Instead, they have to deal with the news that the bookstore is closing. Before the day is out, there’ll be shaved heads, a diva author, and a very large shipment of Air Jordans to contend with.And it will take all three of them working together if they have any chance to save Wild Nights Bookstore."

    Are we prisoners of our history or can we break free? Can we become all that we need to be to meet the ultimate challenge of life and death in the King’s Tournament and in the dungeons of the Black Castle?

    So as he walks through the doors at St. Clare’s—a strict Catholic school—sporting a plaid tie, things can’t get much worse. His dad has just made the family move again, and Michael needs a friend. When a girl challenges their teacher in class, Michael thinks he might have found one, and a fellow nonbeliever at that. Only this girl, Lucy, is not just Catholic . . . she wants to be a priest.But Lucy introduces Michael to other St. Clare’s outcasts, and he officially joins Heretics Anonymous, where he can be an atheist, Lucy can be an outspoken feminist, Avi can be Jewish and gay, Max can wear whatever he wants, and Eden can practice paganism. After an incident in theology class, Michael encourages the Heretics to go from secret society to rebels intent on exposing the school’s hypocrisies. When Michael takes one mission too far—putting the other Heretics at risk—he must decide whether to fight for his own freedom, or rely on faith, whatever that means, in God, his friends, or himself.

    Now sixteen, they've both enjoyed a privileged upbringing thus far. But not all is well in their household. Because she's a girl, Bet's world is contained within the walls of their grand home, her education limited to the rudiments of reading, writing, arithmetic, and sewing. Will's world is much larger. He is allowed--forced, in his case--to go to school. Neither is happy.So Bet comes up with a plan and persuades Will to give it a try: They'll switch places. She'll go to school as Will. Will can live as he chooses. But once Bet gets to school, she soon realizes living as a boy is going to be much more difficult than she imagined.

    Katie, seventeen, in love with someone whose identity she can't reveal. Her mother Caroline, uptight, worn out and about to find the past catching up with her. Katie's grandmother, Mary, back with the family after years of mysterious absence and 'capable of anything', despite suffering from Alzheimers. As Katie cares for an elderly woman who brings daily chaos to her life, she finds herself drawn to her. Rules get broken as allegiances shift. Is Mary contagious? Is 'badness' genetic? In confronting the past, Katie is forced to seize the present. As Mary slowly unravels and family secrets are revealed, Katie learns to live and finally dares to love. Funny, sad, honest and wise, Unbecoming is a celebration of life, and learning to honour your own stories.

    Raised by an educated mother, Clarissa is not the proper Southern belle she appears to be, with ambitions of loving whom she chooses. Sarah equally hides behind the façade of being a docile house slave as she plots to escape. Both women bring these tumultuous secrets and desires with them to their new home, igniting events that spiral into a tale beyond what you ever imagined possible. Told through the alternating viewpoints of Sarah and Theodora Allen, Cornelius' wife, Marlen Suyapa Bodden's The Wedding Gift is an intimate portrait of slavery and the 19th Century South that will leave readers breathless.

    After all, no one ever proved the rumors about her father’s gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true.Accompanied by her father’s handsome young assistant, Montgomery, and an enigmatic castaway, Edward — both of whom she is deeply drawn to—Juliet travels to the island, only to discover the depths of her father’s madness: He has experimented on animals so that they resemble, speak, and behave as humans. And worse, one of the creatures has turned violent and is killing the island’s inhabitants. Torn between horror and scientific curiosity, Juliet knows she must end her father's dangerous experiments and escape her jungle prison before it's too late. Yet as the island falls into chaos, she discovers the extent of her father’s genius—and madness—in her own blood.Inspired by H. G. Wells’s classic The Island of Dr. Moreau, The Madman’s Daughter is a dark and breathless Gothic thriller about the secrets we’ll do anything to know and the truths we’ll go to any lengths to protect.

    When her alcoholic mom shows up at her voice recital drunk, again, Dana decides she's had enough and runs away to find her mysterious father in Avalon: the only place on Earth where the regular, everyday world and the captivating, magical world of Faerie intersect. But from the moment Dana sets foot in Avalon, everything goes wrong, for it turns out she isn't just an ordinary teenage girl, she's a Faeriewalker, a rare individual who can travel between both worlds, and the only person who can bring magic into the human world and technology into Faerie.Dana finds herself tangled up in a cutthroat game of Fae politics. Someone's trying to kill her, and everyone seems to want something from her, from her new-found friends and family to Ethan, the hot Fae guy Dana figures she'll never have a chance with... until she does. Caught between two worlds, Dana isn't sure where she'll ever fit in and who can be trusted, not to mention if her world will ever be normal again.

    Not only is she the assistant stage manager for the drama club’s production of Hamlet, but her crush Brandon is directing, and she’s rocking a new haircut that's sure to get his attention. But soon after school starts, everything goes haywire. Emma’s suddenly promoted to stage manager, her best friend, Lulu, stops talking to her, and Josh—the sweet soccer player who’s been cast as the lead—turns out to be a disaster. It’s up to Emma to fix it all, but she has no clue where to start.One night after rehearsal, Emma stays behind to think through her life’s latest crises and distractedly falls through the stage’s trap door…landing in the basement of the Globe Theater.It’s London, 1601, and with her awesome new pixie cut, everyone thinks Emma’s a boy—even Will Shakespeare himself. Dropped into the middle of the original production of Hamlet, Emma gamely plays her role as backstage assistant, jumping at the chance to experience theatre history and rub shoulders with legends. But the Globe’s Hamlet has its own problems, and once Emma starts traveling back and forth through time, things get really confusing. In which reality does she belong? And can she possibly save two epically tragic productions of Hamlet before time runs out?

    When she sees the dust cloud on the horizon, she knows he has arrived. She knows he will want the loveliest girl: her sister. She vows she will not let her be next.And so she is taken in her sister’s place, and she believes death will soon follow. Lo-Melkhiin’s court is a dangerous palace filled with pretty things: intricate statues with wretched eyes, exquisite threads to weave the most beautiful garments. She sees everything as if for the last time. But the first sun rises and sets, and she is not dead. Night after night, Lo-Melkhiin comes to her and listens to the stories she tells, and day after day she is awakened by the sunrise. Exploring the palace, she begins to unlock years of fear that have tormented and silenced a kingdom. Lo-Melkhiin was not always a cruel ruler. Something went wrong.Far away, in their village, her sister is mourning. Through her pain, she calls upon the desert winds, conjuring a subtle unseen magic, and something besides death stirs the air.Back at the palace, the words she speaks to Lo-Melkhiin every night are given a strange life of their own. Little things, at first: a dress from home, a vision of her sister. With each tale she spins, her power grows. Soon she dreams of bigger, more terrible magic: power enough to save a king, if she can put an end to the rule of a monster.