Created over 15 years from 1981-96 in the pages of the legendary comic Love and Rockets and collected here in a giant deluxe hardcover.One of the most humane, graceful and imaginatively inexhaustible artists in American popular culture, Jaime Hernandez has created in Locas one of the great American novels of the last 30 years, graphic or otherwise. Created over 15 years from 1981 to 1996 in the pages of the legendary comic book series Love and Rockets, Locas tells the story of Maggie Chascarrillo, a bisexual, Mexican-American woman attempting to define herself in a community rife with class, race and gender issues.Maggie's story begins in the early-1980s Southern California rock scene, when it was shifting from the excesses of the 1970s to the gritty basics of punk and new wave. Hardcore punk rock came to the fore, and the teenaged Maggie finds herself drawn to the anarchy, energy and diversity of the scene, which in Jaime's hands becomes a very real, habitable place populated with authentic human beings rather than stereotypes. She quickly befriends Hopey Glass, a feisty anti-authoritarian punkette who quickly becomes Maggie's on-again, off-again lover and a constant presence in her life throughout the book.As the New York Times Book Review has described it, "These stories have all the visual smarts of film and the narrative smarts of literature....Hernandez specializes in psychological detail; we see both text and subtext immediately....What better than to open a book that shows there is more going on than we dream of in our workaday philosophies?"

    She leads the Ultimates. And now she officially claims her place as the preeminent butt-kicker of the entire Marvel Universe! But what's a super-powered teenager to do when she's looking for a little personal fulfi llment? She goes to college! America just has to stop an interdimensional monster or two first and shut down a pesky alien cult that's begun worshipping her exploits before work can begin. Then she can get on with her first assignment: a field trip to the front lines of World War II - with Captain America as her wingman!COLLECTING: AMERICA 1-6

    This fully painted graphic novel is unlike any Wonder Woman tale you have ever read, told as only Eisner Award-winning writer/artist Thomspon could. When young Diana has the fawning attention of a nation, she soon grows spoiled. But a series of tragic events take their toll, and Diana must learn to grow up, take responsibility, and seize her destiny.Steeped in the mythology of this iconic character's original conception, WONDER WOMAN: THE TRUE AMAZON is designed to appeal to a wide range of readers. It's a fresh, stand alone interpretation of the most famous and iconic female super-hero of all time and the fulfillment of a dream project by one of contemporary comics' most acclaimed creators.Collects WONDER WOMAN: THE TRUE AMAZON digital chapters #1-12.

    But she has a secret nobody knows. She has the power to make people fall in love! Anyone. With anything. She’s a cupid in plaid. With a Tumblr. There’s only one catch—it doesn’t work on herself. She’s gonna have to find love the old-fashioned way, and in the meantime, figure out how to distract herself from the real emotions she inevitably has to face when her powers go wrong… Written by Sam Humphries and illustrated by Caitlin Rose Boyle, this charming tale is sure to appeal to romantics and cynics alike.

    First love. First heartbreak. At once romantic and devastating, brutally honest and full of humor, this graphic-novel memoir is a debut of the rarest sort.Maggie Thrash has spent basically every summer of her fifteen-year-old life at the one-hundred-year-old Camp Bellflower for Girls, set deep in the heart of Appalachia. She’s from Atlanta, she’s never kissed a guy, she’s into Backstreet Boys in a really deep way, and her long summer days are full of a pleasant, peaceful nothing . . . until one confounding moment. A split-second of innocent physical contact pulls Maggie into a gut-twisting love for an older, wiser, and most surprising of all (at least to Maggie), female counselor named Erin. But Camp Bellflower is an impossible place for a girl to fall in love with another girl, and Maggie’s savant-like proficiency at the camp’s rifle range is the only thing keeping her heart from exploding. When it seems as if Erin maybe feels the same way about Maggie, it’s too much for both Maggie and Camp Bellflower to handle, let alone to understand.

    He was a normal guy who'd been dealt an extraordinary hand in life. At his peak, he weighed 500 pounds and stood nearly seven and a half feet tall. But the huge stature that made his fame also signed his death warrant.Box Brown brings his great talents as a cartoonist and biographer to this phenomenal new graphic novel. Drawing from historical records about Andre's life as well as a wealth of anecdotes from his colleagues in the wrestling world, including Hulk Hogan, and his film co-stars (Billy Crystal, Robin Wright, Mandy Patinkin, etc), Brown has created in Andre the Giant, the first substantive biography of one of the twentieth century's most recognizable figures.

    With her father off fighting for the Hungarian army and the German troops quickly approaching, Katin and her mother are forced to flee to the countryside after faking their deaths. Leaving behind all of their belongings and loved ones, andunable to tell anyone of their whereabouts, they disguise themselves as a Russian servant and illegitimate child, while literally staying a few steps ahead of the German soldiers.We Are on Our Own is a woman's attempt to rebuild her earliest childhood trauma in order to come to an understanding of her lifelong questioning of faith. Katin's faith is shaken as she wonders how God could create and tolerate such a wretched world, a world of fear and hiding, bargaining and theft, betrayal and abuse. The complex and horrific experiences on the run are difficult for a child to understand, and as a child, Katin saw them with the simple longing, sadness, andcuriosity she felt when her dog ran away or a stranger made her mother cry. Katin's ensuing lifelong struggle with faith is depicted throughout the book in beautiful full-color sequences.We Are on Our Own is the first full-length graphic novel by Katin, at the age of sixty-three.

    Scarper’s father is his pride and joy, a wind-powered brass construction with a billowing sail. His mother is a Bakelite hairdryer. In this world it rains knives, and household appliances have souls. There are also no birthdays—only deathdays. Scarper’s deathday is just three weeks away, and he clings to the mundane repetition of his life at home and high school for comfort. Rob Davis’s dark graphic novel is an odyssey through a bizarre, distorted teenage landscape. When Scarper’s father mysteriously disappears, he sets off with Vera Pike (the new girl at school) and Castro Smith (the weirdest kid in town) to find him. Facing home truths and knife storms at every turn, will Scarper even survive until his deathday?

    Studying English literature in college, she imagined writing a successful novel and leading the idealized life of an author. But she’s been working at the same advertising agency for the past five years and the only thing she’s written is . . . copy. Corrina knows there must be more to life, but and she faces the same question as does everyone in her generation: how to find it? Here is the brilliant debut graphic novel about a young woman’s search for happiness and self-fulfillment in the big city.(With two-color illustrations throughout.)

    Most women carry some form of mental load--about their work, household responsibilities, financial obligations, and personal life, but what makes up that burden and how it's distributed within households and understood in offices is not always equal or fair. In her strips, Emma deals with themes ranging from maternity leave (it is not a vacation!), domestic violence, the clitoris, the violence of the medical world on women during childbirth, and other feminist issues, and she does so in a straightforward way that is both hilarious and deadly serious. Her comics also address the everyday outrages and absurdities of immigrant rights, income equality, and police violence.