Incorporating all the essential daily strips and full-color Sundays, The Portable Doonesbury is an unblinking analysis of history in the making. The days of the 1992 elections are covered here, including: the controversial (and newsmaking) strips about Dan Quayle's DEA file; a long look under the hood of a tiny, deeply disturbed Texas billionaire; and a consideration of the mysterious sway a dark-horse candidate from Arkansas held over political reporters. The Portable Doonesbury also encompasses the Gulf War - from B.D.'s off-shore fling with a superior officer to Duke's grand opening of Club Scud, home of the $50 hamburger. Whether read on the road or in the safety of an armchair, The Portable Doonesbury is a funny, insightful chronicle of our times.

    Back in print in a newly designed edition, this influential cultural, architectural, and social history of New York is even more popular, selling out its first printing on publication. Rem Koolhaas's celebration and analysis of New York depicts the city as a metaphor for the incredible variety of human behavior. At the end of the nineteenth century, population, information, and technology explosions made Manhattan a laboratory for the invention and testing of a metropolitan lifestyle -- "the culture of congestion" -- and its architecture. "Manhattan," he writes, "is the 20th century's Rosetta Stone . . . occupied by architectural mutations (Central Park, the Skyscraper), utopian fragments (Rockefeller Center, the U.N. Building), and irrational phenomena (Radio City Music Hall)." Koolhaas interprets and reinterprets the dynamic relationship between architecture and culture in a number of telling episodes of New York's history, including the imposition of the Manhattan grid, the creation of Coney Island, and the development of the skyscraper. Delirious New York is also packed with intriguing and fun facts and illustrated with witty watercolors and quirky archival drawings, photographs, postcards, and maps. The spirit of this visionary investigation of Manhattan equals the energy of the city itself.

    Ward (1905–85), in employing the concept of the wordless pictorial narrative, acknowledged his predecessors the European artists Frans Masereel and Otto Nückel. Released the week of the 1929 stock market crash, Gods' Man was the first of six woodcut novels that Ward produced over the next eight years. It presents the artist's struggles in a world characterized by both innocence and corruptions and can be considered a forerunner of the contemporary graphic novel, popularized by artists such as Daniel Clowes. Although best known for his "novels in woodcuts," Ward was also a successful illustrator of children's books. In 1953 he won the Caldecott Medal for The Biggest Bear, which he both wrote and illustrated. His illustrations also appeared in numerous books that received the Newbery Medal. Ward's final work was the acclaimed wordless novel The Silver Pony (1973). Until now, Gods' Man has only been widely available in high-priced original editions. This top-quality, low-cost republication of Ward's masterpiece will be welcomed by collectors of his work as well as by readers new to his achievement.

    Grant Snider's beautiful debut picture book explores the wonders—and colors—of nighttime. For night is not just black and white. Ending in colors yet unseen, and a night of sweet dreams, this lilting lullaby is sure to comfort those drifting off to sleep. With luminous art as spare and glowing as the moon, and lyrical text that reads like a friend leading the way through the wilderness, What Color Is Night? is a rich and timeless look at a topic of endless fascination, and a perfect bedtime read-aloud.

    The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable buildings: Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, observations: "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians―but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.

    Consisting of three xeroxed sheets of paper, and with a print run of twenty-five, it was a less-than-auspicious, largely unnoticed debut. In the following three years, though, Optic Nerve developed at a startlingly rapid pace: the artwork and writing evolved with each story, production quality improved, page counts increased, and by issue seven, sales had reached 6,000. In 1994, Drawn & Quarterly took over the publishing duties of Optic Nerve, and the original seven issues sold out and were left out of print. 32 stories presents these rare, early editions, collected for the first time in a single volume.

    A 1990 Caldecott Honor Book Bill Peet tells his life story, including his years with Disney, with illustrations on every page.

    Two: Tell your ghost bedtime stories (ghosts love to be read to). Three: Make sure no one mistakes your ghost for whipped cream or a marshmallow when you aren't looking! If you follow these few simple steps and the rest of the essential tips in How to Make Friends with a Ghost, you'll see how a ghost friend will lovingly grow up and grow old with you. A whimsical story about ghost care, Rebecca Green's debut picture book is a perfect combination of offbeat humor, quirky and sweet illustrations, and the timeless theme of friendship.

    This book, the permanent embodiment of Edward Steichen's monumental exhibition, reproduces all of the 503 images that Steichen described as a mirror of the essential oneness of mankind throughout the world. Photographs made in all parts of the world, of the gamut of life from birth to death. A classic and inspiring work, The Family of Man has been in print for more than 40 years. The New York Times once wrote that it symbolizes the universality of human emotions. First produced by a magazine publisher and sold by the hundreds of thousands on newsstands and in airport shops, The Family of Man has been in more recent years published by the Museum. It has been continuously in print since 1955; the present thirtieth-anniversary edition was prepared from original photographs with all new duotone plates in 1986.

    These full-color graphic novels broke new ground when they were first released and became the inspiration for countless modern-day comic artists.This repackaged hardcover volume contains 3 classic Tintin stories, including: Tintin in America, Cigars of the Pharaoh, and The Blue Lotus.

    Alexander Isleys lively, sophisticated design incorporates 200 black-and-white drawings from Mad masters, as well as over 350 color shots, including reproductions of every one of the magazines covers since 1952. Completely Mad is a must for every all-American rec room!

    The Complete Crumb Comics: The Early Years of Bitter Struggle is the first of a multivolume series, and includes previously unpublished strips created from 1958 to 1962. Crumb's earliest works, some written when he was as young as 15, range from an encounter with Dracula ("I didn't try to escape Dracula, my mind was consentrated [sic] on one thing . . . I was thirsty . . . very thirsty") to Nikita Khrushchev's 1958 visit to the U.S. ("Ever watchful guards stay with Khruschev during a refreshing hot bath."). Crumb aficionados and neophytes alike should rejoice in this classic collection of comic strips; sketchbooks; underground comics; dramatic and autobiographical strips; classic cartoon creations Fritz the Cat and Mr. Natural; and a pithy, biographical preface by Crumb's friend Marty Pahls.

    Nature has all but disappeared in her world, but no one notices because of the antidepressants they're on. Lulu (who never takes her medicine) feels an increasing sense of dread and despair, until her fate changes one cold day when she finds a magic bottle containing a map. Drawn by pirates long ago, this map shows the way to the lost world of the Peppermint Islands, sunk to the bottom of the sea 400 years ago in the great battle between the pirates and the capitalists. Suddenly, Lulu has the chance to save the last remaining wild animals on earth, but she'll have to battle the Peppermint Man and the Great Trading Company in order to defeat the capitalist machine out to ruin the natural world. With the help of her new octopus friend, Mr. Blue, they start their journey to save the Peppermint Islands from annihilation.This is the latest Blab! storybook, a series of graphic novels showcasing artists from Monte Beauchamp's annual BLAB! anthology, presented in a faux-children's book format, though aimed squarely at adults and young adults.

    Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion -- imageability -- and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.