Starting with an account of his childhood in Ireland at the end of the 19th century, the story moves to Scotland where, tramp then gang-labourer then navvy, Dermond Flynn (as he sometimes calls himself) discovers himself as a writer.

    It centres on a building tenant who is mistaken for an IRA assassin.

    Among the victims of this tragedy were Thomas Keneally's own forebearers, and they were his inspiration to tell the story of the Irish who struggled and ultimately triumphed in Australia and North America. Relying on rare primary sources--including personal letters, court transcripts, ship manifests, and military documents--Keneally offers new and important insights into the impact of the Irish in exile. The result is a vivid saga of heroes and villains, from Great Famine protesters to American Civil War generals to great orators and politicians.

    DanDan is struggling with the death of his ex, Lucy is drinking way too much and Steph has become closed off. A weekend away is just what they need. They travel out to Rockadoon Lodge, to the wilds in the west of Ireland. But the weekend doesn't go to plan. JJ is more concerned with getting high than spending time with them, while Merc is humiliated and seeks revenge. And when their elderly neighbour Malachy arrives on their doorstep in the dead of night with a gun in his hands, nothing will be the same again for any of them . . .Honest, moving and human, Rockadoon Shore is a novel about friendship and youth, about missed opportunities and lost love, and about the realities of growing up and growing old in modern-day Ireland. Highly energetic and tensely humorous, it heralds a new and exciting voice in contemporary Irish fiction.

    The province has become synonymous with conflict, terrorism and tortuous efforts to forge peace. But what is life there really like? In this enchanting and highly original book Martin Fletcher presents a portrait of Northern Ireland utterly at odds with its dire international image. He paints a compelling picture of a place caught in a time warp since the 1960s, of a land of mountains, lakes and rivers where customs, traditions and old-world charm survive, of an incredibly resourceful province that has given the world not just bombs and bullets but the Titanic, the tyre and the tractor, a dozen American presidents, two prime ministers of New Zealand and a Hindu god. He meets an intelligent, fun-loving, God-fearing people who may do terrible things to each other but who could not be more welcoming to outsiders. He describes a land of awful beauty, a battleground of good and evil, a province populated by saints and sinners that has yet to be rendered bland by the forces of modernity.

    "A highly ambitious, engaging, and evocative novel and a hauntingly captivating read." -The Sunday IndependentWhat happens when a woman is haunted by the sins of her foremothers–and the men who betrayed them?Facing the birth of her child, and single motherhood, Jo Devereux has spent the last six months in Mucknamore, the Irish village she fled twenty years ago.A trunk of letters and diaries left by her grandmother and great-aunt has revealed a heartbreaking legacy of bitter secrets that have haunted the women of her family for four generations.Now she must find out the ultimate truth: What other secrets and lies lie under her mother’s and grandmother’s unshakeable silence? How does it connect with her failed life as a gender-bending agony aunt in San Franciso? And what of Rory… her lost love, son of her family’s sworn enemies?Will Jo’s mission to uncover the past unlock a possible future together? Or are they about to lose everything all over again?As she pieces together the poisonous fragments of the past, Jo must now face into the guilt and shame that were her legacy and see how she might best redeem them in her own life.

    Since 1999, when he made his international debut, there has been no greater player in world rugby than Brian O'Driscoll. In 2010 Rugby World magazine named him its world player of the decade - and since then the legend has only grown. Now, at the end of his amazing career - which culminated in fairy-tale fashion with Ireland's victory in the 2014 Six Nations championship - he tells his own story. Honest, gritty and thoughtful, Brian O'Driscoll's Autobiography is not just an essential sports book. It is an essential book about family, friends, hard work, courage and imagination. "An amazing career. There will only ever be one BOD". (Dan Carter). "A thoroughly enjoyable read ...After reading The Test I warmed even more to O'Driscoll as a player and a man. He stood for a new ethos in Irish sport that refused to accept mediocrity or glorious failure". (Fergal Keane, Irish Times). "O'Driscoll's honesty ...takes the reader to a place they simply have not been before". (Vincent Hogan, Irish Independent).

