With over fifty new poems from Britain's favourite poet, You Made Me Late Again! is an essential addition to Pam Ayres' incomparable collection of works. Pam's poems are observant, witty and poignant in equal measure. In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time -- Pam's poems are beautifully crafted, and her subjects the everyday and the universal. Delightfully illustrated, most of the poems in You Made Me Late Again! are brand new, yet it also features several firm favourites from her stage shows, published for the first time, such as 'The Make-up Lady' and 'Tippy Tappy Feet'.

    This anthology has two main objectives: to introduce students to a wide range of poetry in English from the last 400 years, and to provide them with guidance on how to approach poetry examinations. The poems are divided into six collections, not by theme or by historical period, but as satisfying small anthologies of twenty-two poems each. Clear guidance is given on what is expected in an essay for a poetry examination, and actual answers are reproduced which help the student analyse what kind of response gets good marks and why.

    She hoped to work on her novel, play Rook with the old lady next door and spend some lazy time with her husband and daughters. But when a new neighbor winds up dead, Tessa and her Rook partner find themselves jumping to suspicious conclusions. Add a young hippie named Rusty to the mix, and these three seem like an unlikely trio to solve an alleged crime. When you’re not laughing at the humorous rhetoric in Suspicion on Sugar Creek, you’ll be on the edge of your seat wondering how it will all play out.

    He was young and poor. She was young and rich. The gap between their two families was too big for the likes of Wendy’s father, and so, he made sure Wendy disappeared from Jack’s life. Until one day … When Wendy Preston spied Jack Carlson in Fort Worth, she thought she was seeing a ghost. But no, it was him, the man who broke her heart. After her father carted the family off to Dallas, leaving Montana behind, that was it. No more Jack. Not. One. Word. But what did it matter? She was supposed to marry another man. It’s what her father wanted. It’s what the family business needed. But seeing Jack made Wendy think. What did she want? The bigger question was, could she stand up to her father to get it? Enjoy this quick romantic romp and find outNote: Previously released as part of the Wish Upon a Christmas Star boxed set under Giant Love

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    During this period Harrison wrote Legends of the Fall--a collection of novellas--and two novels: Farmer and Warlock. He evolved a new approach to his poetry, hoping to avoid both academic formalism and the vogue of hygienic confessions. The voice of the selected poems speaks with the courage, intelligence, and wit that is Harrison's alone."Jim Harrison grew up in northern Michigan and shares with that other Michigan poet, Theodore Roethke, not only the longing to be part of the instinctual world, but also the remarkable knowledge of plant and animal life that comes only with long familiarity and close observation. This raises an incidental question: How many more poets of this kind will we see in the United States? It is a melancholy thought that Mr. Harrison may be the last of the species."--Poetry

    The poems also address gender inequality and our inharmonious relationship with the natural world. A poem on Lilian Bland – the first woman to design, build and fly her own aeroplane – celebrates the audacity and ingenuity of a great Irish heroine. Elsewhere, explorers in Greenland set foot on a fjord system accessible to Europeans for the first time in millennia as a result of global warming. But if life is fragile then its traces are persistent, insistent, and in ‘Articulation’ we are invited to stop and wonder at the reconstructed skeleton of Napoleon’s horse, Marengo, ‘whose very hooves trod mud at Austerlitz’, suspended in time ‘for however long he lasts before he crumbles’.

    To enter into these poems one must be fully committed, as the poet is, to seeing this world as it is, to staying with it, moment by moment, day by day. Yet these poems hold a dark promise: this is how you can do it, but you must be fully engaged, which means you must be fully awake, you must wake up inside it. As we proceed, the how-to of the beginning poems subtly transform, as the animals (or, more specifically, the livestock) we are engaging begin to, more and more, become part of us, literally and figuratively we enter inside of that which we devour.--Nick FlynnThis is the book you want with you in the cellar when the tornado is upstairs taking your house and your farm. It's the book you want in the bomb shelter, and in the stalled car, in the kitchen waiting for the kids to come home, in the library when the library books are burned. Its instructions are clear and urgent. Rebecca Gayle Howell has pressed her face to the face of the actual animal world. She remembers everything we have forgotten. Read this! It's not too late. We can start over from right here and right now.--Marie HoweIn every one of these haunting and hungry poems, Howell draws a map for how to enter the heat and dew of the human being, naked and facing the natural world, desperate to feel. I did not realize while reading RENDER how deeply I was handing everything over.--Nikky Finney

    

    It is a place he has barely set foot in for the past 20 years. Caught in the period of his life where the vibrancy of youth has diminished and the prospect of becoming middle-aged is looming, Connor finds that he is suddenly alone in the world and must somehow reshape his future and face his own mortality. With only Tom, the family’s orange tabby cat, as his constant companion, he considers new possibilities and new directions. But will Connor be able to lay the ghosts of his past to rest? And will his return later, to the place he once called home, be enough to let him break free from the remorse which he has carried since he was 18? In this tender, heartwarming portrait of a man who finds himself trapped between his past, his present and the future, where will this new journey lead Connor and what will the future hold when he gets there?

