It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven. But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: The phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more. Today, only twenty percent of Americans are married by age twenty-nine, compared to nearly sixty percent in 1960.

    They settle by the sea and have a daughter and conventional marriage does not seem such a tumultuous change after all. When a chance encounter awakens scandalous desires never acknowledged until now, however, Harry is forced to forsake the land and people he loves for a harsh new life as a homesteader on the newly colonized Canadian prairies. There, in a place called Winter, he will come to find a deep love within an alternative family, a love imperiled by war, madness and an evil man of undeniable magnetism.If you've never read a Patrick Gale, stop now and pick up this book. From the author of the bestselling NOTES FROM AN EXHIBITION comes an irresistible, searching and poignant historical novel of love, relationships, secrets and escape.

    NBC News and MSNBC correspondent Jacob Soboroff was among the first journalists to expose the truth of what their lives were like on the inside after seeing them firsthand. His widely shared reports in June 2018 ignited public scrutiny that contributed to the President reversing his own policy by Executive Order, and earned Soboroff the Cronkite Award for Excellence in Political Broadcast Journalism and the 2019 Hillman Prize for Broadcast Journalism.In Separated, Soboroff weaves together his own experience unexpectedly covering this national issue with other key figures in the drama he met along the way, including feuding administration officials responsible for tearing apart and then reuniting families, and the parents and children who were caught in the middle. He reveals new and exclusive details of how the policy was carried out, and how its affects are still being felt. Today, there is still not a full accounting of the total number of children the President ripped away from their parents. The exact number may never be known, only that it is in the thousands. Now the President is doubling down on draconian immigration policies, including threatening to hold migrant families indefinitely and making tens of thousands applying for asylum wait in some of Mexico’s most dangerous cities. Separated is required reading for anyone who wants to understand how Trump and his administration were able to carry out this inhumane policy, and how so many missed what was happening before it was too late. Soboroff lays out compassionately, yet in the starkest of terms, its human toll, and makes clear what is at stake in the 2020 presidential election.

    We don’t usually use that to our advantage, but it comes in handy when my brother needs help breaking up with his boyfriends—which happens more than I’d care to admit. I know it’s enabling him, but I can’t say no to Anders. I will do anything for my twin. The breakups always go the same; they’re swift and simple.Until Reed.He’s everything I've fantasised about but never allowed myself to have. When I give in to temptation and begin to freak out, it’s not because he’s a guy. It’s because he thinks I’m my brother, and I can’t bring myself to tell him the truth.**Unwritten Law is a 52,000 word stand alone with a HFN/HEA guarantee and no cliffhanger. It contains a mistaken identity trope. Please check trigger warnings in the front matter.**

