Her father’s will bequeathed the land to whichever of his offspring would put in a crop and stake a claim to it. Olivia insists, “I’m sprung off him just as much as Avis or Tobey.”The problem: she’s seventeen, female, and it’s 1841.She has a friend who would make a perfect partner for this endeavor. Mourning Free knows how to run a farm, having worked many years for local farmers. More importantly, Olivia has complete trust in him and no fear of a romantic entanglement developing between them. Mourning will put in the crop for her and she will then help him buy land of his own.The problem: Mourning is black, the orphaned son of runaway slaves, and reluctant to travel and work with a white girl. He especially fears the private agents from the south who patrol the free states, hunting fugitive slaves.Olivia believes she and Mourning can make their partnership work and they set off together. All goes well, despite the drudgery of survival in an isolated log cabin. Incapable of acknowledging her feelings for Mourning, Olivia thinks her biggest problem is her unrequited romantic interest in their young, single neighbor. Then she is betrayed and violated and her world falls apart.Strong-willed, vulnerable, and compassionate, Olivia is a compelling protagonist on a journey to find a way to do the right thing in a world in which so much is wrong.Awards2010 YWO Book of the Year2013 Amazon Breakthrough Novel Award, Quarter-Finalist

    The British government called the famine an act of God. The Irish called it genocide. By any name the famine caused the death of over one million men, women, and children by starvation and disease. Another two million were forced to flee the country. With the famine as a backdrop, this is a story about two families as different as coarse wool and fine silk. Michael Ranahan, the son of a tenant farmer, dreams of breaking his bondage to the land and going to America. The passage money has been saved. He’s made up his mind to go. And then—the blight strikes and Michael must put his dream on hold. The landlord, Lord Somerville, is a compassionate man who struggles to preserve a way of life without compromising his ideals. To add to his troubles, he has to deal with a recalcitrant daughter who chafes at being forced to live in a country of “bog runners.”In The Time Of Famine is a story of survival. It’s a story of duplicity. But most of all, it’s a story of love and sacrifice.

    She's adopted, but her new father can't warm to her, and her mother can't succeed in turning the plain, unresponsive child into the little princess she longs for. When her adoptive mother dies, her greedy aunt takes her in, but hers is not a happy home, and soon Rebecca's life is worse than ever. She longs to escape to the circus that visits her town, with its carefree life and freedom from her past - but will she ever find happiness?

    Navy PT boat, the Slewfoot, is off the coast of New Guinea during World War II. The new captain can only operate "by the book" which causes deep resentment and even mutiny, resulting in a test of wills.

     Relying on recent disclosures about what instigated the greatest Mideast war, “The Jerusalem Inception” tells the story of courageous yet imperfect men and women engaged in a race against a national calamity. It starts in Neturay Karta, a fiercely anti-Zionist Orthodox sect in Jerusalem, and continues through the corridors of power and the annals of covert operations as the Jewish state is caught in a titan match between the U.S. and the Soviet Union. Faced with the most dangerous moment in Israel’s short history, the agents of the Mossad and its sister spy agencies will stop at nothing to prevent a second Holocaust. “The dramatic outcome of the 1967 war continues to dominate the Middle East. If you want to know what really happened (and at the same time fall in love with a striking cast of unforgettable characters) then ‘The Jerusalem Inception’ is for you. In the best tradition of ‘Eye of the Needle’ and ‘The Bourne Identity,’ this one is a hit!” —Stephen J. Wall, author of ‘The Morning After’ and ‘On the Fly.’