At least that is the way Wren StrongEagle sees it.Wren is devastated when her twin sister, Raven, mysteriously disappears after the two spend an evening visiting at a local pub. When Wren files a missing persons report with the local police, she is dismissed and becomes convinced the case will not be properly investigated. As she follows media reports, Wren realizes that the same heartbreak she’s feeling is the same for too many families, indeed for whole Nations. Something within Wren snaps and she decides to take justice into her own hands. She soon disappears into a darkness, struggling to come to terms with the type of justice she delivers. Throughout her choices, and every step along the way, Wren feels as though she is being guided. But, by what?

    Perfect for fans of Katie Flynn and Annie Groves.Maeve Brannigan is only eighteen when she leaves her rural home in County Donegal and moves to Birmingham, where she falls in love with handsome Brendan Hogan. But married life isn’t as idyllic as she’d imagined, and when Maeve falls pregnant with their first child, she soon realises that Brendan isn’t the man she thought he was.Saddled with a violent husband and with two young’uns needing her protection, Maeve bears her life as best she can. After a particularly vicious attack, she is forced to flee back to Ireland – but her presence is greeted with open hostility by the close-knit catholic community that she was once so eager to escape. Driven away to face her abusive husband, Maeve’s future looks bleak. Will she find the strength to break free and make the prospect of a better life a reality rather than a distant dream?

    But Jeremy has secrets that torment him, and Mel isn’t sure she can save him from his demons. All she knows is that she has to save herself.

    A professor of cardiovascular physiology lingers on the cusp of consciousness as he waits for his new heart to be delivered, still beating, from another body—and is carried on a tidal wave of memories to an attic room half a century ago. Visiting Sylvia Plath’s grave in Yorkshire, the author imagines a conversation with the poet, a fellow North American who settled in grey England. She reflects on the treasured photograph of Princess Diana she took as a teenager, one of a multitude taken during a life cut short. And at Charleston, Angelica Garnett, child of the Bloomsbury Group, is overpowered by echoes of the past—all the beloved ghosts that spring to life before her eyes. MacLeod’s characters hover on the border of life and death, where memory is most vivid and the present most elusive.

    Make sure the caterers don't serve devil's food cake to the Christian Women's Alliance- check. Tell my mother that having a séance to get rid of any unwanted spirits in the kitchen during dinnertime is not okay- check. Send a friendly reminder to all staff that the pens are colour coded for everyone's enjoyment, and therefore it is not a good idea to put them all in one jar in order to spice things up as was anonymously suggested- check. But, when an acclaimed hotel critic dies at the Inn, just before she's about to publish a scathing review that would ruin the business, Kate's life and checklists are thrown into disarray. And it doesn't help matters that the detective assigned to the case is messy, unorganized, and too charming for his own good. Now Kate has to prove her innocence and save her Inn, or else the only thing that she'll be organizing is the prison's next bake sale.

    Inspired by colourful characters, he tells us tales that run the emotional roller-coaster, from heart-warming to hilarious and thought-provoking to, at times, almost unbelievable. Dr Moss invites us to see something of what really goes on behind the surgery door…

    He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.

    Mignonne Lachapelle leaves Montreal for New York to make her name, but is swept away by the charms of France’s greatest living writer. Nothing about their relationship is simple—not Antoine’s estranged wife who entangles Mig in her schemes to reclaim her husband, not his turmoil, and certainly not their tempestuous trysts or the blurring boundaries of their artistic pursuits. Yet the greatest complication comes in the form of a deceptively simple manuscript: Antoine’s work-in-progress, The Little Prince, a tender tale of loneliness, friendship, love, and loss in the form of a young prince fallen to earth.Studio Saint-Ex is a deeply evocative love story of a literary giant caught between two talented and mesmerizing women, set in the glittering world of French expatriates in Manhattan during World War II. Reminiscent of The Paris Wife, Loving Frank, and The Rules of Civility, Studio Saint-Ex explores themes of love, passion, and creativity in sophisticated, literary prose.

    He and his son, Greg, are left to deal with the shock. But Greg has returned to his studies on the East Coast, and Bin finds himself alone and pulled into memories he has avoided for much of his life. In 1942, after Pearl Harbor, his Japanese Canadian family was displaced from the West Coast. Now, he sets out to drive across the country: to complete the last works needed for an upcoming exhibition; to revisit the places that have shaped him; to find his biological father, who has been lost to him. It has been years since his father made a fateful decision that almost destroyed the family. Now, Bin must ask himself whether he really wants to find him. With the persuasive voice of his wife in his head, and the echo of their great love in his heart, he embarks on an unforgettable journey that encompasses art and music, love and hope.A story of great loss, a story of redemption, a story of abiding love, Requiem is a beautifully written and evocative novel about a family torn apart by the past and a man’s present search for solace.

