Here, the Lummi and Nooksack Indian people fish and farm, hermits pay their debts in sockeye salmon, and miners track gold-bearing streams.Here, too, is the intimate, murderous tale of three men. Clare Fishburn believes that greatness lies in store for him. John Ireland Sharp, an educated orphan, abandons hope when he sees socialists expel the Chinese workers from the region. Beal Obenchain, who lives in a cedar stump, threatens Clare Fishburn's life.A killer lashes a Chinese worker to a wharf piling at low tide. Settlers pour in to catch the boom the railroads bring. People give birth, drown, burn, inherit rich legacies, and commit expensive larcenies. All this takes place a hundred years ago, when these vital, ruddy men and women were ''the living.''

    Among them, third-grade teacher Sadie Randolph, who has taught every child in town and believes we are all eight years old in our hearts; Stanley Stone, once Fulton's most prominent lawyer, now feigning dementia to escape life with his son; Marge Walker, the town's self-appointed conveyor of social status who keeps a scrapbook of every local murder and heinous crime; and Rachel Silverman, recently widowed, whose decision to leave her Massachusetts home and settle in Fulton is a mystery to everyone but her. C. J., the pierced and tattooed young mother who runs the beauty shop, and Joanna, the hospice volunteer who discovers that her path to a good life lies with helping folks achieve good deaths, are two of the staff on whom the residents depend.McCorkle puts her finger on the pulse of every character's strengths, weaknesses, and secrets. And, as she connects their lives through their present circumstances, their pasts, and, in some cases, through their deaths, she celebrates the blessings and wisdom of later life and infuses this remarkable novel with hope and laughter.

    The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; Lore, a twelve-year-old girl who in 1945 guides her young siblings across a devastated Germany after her Nazi parents are seized by the Allies; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.

    In a fit of preemptive grief and magical thinking, she sets out for a hike in the Galilee, leaving no forwarding information for the “notifiers” who might darken her door with the worst possible news. Recently estranged from her husband, Ilan, she drags along an unlikely companion: their former best friend and her former lover Avram, once a brilliant artistic spirit. Avram served in the army alongside Ilan when they were young, but their lives were forever changed one weekend when the two jokingly had Ora draw lots to see which of them would get the few days’ leave being offered by their commander—a chance act that sent Avram into Egpyt and the Yom Kippur War, where he was brutally tortured as POW. In the aftermath, a virtual hermit, he refused to keep in touch with the family and has never met the boy. Now, as Ora and Avram sleep out in the hills, ford rivers, and cross valleys, avoiding all news from the front, she gives him the gift of Ofer, word by word; she supplies the whole story of her motherhood, a retelling that keeps Ofer very much alive for Ora and for the reader, and opens Avram to human bonds undreamed of in his broken world. Their walk has a “war and peace” rhythm, as their conversation places the most hideous trials of war next to the joys and anguish of raising children. Never have we seen so clearly the reality and surreality of daily life in Israel, the currents of ambivalence about war within one household, and the burdens that fall on each generation anew. Grossman’s rich imagining of a family in love and crisis makes for one of the great antiwar novels of our time.

    Seen through the eyes of young Linda Fallon and the young man who loves her.Anita Shreve, the bestselling author of The Pilot's Wife, returns with a dazzling new novel about love, forgiveness, and paths not followed. Linda Fallon encounters her former lover, Thomas Janes, at a literary festival where both have been invited to give readings from their work. It has been years since their paths crossed, and in that time Thomas has become a kind of literary legend. His renown is enhanced by his elusiveness; for most of the past decade, he has remained in seclusion following a devastating loss. This is no chance meeting. Thomas learned that Linda was reading at the festival and chose this moment to reestablish contact with a woman he passionately pursued years earlier. Their affair was disastrous, and a turning point in both their lives. Neither the intensity of their relationship nor the damage it did has ever been far from his memory. From the moment they speak, The Last Time They Met unfolds the story of Linda and Thomas in an extraordinary way: it travels back into their past, bypassing layers of memory and interpretation to present their earlier encounters with unshakable immediacy. In Africa, when Linda and Thomas were twenty-seven, and in Massachusetts, when they were in high school, the novel re-creates love at its exhilarating pinnacle - the kind of intense connection that becomes the true north against which all relationships are measured. Moving backward through time, The Last Time They Met traces the extraordinary resonance a single choice, even a single word, can have over the course of a lifetime. At the same time, the novel creates an almost unbearable mystery, a mystery that can only be understood fully in the novel's final pages, in the eyes of young Linda Fallon and the young man who loves her. With a master's control of phrase, observation, emotion, and character, Anita Shreve has written a beautiful and unforgettable exploration of intimacy, loss, and lifelong desire.

    Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights--and, at times, the dark lows--of the art world and the country from the late 1990s through today.

