A normal life in which she sleeps in the same bed for longer than three months and doesn't have to scrounge for spare change to make sure the electric bill is paid. Emotionally trapped by her unreliable mother, Maggie, and the tiny cape on which she lives, she focuses on her best friend, her upcoming audition for a top music school in New York, and surviving Maggie’s latest boyfriend—who happens to be Grace’s own ex-boyfriend’s father.Her attempts to lay low until she graduates are disrupted when she meets Eva, a girl with her own share of ghosts she’s trying to outrun. Grief-stricken and lonely, Eva pulls Grace into midnight adventures and feelings Grace never planned on. When Eva tells Grace she likes girls, both of their worlds open up. But, united by loss, Eva also shares a connection with Maggie. As Grace's mother spirals downward, both girls must figure out how to love and how to move on.

    When he rescues his schoolmate, Jack, from the water their lives become connected, whether they like it or not. Ryan keeps Jack's secret about that day in the water, but he knows that Jack needs help. The school is full of rumors about Jack's sexuality, and he has few friends. Almost against his better judgement, Ryan decides to invite Jack on a trip to Comic Con he's planned with his best friend Cody, the captain of the school's swim team. The three boys make an unlikely combination, but they will each have the chance to show whether they are brave enough to go against the stereotypes the world wants to define them by.

    . . who is too busy hating everyone to know what love is. Set in London, this girl-loves-boy-loves-boy-loves-girl romp is set against a theatrical production of The Taming of the Shrew, and features enough on- and off-stage drama to satisfy teens looking for a beach read—or a read all year round.

    A Witch and daughter of the Maja, she believes that everything happens for a reason, but she has never quite understood why there is a hollow feeling in the place where her heart should be.One night, at the fabled Moon Market, she meets a beautiful stranger. The mysterious woman's name is Via, and Elise is drawn to her, body, heart and soul. But Elise's past and Via's secret may tear the two women apart... Is true love possible, or is it only a fairy tale?(Ed. Note: Sugar Moon: A Novella was originally published under the pen name Sarah Diemer in 2011. It was unpublished shortly thereafter. This is the new, reworked version.)

    He's even developed some feminine character voices. What not even his closest friends or Dad know is: the latest feminine voice is destined for higher purpose. Opportunity and one strange chance change his life forever. Not all things in the night go 'bump'. Sometimes you find a voice of light, when you change your dial!

    At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce. Funny, honest, and full of heart, We Used to Be Friends tells of the pains of growing up and growing apart.

    An emotional tightrope walk of a book and an important American story rarely, if ever, told.” —Michelle Tea, author of Black WaveDeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amidst prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love?A raw, funny, and uninhibited stumble down memory lane, Brontez Purnell’s debut novel explores how one man’s early sexual and artistic escapades grow into a life.

    But after a photo of her dressed as Rosie the Riveter is mocked online, she's having trouble seeing the good in the world. As a result, Poppy trades her beloved vintage clothes for a feathered chicken costume and accepts a job as an anonymous sign waver outside a restaurant. There, Poppy meets six-year-old girl Miracle, who helps Poppy see beyond her own pain, opening her eyes to the people around her: Cam, her twin brother, who is adjusting to life as an openly gay teen; Buck, a charming photographer with a cute British accent and a not-so-cute mean-streak; and Lewis a teen caring for an ailing parent, while struggling to reach the final stages of his gender transition. As the summer unfolds, Poppy stops glorifying the past and starts focusing on the present. But just as she comes to terms with the fact that there is good and bad in everyone, she is tested by a deep betrayal.

    But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice.Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.Told in alternating chapters with identifying pronouns, debut author Steven Salvatore's Can't Take That Away is both a romance, and an affirmation of self-identity.

    He recovers from bitter disappointment and gradually life returns to a regular rhythm. Safe and predictable. Every day he gains confidence, but with health comes boredom. From the window ledge, he watches people outside and wishes he could be like them. There's another side to Luke. Underneath his bed are five hidden pairs of jeans with matching Dr Martens: yellow, purple, striped, green and tartan. Some days he feels the itch to get them out. Nope. Those days are gone. One day, an amazing thing happens. Dynamic blog artist Formaldehyde Bob comes to town with an exhibition of light and dark! Luke has crushed on him since being fifteen, idolising the man and his unusual creations. Something about the art calls to Luke like nothing else, makes him believe there might after all be someone out there who thinks in the same way. A soul mate. A bird with a similar song. No. Luke isn't going to go and see Formaldehyde Bob. He isn't. Because he's happy with his monotonous lot and doesn't want to see hope sliding down a mountain of sand. Will Luke take a chance and visit Formaldehyde Bob? Can the jeans ever be worn again? Does grumpy Barbara ever smile? And the most important question: is there any magic left in the world? Find out in this snowy tale of young love in the most unexpected places. Content warning: references to self-harm, mental illness.

