Believing Is Seeing is a work of multicultural scope and glittering intelligence that bridges the gulf between classical Japanese painting and the films of Spike Lee, between high theory and pop culture. Probing beyond the rhetorical surface of standard art histories and drawing on a panoramic array of illustrative material, Mary Anne Staniszewski throws a fresh light on individual works and the often mystifying criteria by which they are valued.

    Reflecting the political craft of a leading statesman and the urbane wit of a man who associated with Pope, Addison, and Swift, Lord Chesterfield's Letters reveal the author's political cynicism, his views on good breeding, and instruction to his son in etiquette and the worldly arts. The only annotated selection of this breadth available in paperback, these entertaining letters illuminate the fascinating aspects of eighteenth-century life and manners.

    Like its English counterpart, Robin Hood, it has been adapted into countless movies, television shows, novels and comics. Its memorable lines are known to virtually every Korean by heart. Until now, this incredible 19th century fable has been all but inaccessible to English readers.Hong Gildong, the brilliant but illegitimate son of a government minister, cannot advance in society due to his secondary status, so he leaves home to become the leader of a band of outlaws who rob the rich to give to the poor. On the way to building his own empire and gaining acceptance from his family, Hong Gildong vanquishes assassins, battles monsters, and conquers kingdoms. Minsoo Kang's expressive and animated new translation finally makes the original text of this classic available in English, re-introducing a noble and righteous outlaw and sharing a beloved hallmark of Korean culture.

    Some lyrics even on their own pulse with special power.We are happy to present to you the GRAPHIC LYRICS Series as a new means of storytelling with lyrics and illustrations ― a new way to move the hearts of people with the songs and their lyrics.As the first installment, five illustration books with the lyrics of BTS songs are now available. “A Supplementary Story : You Never Walk Alone” from the album YOU NEVER WALK ALONE(2017); “Save ME” and “House Of Cards” from the special album The Most Beautiful Moment in Life: Young Forever(2015) and “RUN” and “Butterfly” released in the mini album The Most Beautiful Moment in Life, Pt.2(2015) have been reborn as illustration books under the same titles.“We Can Laugh When We’re Together”The story of seven boys and their special connections of encouragement and hopeVol. 5 Butterfly is about a boy who sees all of his friends somewhere between dream and reality, and past and future. Finally, the boy starts to walk in one direction, as if he has made up his mind, signaling an end which is also a new beginning.Like a repeat sign in a music score, some emotions have a way of surging back to you in retrospect. The GRAPHIC LYRICS Series will knock on the hearts of readers with the lyrics from the five songs, five different illustrations, and five printing formats as well as the joy of reading which only paper books can offer. The series will be the very first of its kind as well as a brand-new way of appreciating music.

    On the outskirts of South Korea’s glittering metropolis is a place few people know about: a vast landfill site called Flower Island. Home to those driven from the city by poverty, is it here that 13-year-old Bugeye and his mother arrive, following his father’s internment in a government ‘re-education camp’.Living in a shack and supporting himself by weeding recyclables out of the refuse, at first Bugeye’s life on Flower Island is hard. But then one night he notices mysterious lights around the landfill. And when the ancient spirits that still inhabit the island’s landscape reveal themselves to him, Bugeye's luck begins to change – but can it last?Vibrant and enchanting, Familiar Things depicts a society on the edge of dizzying economic and social change, and is a haunting reminder to us all to be careful of what we throw away.

    His posthumously published collection of poems under the title Sky, wind, stars, and poems is one of the all-time favorites of Korean readers. Wishing not to have so much as a speck of shame toward heaven until the day I die, I suffered, even when the wind stirred the leaves. (From Foreword) In simple diction and straightforward expressions, his poems sing of his love for his people, his compassion for the poor and destitute, and his hopes for freedom and independence. These themes still resonate deep within the hearts of the Korean people. His imprisonment and eventual death in 1945 in a Japanese prison lend great poignancy to his work.

    Written in a warm and conversational way that is, at times, deeply moving, at times, surprisingly amusing, and always practical, it covers a wide range of issues facing people in grief. Marasco and Shuff have done the footwork for readers who wish to know more about this complex subject. Using a variety of sources, including books, films, music and many hours spent talking with people in grief, the authors distill their candid insights into a series of short, single-topic-essays that can be easily digested in one sitting--a format they found grieving people preferred. This is not a book written by clinicians, so there's no cold jargon. It's not a memoir of one individual's grief, so it has something for everyone. And it's not a self-peddling inspirational book. It's a wise, plain-spoken, comforting book about an intimidating topic. As one reader recently said of About Grief: "Reading this book is like having a smart, entertaining friend around--at a time when you really need one."

