could open either door he pleased. If he opened the one, a hungry tiger would spring upon him and tear him to pieces. But, if he opened the other door, a beautiful lady came out and the accused was immediately married to her, as a reward for his innocence.The king had a beautiful daughter, with whom a young man of common blood fell in love. The king's daughter was also in love with the young man. The love affair went on for some time before the king discovered its existence. Immediately, the king had the youth placed into prison and set a day for the trial in the arena. The appointed day arrived, and the galleries of the arena were filled. The signal was given, a door beneath the royal party opened, and the lover of the princess walked into the arena. The princess, through the use of her position and money, had learned behind which door stood the lady and behind which waited the tiger. The youth expected her to have learned this information, and he looked toward her for a signal. Her signal was toward the right, and the youth went to the door on the right and opened it. The story leaves it up to the reader to decide which came out of the door--the lady or the tiger. Which did the princess decide? Was it to let her lover to live and love another woman, or did she decide that if she couldn't have him no one would?

    From the Orange Prize-winning author of PROPERTY, with a tale of sex, betrayal and the wilder side of human nature.

    Includes an active table of contents for easy navigationNovelsJimboThe Human ChordThe CentaurThe Extra DayShort StoriesThe Insanity of JonesThe Man Who Found OutThe Glamour of the SnowSandMay Day EveThe DamnedThe Empty HouseA Haunted IslandA Case of EavesdroppingKeeping His PromiseWith Intent to StealThe Wood of the DeadSmith: An Episode in A Lodging-HouseA Suspicious GiftThe Strange Adventures of A Private Secretary in New YorkSkeleton Lake: An Episode in CampThe Garden of SurvivalThe ListenerThe Man Whom the Trees LovedThe OliveThe WendigoThe WillowsA Psychical InvasionAncient SorceriesThe Nemesis of FireSecret WorshipThe Camp of the DogA Victim of Higher Space

    That was my mammy's name, anyway. Jenny. You be Jenny from now on..." Cornelius Carson's mother cautioned him never to own slaves, but in 1830s Louisiana, land and slaves are proof of a man's worth. At 23 Cornelius is ambitious, and in love. He owns one elderly slave, Malachi, and a small cotton farm along Bayou Cocodrie. And he plans to marry Stephanie Coqterre, daughter of a wealthy Natchez planter. He needs another field-hand, but prices are high. So when a trader brings a coffle of smuggled slaves to Natchez, Cornelius buys a 10-year-old girl. She is mute and nameless, but she's all he can afford. He names her Jenny. It quickly becomes apparent that Jenny will change life on the Cocodrie as much as it changes her. The winds of ambition are blowing everywhere, both among the whites, who strive for wealth and status, and among the slaves, who yearn for freedom. But dangers are everywhere, too. As madness and treachery reach from Natchez to the Cocodrie to blast all their dreams, Cornelius struggles to find a way to salvage his life and the lives of Jenny and Malachi as well.

    She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling."Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." —Claire-Louise Bennett, author of Pond A ghostly feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.

    A cross between William Faulkner (Times-Picayune) and John Irving (Detroit Free Press), Dufresne once again masterfully charts the power of truth and lies and the magic hidden in the mundane.

    In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

    

    

    Arranged in their fictional chronology, the book shines forth as a single sustained work, not simply an anthology. It reveals Wendell Berry as a literary master capable of managing an imaginative integrity over decades of writing with a multitude of characters followed over several generations. Combining The Wild Birds (1985), Fidelity (1992), and Watch With Me (1994), and including four never-before-collected stories and a map of Port William, this book offers rest for the weary, hope for the beleaguered, and strength for the rest of us.

    

    in the 1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her first hand experiences in the L.A. cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

    The book concludes with a sampling of articles Thurber wrote for the New Yorker’s “The Talk of the Town,” demonstrating his often overlooked skill as a reporter.Mainly men and women : My friend Domesticus --The glass of fashion --Am not I your Rosalind? --The princess and the tin box --How to name a dog --Thix --The waters of the moon --Exhibit X --The lady on the bookcase --The ordeal of Mr. Matthews --The dewey dewey fog --A guide to the literary pilgrimage --Prehistoric animals of the middle west --Here come the tigers --Look homeward, Jeannie --A call on Mrs. Forrester --The beast in the dingle. Less alarming creatures : A new natural history --Extinct animals of Bermuda --A gallery of real creatures. Soapland : O pioneers! --Ivorytown, Rinsoville, Anacinburg, and Crisco Corners --Sculptors in ivory --The invisible people --The listening women