Each story is unique in its own personal experience and has been told to the author, Selinda Hart. Having worked as an investigator and as a researcher for the paranormal radio show “Tia Maria” she has brought together some of the best hauntings, accounts of paranormal mysteries, and true ghost stories in this collection. The sixteen stories in this book include diverse paranormal phenomenon and unexplained mysteries set in different locations in the United States, and one compelling frightening story from Spain. As one former skeptic reports from his scary experience, “I was never a believer in the paranormal and I thought ghosts were simply a figment of someone's overactive imagination. I no longer scoff at people who claim to see ghosts. I never found out who or what was haunting that house. But I wasn't going to stay and find out.” “The House off Greenville,” “Red Balloon,” “Ghost in the Bedroom,” and “Who’s been playing with my kids?” are real stories about events and paranormal activity that took place in the Dallas house where the author lived in as a single mom for over five years. Her children are grown now, but to this day they do not like talking about the strange activity and events that took place in that house. If you like reading scary stories, paranormal mysteries, and unexplained phenomenon, then “True Ghost Stories” will leave you with chills. So snuggle up, get under the covers and get ready for some serious goose bumps!

    Winner of the Frank O'Connor International Short Story Award, two O. Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and the new south, tenderness and violence, man and nature. Though his focus is regional, the themes of Rash's work are universal, striking an emotional chord that resonates deep within each of our lives.Something Rich and Strange showcases this acclaimed master's artistry and craftsmanship in thirty-two stories culled from previously published collections and two available for the first time in book form: "Outlaws" and "Shiloh." Each work of short fiction demonstrates Rash's dazzling ability to evoke the heart and soul of this land and its people—men and women inexorably tethered to the geography that defines and shapes them. Filled with suspense and myth, hope and heartbreak, and told in language that flows like "shimmering, liquid poetry" (Atlanta Journal-Constitution), Something Rich and Strange is an iconic work from an American literary virtuoso.

    Children invent a nursery rhyme to make sense of their fate. A band of girls rot from the outside in. These characters stumble through joy and murder and confusion, only to survive and wait for the next catastrophe to arrive. Moments so brief and disturbing you can't afford to look away. Jac Jemc's affecting stories mine the territory between what is real and the stories we tell to create understanding.

    From her face hung a beard of bees. Everyone's seen these things on TV or in National Geographic. Some farmer standing shirtless in his field, a stalactite of writhing insects dangling from his grinning face. But on Bette, though. Our account manager for digital media. I wasn't even aware she raised bees. Welcome to the world of Ryan Boudinot, where a little boy who innocently dresses up as Hitler for Halloween suffers the consequences ("The Littlest Hitler"); a world where a typical office romance is destroyed by the female half's habit of coming to work covered in live bees ("Bee Beard"); where jacked-up salesmen go on murderous, Burgess-like rampages ("The Sales Team"); and the children of the future are required to kill off their parents--preferably with an ice pick--in order to be accepted to the college of their choice ("Civilization"). You may never want to leave. In each of these fearless, hilarious, and tightly crafted stories, Boudinot's voice rings with a clarity rarely seen in a debut collection. He speaks to a generation that has tried to seem disaffected but can't help wishing for a better world. His characters shake their heads over the same messes they're busily creating, or lash out angrily at a sex-and-violence-saturated culture. But they can never entirely lose their sense of fun, however perverse it may be.

    These two stories are perhaps even better known as films (The Birds by Alfred Hitchcock and Don't Look Now by Nic Roeg), but here we bring you the full terrifying texts, superbly read by Peter Capaldi, who brings the true dimension of these works to the imagination.

    Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    --No particular night or morning --The city --The fire balloons --The last night of the world --The veldt --The long rain --The great fire --The wilderness --A sound of thunder --The murderer --The April witch --Invisible boy --The golden kite, the silver wind --The fog horn --The black black and white game --Embroidery --The golden apples of the sun --Powerhouse --Hail and farewell --The great wide world over there --The playground --Skeleton --The man upstairs --Touched with fire --The emissary --The jar --The small assasin --The next in line --Jack-in-the-box --The leave-taking --Exorcism --The happiness machine --Calling Mexico --The wonderful ice cream suit --Dark they were, and golden-eyed --The strawberry window --A scent of sarsaparilla --The Picasso summer --The day it rained forever --A medicine for melancholy --The shoreline at sunset --Fever dream --The town where no one got off --All summer in a day --Frost and fire --The anthem sprinters --And so died Riabouchinska --Boys! Raise giant mushrooms in your cellar! --The vacation --The illustrated woman --Some live like Lazarus --The best of all possible worlds --The one who waits --Tyrannosaurus Rex --The screaming woman --The terrible conflagration up at the place --Night call, collect --The tombling day --The haunting of the new --Tomorrow's child --I sing the body electric! --The women --The inspired chicken motel --Yes, we'll gather at the river --Have I got a chocolate bar for you! --A story of love --The parrot who met Papa --The October game --Punishment without crime --A piece of wood --The blue bottle --Long after midnight --The utterly perfect murder --The better part of wisdom --Interval in sunlight --The black ferris --Farewell summer --McGillahee's brat --The aqueduct --Gotcha! --The end of the beginning.

