Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.

    Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts.At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender,Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    But wait — Edward “Mitch” Mitchell is no Hercule Poirot, and The Back Passage is no Murder of Roger Ackroyd. Mitch is a handsome, insatiable 22-year-old hunk who never lets a clue stand in the way of a steamy encounter, whether it’s with the local constabulary, the house secretary, or his school chum and fellow athlete Boy Morgan, who becomes his Watson when they’re not busy boffing each other. When Reg Walworth is found dead in a cabinet, Sir James Eagle has his servant Weeks immediately arrested as the killer. But Mitch’s observant eye pegs more plausible possibilities: polysexual chauffeur Hibbert, queenly pervert Leonard Eagle, missing scion Rex, sadistic copper Kennington, even Sir James Eagle himself. Blackmail, police corruption, a dizzying network of spyholes and secret passages, watersports, and a nonstop queer orgy backstairs and everyplace else mark this hilariously hard-core mystery by a major new talent.

    And with their success is launched a brave new world that is in some ways better than ours--but in most ways even worse. Fry's experiment in history makes for his most ambitious novel yet, and his most affecting. His first book to be set mostly in America, it is a thriller with a funny streak, a futuristic fantasy based on one of mankind's darkest realities. It is, in every sense, a story of our times.

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    Clever, rich, and beautiful, Ada Averley treats Rose as an equal. And Rose could use a friend. Especially now that she, at barely sixteen, has risen to the position of ladies' maid. Rose knows she should be grateful to have a place at a house like Somerton. Still, she can't help but wonder what her life might have been had she been born a lady, like Ada.For the first time in a decade, the Averleys have returned to Somerton, their majestic ancestral estate. But terrible scandal has followed Ada's beloved father all the way from India. Now Ada finds herself torn between her own happiness and her family's honor. Only she has the power to restore the Averley name-but it would mean giving up her one true love ... someone she could never persuade her father to accept.Sumptuous and enticing, the first novel in the At Somerton series introduces two worlds, utterly different yet entangled, where ruthless ambition, forbidden attraction, and unspoken dreams are hidden behind dutiful smiles and glittering jewels. All those secrets are waiting ... at Somerton.

    On Prince Philip Playing Fields. He crossed the dew-soaked grass toward what he took to be a bundle of clothes, but then he came across a discarded shoe, and then t’ mutilated body. her name wor Wilma McCann.’Leeds, late 1975 and a body has been found on Prince Philip Playing Fields. Ricky, teenage delivery van boy for Corona pop, will be late for The Matterhorn Man. In the years that follow until his capture, the Yorkshire Ripper and Rick’s own life draw ever closer with unforeseen consequences. Set in a time in England's history of upheaval and change – both personal and social – this is a story told in an unforgettable voice.'An incredible debut novel: a coming of age tale set against the backdrop of the Yorkshire Ripper murders, ‘full of daring, authenticity and wit’ (Rachel Cusk).

    Tantalized by the man’s unfinished tale, Alok will do anything to hear its completion. So Alok agrees, at the stranger’s behest, to transcribe a collection of battered notebooks, weathered parchments, and once-living skins. From these documents spills the chronicle of a race of people at once more than human yet kin to beasts, ruled by instincts and desires blood-deep and ages-old. The tale features a rough wanderer in seventeenth-century Mughal India who finds himself irrevocably drawn to a defiant woman—and destined to be torn asunder by two clashing worlds. With every passing chapter of beauty and brutality, Alok’s interest in the stranger grows and evolves into something darker and more urgent.

    In 1835, The Brothers Jacob and Wilhelm Grimm revise the tale to bury a truth about Jacob even he can’t come to face. In 1986, a folklore scholar and her brother come to find the record is wrong about the figurative witch in the woods, while in 2211, twin space probes aiming to find earth's sister planet disseminate the narrative in binary code. Breadcrumbing back in time from 2365 to 1378, siblings reimagine, reinvent, and recycle the narrative of Hansel and Gretel to articulate personal, regional, and ultimately cosmic experiences of tragedy.Through a relay of speculative pieces that oscillate between eco-fiction and psychological horror, The Archive of Alternate Endings explores sibling love in the face of trauma over the course of a millennium, in the vein of Richard McGuire's Here and Lars von Trier's Melancholia.

    It is "an age in which appearances matter more and more and more. Only the shallowest of people won't judge by them."

    The intimacy of a cabin at Lake Tahoe provides the combustible setting that brings Diana Holland and Lane Christianson together in this passionate novel of first discovery.

    That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is honestly a bit out of his league.So when tragedy strikes and Maisie and Grant lose their mother and Patrick’s brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of “Guncle Rules” ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting—even if temporary—isn’t solved with treats and jokes, Patrick’s eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you’re unfailingly human.With the humor and heart we’ve come to expect from bestselling author Steven Rowley, The Guncle is a moving tribute to the power of love, patience, and family in even the most trying of times.

    Jason Carrillo is a jock with a steady girlfriend, but he can't stop dreaming about sex...with other guys. Kyle Meeks doesn't look gay, but he is. And he hopes he never has to tell anyone—especially his parents. Nelson Glassman is "out" to the entire world, but he can't tell the boy he loves that he wants to be more than just friends...In a revealing debut novel that percolates with passion and wit, Alex Sanchez follows these very different high-school seniors as their struggles with sexuality and intolerance draw them into a triangle of love, betrayal, and ultimately, friendship.

    I dreamed he came into my room and sat on my bed.” “And!” Tony’s eyes got wider. Wider than usual.“He talked about lawnmowers.”“And!”“That’s it, he just talked.”Actually, it hadn’t been a dream, not totally. It was one of those half-awake ones where I knew what was going on so I let it run just to see what would happen. We’re all curious…“You ever dreamed about a bloke?” I asked him.“No!” Tony’s eyebrows went dead flat. “Never!”With a denial like that, maybe he had, but he sure as hell wasn’t talking about it.