    But all that changes when, after a romantic birthday with her fiancée, Elizabeth returns home, unaware a secret watcher has unimaginably horrible plans for her. Left for dead . . . Days after the attack, Elizabeth emerges from a coma, but she is irrevocably changed. Compelled to find her attacker and find justice, she travels down a dark path that forces her to choose between love and her obsession--not just for herself, but other survivors. Justice or vengeance... Forced to choose between obsession and love, Elizabeth doggedly pursues justice for the victims of other crimes, while her attacker remains at large. Until finally she gets a call with the news she’s been waiting twelve years for. But what Elizabeth learns could tear her life apart...

    

    

    Instead of making beds and serving coffee at the Penmarrow hotel in Cornwall, she’s making notes on her manuscript while sitting in a French cafe, meeting famous writers at private dinner parties, and trying to ferret the secrets behind the author’s unfinished future novel. It’s glamorous, it’s breathtaking … but it’s also an ocean channel away from the place that she loves, and, more importantly, the person to whom she just recently confessed her deepest feelings. Separated from Sidney by distance and circumstances, Maisie fears that their connection will be lost despite her words to him – and maybe because of those words, and the ones she didn’t allow him to say in return. Meanwhile, there are plenty of things in her new life trying to distract her – the professional editor hired to critique her novel, the eager young literary agent who sees pie-in-the-sky potential for Maisie’s talent, but Maisie finds solace in the eclectic group of amateur writers into whose midst she finds herself by accident. Their critique and advice is fast becoming as important as the editors – maybe even more important than the published author Maisie believed held the keys to refining her skill. But it’s missing Sidney that fills Maisie’s thoughts the most, along with her life back in Port Hewer, and she can’t stop wondering whether his feelings are the same as her own. His unspoken answer has become one of the most important pieces of her life, even as she struggles to match the pace of her new life and keep her dreams in sight. And when she unwittingly becomes privy to a seeming literary conspiracy, she must decide what to do in light of its truth – and decide what’s most important in her quest to become a professional writer. Join Maisie in a whirlwind tour across two of the world’s greatest cities, filled with questions, dreams, and a chance for fame that she believed far beyond her grasp, as she discovers herself as a writer, and how to embrace an unexpected future on her own terms.

     Navy SEAL Jack Coltraine wants nothing to do with a covert operation involving a female. The last time he attempted to rescue a woman in the line of fire she lost her life, and Coltraine can’t forgive himself for her death. Can Andy and Coltraine find a way to work together to save the princess…and fall in love along the way? Longshot Jamie English has sworn off men because she was left by her teenage sweetheart to raise their daughter on her own. Agent Austin Varner is still shaken after the death of his last partner who died at the hands of a Mexican drug cartel. However intrigued he is by the sexy, blonde sheriff, the agent keeps his feelings strictly professional, unwilling to ever love another woman who puts herself in the line of fire. Dangerous Destiny Kidnapped by her ex-husband, Isabella Califano, must rely on her wits to keep her alive in a dangerous search through the Colorado Rockies for stolen money he stashed there. U.S. Deputy Marshal Shane Catlin is sent to bring in armored car robber, Reuben Gonzalez. Already bitter over losing his wife to a convict like Gonzalez the marshal vows to bring the man to justice and protect Isabella. Black Mountain Justice As the daughter of a convicted felon, Mesa McCurdy is used to the cold shoulder. Despite her troubles, she’s built a thriving bed and breakfast. When two convicts break out of a transport van and head straight for Mesa’s farm, she must put her trust in a U.S. Deputy Marshal sent to protect her. U.S. Deputy Marshal Kade Cahill is sent to Black Mountain, Colorado, to corral a convict on the loose and protect a witness. Brought up in an abusive family, Kade has no interest in a wife or children. Wild Horses When two Bureau of Land Management agents turn up murdered after a wild horse roundup, Castaña Castillo fears her brother Martin might be the killer. The Arizona Bureau of Investigations sends Jake Breton after Martin Castillo to bring him in for questioning. Jake has to redeem himself after he slept with a witness in a murder investigation, and nearly got killed for following his heart. A mistake he won’t make twice. When Jake and Castaña literally collide on the road, he hides his identity; she hides her mission. Only after a close encounter with a rifleman, a pregnant woman giving birth to Martin’s baby and a young Navajo woman who comes forward with the truth can Jake and Castaña admit they have fallen in love.