    He is a little disappointed by the facilities on the Border, but he gets to meet Serene-Heart-In-The-Chaos-Of-Battle, an elf warrior, and Luke Sunborn, an annoyingly brave human warrior native to the magical land he’s crossed into. There are also mermaids, unicorns, harpies and assorted battles and political issues, with Elliot alternating between diplomatic genius and saying the completely wrong thing.Rees Brennan is an expert storyteller than can have you laughing out loud one moment and in tears the next. Her characters are tridimensional and varied and nobody is without good reason to do good and terrible things. "The Turn of the Story" was inspired in the magical worlds of Tamora Pierce, Diana Wynne Jones’s Witch Week, Harry Potter, Neil Gaiman’s The Books of Magic, Eva Ibbotson’s Which Witch? and Jill Murphy's Worst Witch but it's an original piece which awknowledges and comments in its influences, engaging with its predecessors both with the joy of a reader and the critical self awareness of a writer. Elliot is marked by SRB's distinctive voice and the reader is constantly delighted by his referencing of a world that, accross the Border, it's as fictional as the Border is for us, creating a metafictional loop in which the reader and Elliot are the only ones aware of the implications of the plot in its context in our reality. So far magic school was total rubbish.Elliot sat on the fence bisecting two fields and brooded tragically over his wrongs.He had been taken away from geography class, one of his most interesting classes, to take some kind of scholarship test out in the wild. A woman in odd clothing had ‘tested’ him by asking him if he could see a wall standing in the middle of a field. When he told her “Obviously, because it’s a wall. Walls tend to be obvious” she had pointed out other people blithely walking through the wall as if it was not there, and told him that he was one of the chosen few with the sight.“Are you telling me that I have magical powers?” Elliot had asked, extremely excited for a moment, and then he added: “… because I can’t walk through walls? That doesn’t seem right.”

    Lisa Buel, a school board member, is trying to get rid of the health program, which she considers morally flawed, from its textbooks to its recommendations for outside reading. The newspaper staff find themselves in the center of the storm, and things are complicated by the fact that Jamie is in the process of coming to terms with being gay, and her best friend, Terry, also gay, has fallen in love with a boy whose parents are anti-homosexual. As Jamie's and Terry's sexual orientation becomes more obvious to other students, it looks as if the paper they're fighting to keep alive and honest is going to be taken away from them. Nancy Garden has depicted a contemporary battleground in a novel that probes deep into issues of censorship, prejudice, and ethics.

    He returns to school three days after the funeral to a changed world; his best friends welcome him back with open arms, but it isn’t the same. But when a charismatic new student, Eddie Sankawulo, tries to welcome Luke to his own school, something life-changing happens: In a moment of frustration, Luke runs into an empty classroom, hurls his backpack against the wall—and the backpack never lands. Luke Aday has just discovered that he can stop time.

    Sergio is bisexual, but his only real relationship was with a girl. When the two of them meet, they have an instant connection--but will it be enough to overcome their differences? Allie's been in a relationship with a guy for the last two years--but when she meets Kimiko, she can't get her out of her mind. Does this mean she's gay? Does it mean she's bi? Kimiko, falling hard for Allie, and finding it impossible to believe that a gorgeous girl like Allie would be into her, is willing to stick around and help Allie figure it out. Boyfriends with Girlfriends is Alex Sanchez at his best, writing with a sensitive hand to portray four very real teens striving to find their places in the world--and with each other.

    But thirty-five years after he said "I do," Cam finds himself nursing a beer in a gay bar, thinking about what might have been.Dave Montoya is confident, self-assured, and cautiously single. But when he meets shy, uncertain, and clearly-still-not-out Cam in a coffee shop in Austin, his reservations about getting seriously involved again disappear. Cam is everything he’s looking for in a partner . . . almost, anyway.No matter how much Dave wants him, and how good they are together, Cam can't bring himself to fully embrace the life he was meant to live. After all, when his secret finally gets out, he faces the very real possibility of losing everything that kept him going for the first fifty years of his life, just like he’s feared for so long. But with a little faith—and a lot of love—his dream of living fully, truly, as himself might finally be within reach.