    The award-winning author of more than twenty novels, and numerous short stories and essays, Park often deals with the themes of Korean War tragedies, middle-class values, and women's issues. The novel is rich with scenes of cultural clashes, racial prejudice, and the kinds of misunderstandings that many American soldiers and Koreans experienced during the war years.

    A woman spends a night with her fiancé and his friends, and overhears a terrible secret that has bound them together since high school. A man grows increasingly agitated by the apartment noise made by a young family living upstairs and arouses the suspicion of his own wife when the neighbors meet a string of unlucky incidents. A couple moves into a picture-perfect country house, but when their new dog is stolen, they become obsessed with finding the thief, and in the process, neglect their child. Ha’s paranoia-inducing, heart-quickening stories will have you reconsidering your own neighbors.

    We meet amputee sons whose mothers cart them from brothel to brothel; we meet brothers who love their brother's lovers, and whose lovers in turn are stolen away by the husbands of their sisters. Sexuality in all its ugliness and wonder is put under the microscope by Lee Seung-U, who reminds us that love may come in various forms, but that it is, nonetheless, a force that unifies us all . . . whether we like it or not.

    Tables, desks, chairs, and cabinets from this simple workshop grace the homes and mansions and executive boardrooms of people who prize such excellence. In this lavishly illustrated volume, George Nakashima allows us in intimate look at his artistry, his philosophy, his life. It is the portrait of an artisan who strives to find the ideal use for each plank in order to "create an object of utility to man and, if nature smiles, an object of lasting beauty."The author's search for the meaning of life took him as a young man to Paris, Tokyo, and Pondicherry, India. In India, he found the inner peace for which he had been searching and began to find ways to work with timber. He writes movingly about the grandeur of ancient trees and stunning figured woods and explains how he selects and prepares his materials. Above all, he impresses us with his devotion to discovering the inherent beauty of wood so that noble trees might have a second life as furniture. The Soul of a Tree looks at the world through the eyes of an artist and evokes the joy of living in harmony with nature.

    Based on a series of conversations between Hockney and the art critic Martin Gayford, this book distills the essence of the artist’s lifelong meditations on the problems and paradoxes of representing a three-dimensional world on a flat surface.How does drawing make one “see things clearer and clearer and clearer still”? What significance do differing media, from a Lascaux cave wall to an iPad, have for the images we see? What is the relationship between the images we make and the reality around us? And how can we fully enjoy the pleasures of just looking—at trees, or faces, or sunrises?These conversations are punctuated by wise and witty observations by both artist and interviewer on many other artists—Vermeer, Tiepolo, Caravaggio, Van Gogh, and Monet among them—and enlivened by shrewd insights into the contrasting social and physical landscapes of California, where Hockney spent so many years, and East Yorkshire, his birthplace, to which he has now returned.

    But all fades away when he sees Yi Jin perform the delicate traditional Dance of the Spring Oriole. Though well aware that women of the court belong to the palace, the young diplomat confesses his love to the Emperor, and gains permission for Yi Jin to accompany him back to France.A world away in Belle Epoque Paris, Yi Jin lives a free, independent life, away from the gilded cage of the court, and begins translating and publishing Joseon literature into French with another Korean student. But even in this new world, great sorrow awaits her. Yi Jin’s grieving and suffering is only amplified by homesickness and a longing for her oldest friend. But her homecoming was not a happy one. Betrayal, jealousy, and intrigue abound, culminating with the tragic assassination of the last Joseon empress—and the poisoned pages of a book.Rich with historic detail and filled with luminous characters, Korea’s most beloved novelist brings a lost era to life in a story that will resonate long after the final page.

    Spanning Korea and the United States, from the postwar era to contemporary times, Krys Lee's stunning fiction debut, Drifting House, illuminates a people torn between the traumas of their collective past and the indignities and sorrows of their present. In the title story, children escaping famine in North Korea are forced to make unthinkable sacrifices to survive. The tales set in America reveal the immigrants' unmoored existence, playing out in cramped apartments and Koreatown strip malls. A makeshift family is fractured when a shaman from the old country moves in next door. An abandoned wife enters into a fake marriage in order to find her kidnapped daughter. In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work by a gifted new writer.

    There's no Hollywood here-no omniscient audience, or plot lines which have all folded neatly together by the time the story comes to an end. Rather, there are shadows in the corners, and rooms you can't see. It's weird-kind of like life itself. Kim's deft mingling of the absurd and the mundane is on full display in the two stories contained in this volume. Kinky photos and worn-out marriages, half-shaved faces and ambitious plans to save toilet paper at the office-it all combines to create a gritty urban landscape so unbelievable it must be real.