    These stories feature cats, bees, wolves, dogs, and even that most capricious of animals, humans, and have been reprinted in The Year's Best Fantasy & Horror, Best Science Fiction and Fantasy of the Year, and The Secret History of Fantasy. Kij Johnson's stories have won the Sturgeon and World Fantasy awards. She has taught writing; worked at Tor, Dark Horse, and Microsoft; worked as a radio announcer; run bookstores; and waitressed in a strip bar.Contents:The Man Who Bridged the Mist (2011)Wolf Trapping (1989)The Empress Jingu Fishes (2004)The Bitey Cat (2012)Chenting, in the Land of the Dead (1999)My Wife Reincarnated as a Solitaire—Exposition on the Flaws in my Spouse's Character—The Nature of the Bird—The Possible Causes—Her Final Disposition (2007)Schrödinger's Cathouse (1993)Names for Water (2010)Fox Magic (1993)Spar (2009)The Horse Raiders (2000)26 Monkeys, Also the Abyss (2008)At the Mouth of the River of Bees (2003)The Evolution of Trickster Stories among the Dogs of North Park after the Change (2007)The Cat Who Walked a Thousand Miles (2009)Ponies (2010)

    Thousands of soldiers on both sides of the conflict lost their lives, and tens of thousands more were badly injured. For twin brothers Henry and William, infantry soldiers in the Confederate Army, the battle held more than the horrors of war, it was a portal to something beyond mankind, where the spilling of blood brings not only death, but eternal damnation.A stunning horror novella from a new Master of the Weird and the Fantastic.

    The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.

    Sylvia would take long walks in the country; Pam would have tea ready by the fire for when she returned. Nice fantasies...The house had that kind of effect on people. It felt cosy, lived-in, though it had been empty for many years. Oddly, there was rubbish everywhere, but there was no other sign of a squatter's brief inhabitation.And though the windows were unbroken. the doors securely locked, Pam could never entirely rid herself of the thought that she and her sister might not be alone in the house...One of 13 terrifying tales of terror...

    Deux nouvelles pour trembler et sourire extraites des "Histoires sérieuses et grotesques".

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    He constructs stories where action and drama are implied rather than described openly, and which leave much to the reader's imagination. This collection contains some of the most important of his earliest and shortest comic sketches, as well as examples of his great, mature works. Throughout, the doctor-turned-writer displays compassion for human suffering and misfortune, but is always able to see the comical, even farcical aspects of the human condition. With an Introduction and Notes by Joe Andrew, Professor of Russian Literature, Keele University.Overseasoned --The night before Easter --At home --Champagne --The malefactor --Murder will out --The trousseau --The decoration --The man in a case --Little Jack --Dreams --The death of an official --Agatha --The beggar --Children --The troublesome guest --Not wanted --The robbers --Lean and fat --On the way --The head gardener's tale --Hush! --Without a title --In the ravine.

    It is said that even the Czarina Anastasia Romanova had received one in her trousseau. The workers come from the three neighboring villages on the border of Romania and Ukraine. Nourished, dressed and educated, they are the envy of all at a time when a famine programmed by Stalin sweeps the countryside and cannibalism rages from city to town to farm. But what is the secret of this factory and why does the Grazyn family protect its employees so scrupulously?The Bone Mother revives the great figures of Slavic mythology on the eve of the Second World War, from rusalka and Baba Yaga--The Bone Mother herself--to the golem. The existence of mortals is intimately linked to that of witches and vampires, in a universe where strigois rub shoulders with mermaids, ghosts and seers...and all are in peril from the Nichni Politsiyi, the Night Police, which wish to eradicate them.