    Sean, the Irish hard-drinking poet is their host, but hasn't told them he's dying of cancer. In fact none of them would be there if they didn't have the kind of dysfunctional lives and problems which prevent them being with their own families.With the exception of the enigmatic outsider, a new young trophy wife, they all know too much about each other, their weak points and failures. Relationships and histories criss-cross; they have little in common except a mutual past and a search for meaning in the present. And meanwhile they're all at the mercy of fate - both inevitable and surprising, funny and tragic.

    It can offer examples to inform our decisions and guesses about the consequences of our actions. But we should be wary of looking to history for dogmatic lessons.We should distrust those who abuse history when they call on it to justify unreasonable claims to land, for example, or restitution. MacMillan illustrates how dangerous history can be in the hands of nationalistic or religious or ethnic leaders who use it to foster a sense of grievance and a desire for revenge.

    Kept in a hotel with other girls, her old life is a distant memory. But when the girls are rescued, she doesn’t quite know how to be Lex again. After she moves in with her aunt and uncle, for the first time in a long time, she knows what it is to feel truly safe. Except, she doesn’t trust it. Doesn't trust her new home. Doesn’t trust her new friend. Doesn’t trust her new life. Instead she trusts what she shouldn’t because that's what feels right. She doesn’t deserve good things. But when she is sexually assaulted by her so-called boyfriend and his friends, Lex is forced to reckon with what happened to her and that just because she is used to it, doesn’t mean it is okay. She’s thrust into the limelight and realizes she has the power to help others. But first she’ll have to confront the monsters of her past with the help of her family, friends, and a new love.Kate McLaughlin’s What Unbreakable Looks Like is a gritty, ultimately hopeful novel about human trafficking through the lens of a girl who has escaped the life and learned to trust, not only others, but in herself.

    Spanning more than seven decades, from the turn of the century to the mid-seventies, The Underpainter--in range, in the sheer power of its prose, and in its brilliant depiction of landscape and the geography of imagination--is Jane Urquhart's most accomplished novel to date, with one of the most powerful climaxes in contemporary fiction.

    The highway is known as the 'Highway of Tears', and it has come to symbolize a national crisis.Journalist, Jessica McDiarmid, investigates the devastating effect these tragedies have had on the families of the victims and their communities, and how systemic racism and indifference have created a climate where Indigenous women are over-policed, yet under-protected. Through interviews with those closest to the victims--mothers and fathers, siblings and friends--McDiarmid offers an intimate, first-hand account of their loss and relentless fight for justice. Examining the historically fraught social and cultural tensions between settlers and Indigenous peoples in the region, McDiarmid links these cases to others across Canada--now estimated to number up to 4,000--contextualizing them within a broader examination of the undervaluing of Indigenous lives in this country.Highway of Tears is a powerful story about our ongoing failure to provide justice for missing, and murdered, Indigenous women, and a testament to their families and communities' unwavering determination to find it.

    It is also an attempt to predict how, under cover of shocks and crises, it could get a lot worse. And it’s a plan for how, if we keep our heads, we might just be able to flip the script and arrive at a radically better future.”–From the Introduction Donald Trump’s takeover of the White House is a dangerous escalation in a world of cascading crises. His reckless agenda—including a corporate coup in government, aggressive scapegoating and warmongering, and sweeping aside climate science to set off a fossil fuel frenzy—will generate waves of disasters and shocks to the economy, national security, and the environment. Acclaimed journalist, activist, and bestselling author Naomi Klein has spent two decades studying political shocks, climate change, and “brand bullies.” From this unique perspective, she argues that Trump is not an aberration but a logical extension of the worst, most dangerous trends of the past half-century—the very conditions that have unleashed a rising tide of white nationalism the world over. It is not enough, she tells us, to merely resist, to say “no.” Our historical moment demands more: a credible and inspiring “yes,” a roadmap to reclaiming the populist ground from those who would divide us—one that sets a bold course for winning the fair and caring world we want and need. This timely, urgent book from one of our most influential thinkers offers a bracing positive shock of its own, helping us understand just how we got here, and how we can, collectively, come together and heal.