Since she left Dublin, she’s been spending her days teaching English to rich children—she’s been assigned the grammar classes because she lacks warmth—and her nights avoiding petulant roommates in her cramped apartment.When Ava befriends Julian, a witty British banker, he offers a shortcut into a lavish life her meager salary could never allow. Ignoring her feminist leanings and her better instincts, Ava finds herself moving into Julian’s apartment, letting him buy her clothes, and, eventually, striking up a sexual relationship with him. When Julian’s job takes him back to London, she stays put, unsure where their relationship stands.Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. Ava has been carefully pretending that Julian is nothing more than an absentee roommate, so when Julian announces that he’s returning to Hong Kong, she faces a fork in the road. Should she return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

    Two weeks. Six days.That's how long recovering addict Sophie's been drug-free. Four months ago her best friend, Mina, died in what everyone believes was a drug deal gone wrong - a deal they think Sophie set up. Only Sophie knows the truth. She and Mina shared a secret, but there was no drug deal. Mina was deliberately murdered.Forced into rehab for an addiction she'd already beaten, Sophie's finally out and on the trail of the killer—but can she track them down before they come for her?

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    Archie's trying to cope with the lingering effects of his parents' divorce, Mari's considering an opportunity to contact her biological mother, Dante's working up the courage to come out to his friends, and Sam's clinging to a failing relationship. The four eventually embark on a cross-country road trip in an attempt to solve--or to avoid--their problems. Told in the narrative style of Akira Kurosawa's RASHOMAN, AN INFINITE NUMBER OF PARALLEL UNIVERSES is at turns geeky, funny, and lyrical as it tells a story about that time in life when friends need each other to become more than just people that hang out.

    Many of these poems are letters- whether they’ll make it to who they’re meant for is a wearisome wondering, a mystery to be solved in the next life.

    What should have been the worst moment of his life begins a journey shadowed by loneliness and pain. The night of a full moon, four years and seven foster homes later, Damien flees to the forest, desperate to escape everything. Instead, he finds the Salgado pack, and the earth beneath his feet shifts. Damien has seen the Salgado children in his school: Koko, who is in his class, and Hakan, two years older and infinitely unreachable. Damien is suddenly introduced into a world that had only ever existed in his imagination, where there is magic in the forest and the moon. He meets creatures that look like monsters, but Damien knows that monsters have the same face as anybody else. Over the years, Damien and Hakan grow closer. First, just as friends and foster brothers in the Salgado house, and then into something heated and breathless when Damien joins Hakan at college. Despite what he may yearn for in the darkest part of the night, Damien knows, deep down in that bruised and mealy part of his core, that he’s not good enough to be part of the Salgado family, their pack. He’s not worthy of calling Hakan his home. Even though he knows in the end it’ll hurt him, he’ll hold onto this for as long as he can. CONTENT WARNING: This book contains themes of emotional and (nonsexual) physical child abuse and the subsequent emotional, cognitive, and behavioural impacts. This story contains sexually explicit scenes between consenting adults and is meant for an adult audience.