    It’s 2008 and things are falling apart: Bear Stearns and Lehman Brothers are going under, and the residents of Pepys Road, London—a banker and his shopaholic wife, an old woman dying of a brain tumor and her graffiti-artist grandson, Pakistani shop owners and a shadowy refugee who works as the meter maid, the young soccer star from Senegal and his minder—are receiving anonymous postcards reading “We Want What You Have.” Who is behind it? What do they want? Epic in scope yet intimate, capturing the ordinary dramas of very different lives, this is a novel of love and suspicion, of financial collapse and terrorist threat, of property values going up and fortunes going down, and of a city at a moment of extraordinary tension.

    When they meet at a fair, Alison invites Colette at once to join her on the road as her personal assistant and companion. Troubles spiral out of control when the pair moves to a suburban wasteland in what was once the English countryside. It is not long before the place beyond black threatens to uproot their lives forever. This is Hilary Mantel at her finest--insightful, darkly comic, unorthodox, and thrilling to read.

    Her routine and colourless existence is disrupted one winter evening when she happens upon the aftermath of a car crash and hears the last words of the driver, Alys Kyte. When Alys's family makes contact in an attempt to find closure, Frances is given a tantalising glimpse of a very different world: one of privilege and possibility. The relationships she builds with the Kytes will have an impact on her own life, both professionally and personally, as Frances dares to wonder whether she might now become a player in her own right.

    In this carnival environment of roller-coasters and freak-shows, while the crest of the Edwardian amusement industry wave is breaking, Cy becomes enamoured with Grace, a mysterious East European immigrant and circus performer who commissions him to cover her body entirely with tattooed eyes.Hugely atmospheric, exotic, and familiar, The Electric Michelangelo is a love story and an exquisitely rendered portrait of seaside resorts on opposite sides of the Atlantic by one of the most uniquely talented novelists of her generation.

    The Green Road is a tale of family and fracture, compassion and selfishness—a book about the gaps in the human heart and how we strive to fill them.Spanning thirty years, The Green Road tells the story of Rosaleen, matriarch of the Madigans, a family on the cusp of either coming together or falling irreparably apart. As they grow up, Rosaleen's four children leave the west of Ireland for lives they could have never imagined in Dublin, New York, and Mali, West Africa. In her early old age their difficult, wonderful mother announces that she’s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold.A profoundly moving work about a family's desperate attempt to recover the relationships they've lost and forge the ones they never had, The Green Road is Enright's most mature, accomplished, and unforgettable novel to date.

    Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.Then one fall day, a train derails in Two Rivers, and amid the wreckage Harper finds an unexpected chance at atonement. One of the survivors, a pregnant fifteen-year-old girl with mismatched eyes and skin the color of blackberries, needs a place to stay. Though filled with misgivings, Harper offers to take Maggie in. But it isn't long before he begins to suspect that Maggie's appearance in Two Rivers is not the simple case of happenstance it first appeared to be.

    After an inexplicably hostile encounter with a hotel landlord, Futh sets out along the Rhine. As he contemplates an earlier trip to Germany and the things he has done in his life, he does not foresee the potentially devastating consequences of things not done. "The Lighthouse," Alison Moore's first novel, tells the tense, gripping story of a man trying to find himself, but becoming lost.

    Lily Bloom is an angry, aging American transplanted to England, now losing her battle with cancer. Attended by nurses and her two daughters -- lumpy Charlotte, a dour, successful businesswoman, and beautiful Natasha, a junkie -- Lily takes us on a surreal, opinionated trip through the stages of a lifetime of lust and rage. From '40s career girl to '50s tippling adulteress to '70s PR flak, Lily has seen America and England through most of a century of riotous and unreal change. And then it's over. Lily catches a cab with her death guide, Aboriginal wizard Phar Lap Jones, and enters the shockingly banal world of the dead: the suburbs. She discovers smoking without consequences and gets another PR job, where none of her coworkers notices that she's not alive. She gets to know her roommates: Rude Boy, her terminally furious son who died in a car accident at age nine; Lithy, a fetus that died before she ever knew it existed; the Fats, huge formless shapes composed of all the weight she's ever gained or lost. How the Dead Live is Will Self's most remarkable and expansively human book, an important, disturbing vision of our time.

    Their wives, Gwen Shanks and Aviva Roth-Jaffe, are the Berkeley Birth Partners, two semi-legendary midwives who have welcomed more than a thousand newly minted citizens into the dented utopia at whose heart - half tavern, half temple - stands Brokeland. When ex–NFL quarterback Gibson Goode, the fifth-richest black man in America, announces plans to build his latest Dogpile megastore on a nearby stretch of Telegraph Avenue, Nat and Archy fear it means certain doom for their vulnerable little enterprise. Meanwhile, Aviva and Gwen also find themselves caught up in a battle for their professional existence, one that tests the limits of their friendship. Adding another layer of complication to the couples' already tangled lives is the surprise appearance of Titus Joyner, the teenage son Archy has never acknowledged and the love of fifteen-year-old Julius Jaffe's life. An intimate epic, a NorCal Middlemarch set to the funky beat of classic vinyl soul-jazz and pulsing with a virtuosic, pyrotechnical style all its own, Telegraph Avenue is the great American novel we've been waiting for. Generous, imaginative, funny, moving, thrilling, humane, triumphant, it is Michael Chabon's most dazzling book yet.