    Reporting the Troubles brings together over sixty stories from the journalists who were on the ground. This remarkable, important book spans the thirty-year conflict, from the day in 1969 that the violence erupted on Duke Street in Derry, to the Good Friday Agreement and the Omagh bomb. Contributions include: Anne Cadwallader (BBC, RTE, Reuters) on the 1983 Maze breakout, Denis Murray (former BBC Ireland Correspondent) on one of the less-remembered deaths of the Troubles that has stayed with him, John Irvine (ITV News Senior International Correspondent) on covering ten funerals in one week, Paul Faith (Press Association) on taking the famous `Chuckle Brothers' photograph of McGuinness and Paisley, Conor O'Clery (Irish Times) on Ian Paisley, Martin Bell (BBC) on working in Belfast, and staying at the Europa one of the many times it was bombed, Kate Adie (BBC) on a lesson learned from the Troubles, David McKittrick (BBC, Independent) on the peace line.

    "The Arkansas Testament," one of the book's long poems, is a powerful confrontation of changing allegiances. The poem's crisis is the taking on of an extra history, one that challenges unquestioning devotion.

    About to turn 30, like many her age, Ellen had left the Church a long time ago, but she had never stopped believing in and talking to God. Now, she suddenly realized she wasn't quite ready for this statement to be true, however much of a contradiction it seemed to present with some of her most strongly held views.Abandoning the Church had been an act of protest, a form of punishment. However, she began to wonder: who had really lost the most? Why should those who did the damage to the Church get to keep it and all its good bits, like going to Mass for the ritual and the community, having a clear guide for living a better life, and the comfort of believing it's not the end when somebody dies?But how could she ally herself to an institution she doesn't entirely agree with? In her first book, Ellen tries to figure out how much she really wants to go back to the Church, and if it is even the right thing to do. A stunningly intelligent and thoughtful debut work of non-fiction.

    Thady will defend his masters to the end, but eventually his naivety and blind loyalty cause him to ignore the warning signs as the family's excesses lead them to ruin. This volume also includes Ennui, the entertaining 'confessions' of the Earl of Glenthorn, a bored, spoiled aristocrat. Desperate to be free from 'the demon of ennui', Glenthorn's quest for happiness takes him through violence and revolution, and leads to intriguing twists of fate. Both novels offer a darkly comic and satirical exposé of the Irish class system, and a portrait of a nation in turmoil.

    There, she finds a foreign, civilized world -- and Manus, the architect son of a wealthy, devout family. Together Deirdre and Manus build a marriage that, like Dublin itself, is fraught with hope and threatened by legacies. When Deirdre's secret resurfaces, she is forced to confront the questions "How much of our parents do we carry? Do their sins and frailties shape who we become to our own children?"

    A couple drive out to the hills in a last-ditch effort to save their marriage. A horse crashes a house party. Set on an imagined island off the west coast of Ireland, John Patrick McHugh’s debut collection of stories draw a complete community of characters – misdirected, posturing and self-deceiving. But in his fidelity to and compassion for their faults, McHugh embeds us in the moments on which these lives twist and turn, probing unflinchingly what most of us would rather ignore. Pure Gold heralds the arrival of a vibrant new literary voice.

    Feel Free, his fourth collection, effortlessly spans the Atlantic, combining the acoustic expansiveness of Whitman or Ashbery with the lyricism of Laird's forebears Heaney, MacNeice and Yeats. With characteristic variety, invention and wit (here are elegies, monologues, formal poems and free verse) the poet explores the sundry patterns of freedom and constraint - the family, the impress of history, the body itself - and how we might transcend them.Feel Free is always daring, always renewing, and Laird's most remarkable work to date.

    When they are thrown together in a Dublin brothel in a horrific twist of fate, a peculiar and important bond is formed . . .This is a novel about a flourishing but hidden world, thinly concealed beneath a veneer of normality. It’s about the failings of polite society, the cruelty that can exist in apparently homely surroundings, the bluster of youth and the often appalling weakness of adults.Harvesting is heartbreaking and funny, gritty, raw and breathtakingly beautiful, where redemption is found in friendship and unexpected acts of kindness.Harvesting was inspired by Harding’s involvement with a campaign against sex trafficking run by the Children’s Rights Alliance. Although it is a fictionalised account, the text has been read and approved of by representatives for NGOs in both Moldova and Dublin.