She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

    He opens with the beautiful “Elegy for Miss Brooks,” invoking Gwendolyn Brooks, who died in 2000, and who makes a perfect muse for the volume: “What the devil / are we without you?” he asks. “I tuck your voice, laced / tight, in these brown shoes.” In that spirit of intimate community, Young gives us a saucy ballad of Jim Crow, a poem about Lionel Hampton's last concert in Paris, an “African Elegy,” which addresses the tragic loss of a close friend in conjunction with the first anniversary of 9/11, and a series entitled “Americana,” in which we encounter a clutch of mythical southern towns, such as East Jesus (“The South knows ruin & likes it / thataway—the barns becoming / earth again, leaning in—”) and West Hell (“Sin, thy name is this / wait—this place— / a long ways from Here / to There”). For the Confederate Dead finds Young, more than ever before, in a poetic space that is at once public and personal. In the marvelous “Guernica,” Young’s account of a journey through Spain blends with the news of an American lynching, prompting him to ask, “Precious South, / must I save you, / or myself?” In this surprising book, the poet manages to do a bit of both, embracing the contradictions of our “Confederate” legacy and the troubled nation where that legacy still lingers.

    

    Nida is no different.Coming from a broken marriage, she dreams to spend her life in the arms of her lover. Reality, however, has other plans for her. As she goes through different phases in her life, she encounters various heart-wrenching experiences along the way; all in her journey to be a rebellious author. Turning to comfort in everyone she meets, trying to cope up with the betrayals of her most trusted friends, Nida understands what it means to be independent when it’s her against the world.From the late-night escapades with her boyfriend in the chills of Simla, to attending her mother’s marriage, to write about all the outrageous books, to adopting an orphan child; join Nida in Litany of Woes as she searches for love in all forms and to the realization that it is indeed just a word after all.

    A story that makes you hungry and feeds your soul. From Jaffna Crab Curry to Mor Kuzhambu, Spinach Casseroles and Tiramisu, nestled in the tiny fishing village of Iraalpatinam, comes a delicious and heartwarming tale of food, life and love. Meet the valiant lady sarpanch, the food blogger in search of peace, the able District Collector, a nomadic football coach and the beautiful fisher folks of this quaint village all bound together by their love for food. A yummy story of friendship, love and spices.

    Then his elder brother, Edward, marries the beautiful Helen Harrison, and the minute Gil lays eyes on her he falls deeply, passionately in love. Only Abby recognizes the fire in him and it shatters the bond between them. Abby turns to a man she thinks will make her happy enough, and joins a glittering but shallow social scene, but she cannot forget Gil Collingwood and the snow angels they made so long ago.

    But these houses aren’t normal, and nor is what’s inside them! With her old wounds recently reopened, Jenna is in desperate need of a new start, and her friend Tiff thinks she’s found just the thing when her company needs someone to watch over a trio of houses. Set in an idyllic location in the Shropshire Hills, the houses lie empty, tied up in a legal battle, but from the outset Jenna knows there’s something wrong with them – and it’s not just down to the vicious wrangling between the owners, either! Why does it feel like the houses are talking to her? And who is the mysterious ex-soldier in the only other house on the hill? Why does he hate the owners so badly, and does he know more of what’s going on than Jenna has been told? Join Jenna as she unravels the secret of the houses while she struggles to heal her own inner scars, and in the process finds unexpected friends and inner reserves she didn’t know she had. If you love paranormal mysteries by authors such as Barbara Erskine and Phil Rickman; the magical realism of J S Donovan, Diane Setterfield and Melissa Payne; or the magical elements of Diana Gabaldon’s Lord John Grey novels, then this is a book for you! Grab a copy today and join Jenna on the mysterious Welsh Borders!

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Shashank was older, but flawless and their relationship bloomed. She relished every moment with him, and all the cinematic surprises and unmatched happiness that she could have only dreamed of! With time, in her quest to build the ‘perfect love story’ with Shashank, Amyra found her heart crushed mercilessly. A poignant story of love, friendship, hatred and revenge, My Imperfect Love Story will make you smile, break your heart and take you to cloud nine. More than anything, it will help you rediscover the power of your love.

    She hoped to work on her novel, play Rook with the old lady next door and spend some lazy time with her husband and daughters. But when a new neighbor winds up dead, Tessa and her Rook partner find themselves jumping to suspicious conclusions. Add a young hippie named Rusty to the mix, and these three seem like an unlikely trio to solve an alleged crime. When you’re not laughing at the humorous rhetoric in Suspicion on Sugar Creek, you’ll be on the edge of your seat wondering how it will all play out.

    This poem, written from the perspective of the silkworm, explores the cultural, scientific, and linguistic complexities of silk written inside the body.

    It is a totally fresh, savvy and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad pop-culture world. It is fast, pacy and funny - an exhilarating joyride through the formative years of four Falkirk teenagers.'A terrific yarn... superb from start to finish' - FHM 'There is real emotion here, and gutsiness... a feeling for language so passionate it shames the dullness of so many sentences that make it into print' - Sunday Herald 'Required reading for those who understand and live its message' - The Herald

    Her poems are haunted by demons, ghosts, and even the living who wander exotic landscapes that appear at once threatening and seductive. In these poems, her sly speaker renames a pink hibiscus on display at Lowe's, "Lucifer's Panties"; another character chants, "I'd fall devil / over heels over edge over oleander"; and one woman writes a letter to the underworld:Dear black bayou, once, by a riverI bit a man's neck. His scent: the rawteak air husked inside stomachs of sixRussian nesting dolls--the ones in the attic I pulledapart and open. The ones Ipulled apart and open like Styrofoam cups.

    But he’s called away to deal with a crisis in Hong Kong and she’s left to settle into a new country on her own. One by one, her three grown-up children need help with major life problems and there’s only her to help them, because as usual, Paul puts his job first. Then she finds out that her husband's been unfaithful for years, and it’s the final blow to their marriage, especially as she’s met another man she finds attractive and kind. Her confidence grows as she wins acclaim as an embroidery artist and then she comes into an inheritance. Will her loyalty keep her with her husband, as it has before, or will Paul get more than he’d bargained for with the new, independent Rosalind?

     From the author of the bestselling WHEN GOD WAS A RABBIT comes this spellbinding new novel. Marvellous Ways is eighty-nine years old and has lived alone in a remote Cornish creek for nearly all her life. Lately she's taken to spending her days sitting by the river with a telescope. She's waiting for something - she's not sure what, but she'll know it when she sees it. Drake is a young soldier left reeling by the Second World War. When his promise to fulfil a dying man's last wish sees him wash up in Marvellous' creek, broken in body and spirit, the old woman comes to his aid. A Year of Marvellous Ways is a glorious, life-affirming story about the magic in everyday life and the pull of the sea, the healing powers of storytelling and sloe gin, love and death and how we carry on when grief comes snapping at our heels.