    A dream to become an actress, like her idols Ron Howard and Vicki Lawrence. But it was a long way from the South Side of Chicago to Hollywood, and it didn't help that she'd recently dropped out of the school play, The Ugly Duckling. Or that the Hollywood casting directors she wrote to replied that "professional training was a requirement." But the funny thing is, it all came true. Through a series of Happy Accidents, Jane Lynch created an improbable and hilarious path to success. In those early years, despite her dreams, she was also consumed with anxiety, feeling out of place in both her body and her family. To deal with her worries about her sexuality, she escaped in positive ways such as joining a high school chorus not unlike the one in Glee but also found destructive outlets. She started drinking almost every night her freshman year of high school and developed a mean and judgmental streak that turned her into a real- life Sue Sylvester. Then, at thirty-one, she started to get her life together. She was finally able to embrace her sexuality, come out to her parents, and quit drinking for good. Soon after, a Frosted Flakes commercial and a chance meeting in a coffee shop led to a role in the Christopher Guest movie Best in Show, which helped her get cast in The 40-Year-Old Virgin. Similar coincidences and chance meetings led to roles in movies starring Will Ferrell, Paul Rudd, and even Meryl Streep in 2009's Julie & Julia. Then, of course, came the two lucky accidents that truly changed her life. Getting lost in a hotel led to an introduction to her future wife, Lara. Then, a series she'd signed up for abruptly got canceled, making it possible for her to take the role of Sue Sylvester in Glee, which made her a megastar. Today, Jane Lynch has finally found the contentment she thought she'd never have. Part comic memoir and part inspirational narrative, this is a book equally for the rabid Glee fan and for anyone who needs a new perspective on life, love, and success. WITH A FOREWORD BY CAROL BURNETT Excerpt from Happy Accidents:If I could go back in time and talk to my twenty-year-old self, the first thing I would say is: "Lose the perm." Secondly I would say: "Relax. Really. Just relax. Don't sweat it." I can't remember a time when I wasn't anxious and fearful that the parade would pass me by. And I was sure there was someone or something outside of myself with all the answers. I had a driving, anxiety-filled ambition. I wanted to be a working actor so badly. I wanted to belong and feel like I was valued and seen. Well, now I am a working actor, and I guarantee you it's not because I suffered or worried over it. As I look back, the road to where I am today has been a series of happy accidents I was either smart or stupid enough to take advantage of. I thought I had to have a plan, a strategy. Turns out I just had to be ready and willing to take chances, look at what's right in front of me, and put my heart into everything I do. All that anxiety and fear didn't help, nor did it fuel anything useful. My final piece of advice to twenty-year-old me: Be easy on your sweet self. And don't drink Miller Lite tall boys in the morning.

    Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argues that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next.Originally published in 2004, now with a new foreword and afterword, Solnit’s influential book shines a light into the darkness of our time in an unforgettable new edition.

    He's currently moving from town to town, working in restaurant kitchens, and playing his violin for tips. As soon as he starts to feel comfortable anywhere—with anyone—he moves on. He's aware that music may be the only human language he still knows. Ironically, the one man he's wanted to communicate with in all that time is deaf.Shawn is part of a deaf theater group at the nearby college. Shawn wants Cooper as soon as they meet and he begins a determined flirtation. Cooper is comfortable with down and dirty sex, just not people. As far as Shawn is concerned, dirty sex is win-win, but he wants Cooper to let him into the rest of his life as well.Cooper needs time to heal and put his past away for good. Shawn needs to help Cooper forgive himself and accept that he can be loved. Both men find out that when it comes to the kind of healing love can bring, the sleepy beachside town of Santo Ignacio, “St. Nacho's” as the locals call it, may just be the very best place to start.Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Anal play/intercourse, male/male sexual practices.

    But when a phone call from an attorney back home informs me that my sister passed away, leaving me custody of her newborn baby, I’m shocked out of the steady life I’ve built for myself running a tattoo shop in San Francisco. The thing is: I don’t do babies. And I don’t do small towns. Or commitment. And I especially don’t do family. My plan is to go back to Hobie just long enough to sign adoption papers, giving my niece the kind of stable, loving family I could never provide. But the moment I meet my niece in the arms of Weston Wilde, my sister’s best friend and the town’s handsome doctor, my plans begin to change. Because suddenly, I see a different future. One with the very thing I thought I never deserved: a family. If only I can convince West that I’m not the same good-for-nothing kid ready to bolt when things get tough. Weston: There’s one thing I know for sure about Nico Salerno: he was a good-for-nothing as a kid and judging by the purple-haired, tattoo’d punk who shows up at his sister’s funeral, he hasn’t changed. There’s no way I’m letting him take custody of my best friend’s baby. But the more time I spend around him, the more I realize that his rough exterior is just a shell and that beneath all the tattoos is a scared, insecure man searching for a place to belong. And pretty soon I know exactly where he belongs: in my bed and by my side. The problem is, he abandoned his family once before, how do I know that if we become a family he won’t do it again? Facing West is the first in the new Forever Wilde series about the huge Wilde family from Hobie, Texas, whose patriarchs aren’t above a little meddling if that’s what it takes to help their grandkids find true love.

    Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago crisis, she finds herself finally grappling with the devastating ways AIDS affected her life and her relationship with her daughter. The two intertwining stories take us through the heartbreak of the eighties and the chaos of the modern world, as both Yale and Fiona struggle to find goodness in the midst of disaster.The Great Believers has become a critically acclaimed, indelible piece of literature; it was selected as one of New York Times Best 10 Books of the Year, a Washington Post Notable Book, a Buzzfeed Book of the Year, a Skimm Reads pick, and a pick for the New York Public Library's Best Books of the year.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    At first he thinks it's all a film set, and is sure that the strikingly handsome young man leaning against a lamppost must be the leading man…What starts as a sordid transaction with a beautiful rent boy quickly turns into something much deeper, drawing him back again and again as he gets to know Jem and craves meaningful encounters with him.But Ted doesn't understand the exact conditions necessary for his trips through time—and for Jem, time may actually be running out. Now Ted has one last shot to get back to Jem and save their relationship, before it's too late…27,000 words

    But when she chooses unknown magazine reporter Monique Grant for the job, no one in the journalism community is more astounded than Monique herself. Why her? Why now?Monique is not exactly on top of the world. Her husband, David, has left her, and her career has stagnated. Regardless of why Evelyn has chosen her to write her biography, Monique is determined to use this opportunity to jumpstart her career.Summoned to Evelyn’s Upper East Side apartment, Monique listens as Evelyn unfurls her story: from making her way to Los Angeles in the 1950s to her decision to leave show business in the late 80s, and, of course, the seven husbands along the way. As Evelyn’s life unfolds through the decades—revealing a ruthless ambition, an unexpected friendship, and a great forbidden love—Monique begins to feel a very a real connection to the actress. But as Evelyn’s story catches up with the present, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.Filled with emotional insight and written with Reid’s signature talent, this is a fascinating journey through the splendor of Old Hollywood into the harsh realities of the present day as two women struggle with what it means—and what it takes—to face the truth

    Alec Johnson has almost reached his goals. As this year’s recipient of a humanitarian award with his ex, Dr. Tyler Hall, Alec’s work with the homeless is about to be recognized. Unfortunately, his personal life sucks because now he has to attend several events alongside Tyler—with his ex’s new boyfriend in tow. In an attempt to lift his mood and break out of his rut, Alec purchases a motorcycle he has no idea how to start. Dylan Booth doesn't have time for Dr. Clueless and his fickle 1964 Harley, but the cocky mechanic can’t say no to the request for help. Having spent his teen years on the streets, and losing his best friend to HIV, Dylan decides teaching the do-gooder how to ride is the least he can do. But watching Alec flounder in his ex's company throws Dylan into protector mode, and the confirmed hetero introduces himself as Alec's new boyfriend. The ex suspects Dylan is lying. Alec claims Dylan’s plan is insane. And Dylan’s not sure he can fake being gay. But he’s a master bullshitter, and the phony PDA soon turns ultra-hot. Alec can’t afford to get attached, and Dylan’s learned everyone eventually leaves. Unfortunately, playing the backup boyfriend is starting to feel way too real… CONTENT WARNING: This book contains Man-on-Man action, adult situations, and language.

    But Charlie wasn't lighting fires alone: he had an accomplice, his girlfriend Tonya Bundick. Through her depiction of the dangerous shift that happened in their passionate relationship, Hesse brilliantly brings to life the once-thriving coastal community and its distressed inhabitants, who had already been decimated by a punishing economy before they were terrified by a string of fires they could not explain. Incorporating this drama into the long-overlooked history of arson in the United States, American Fire re-creates the anguished nights that this quiet county spent lit up in flames, mesmerizingly evoking a microcosm of rural America - a land half gutted before the fires even began.

    These invisible casualties of the Great Recession have taken to the road by the tens of thousands in RVs and modified vans, forming a growing community of nomads.Nomadland tells a revelatory tale of the dark underbelly of the American economy—one which foreshadows the precarious future that may await many more of us. At the same time, it celebrates the exceptional resilience and creativity of these Americans who have given up ordinary rootedness to survive, but have not given up hope.