Her husband, Massud--a fellow architect--is caught in the cross fire and dies before she can confess her greatest secret to him. Now under threat from a powerful military intelligence officer, who demands that she pardon her husband's American killer, Nargis fears that the truth about her past will soon be exposed. For weeks someone has been broadcasting people's secrets from the minaret of the local mosque, and, in a country where even the accusation of blasphemy is a currency to be bartered, the mysterious broadcasts have struck fear in Christians and Muslims alike. When the loudspeakers reveal a forbidden romance between a Muslim cleric's daughter and Nargis's Christian neighbor, Nargis finds herself trapped in the center of the chaos tearing their community apart.

    She feels lost in social situations, saying the wrong thing or acting the wrong way. She just can't read people. She prefers the quiet solitude of books or playing chess to being around others. Apart from Jonathan. She liked being around him, but she hasn't seen him for ten years. Until now that is. And she's not sure he'll want to see her again after what happened all those years ago. Annika Rose likes being alone.Except that, actually, she doesn't like being alone at all.The Girl He Used to Know is an uplifting novel full of surprising revelations that keep you turning the page. Perfect for fans of Jojo Moyes, Gail Honeyman, Jill Santopolo and Sliding Doors.

    In seventeenth-century China, three women become emotionally involved with The Peony Pavilion, a famed opera rumored to cause lovesickness and even death, including Peony, the cloistered daughter of a wealthy scholar, who succumbs to its spell only to return after her death as a "hungry ghost" to haunt her former fiancé, who has married another.

    Seven artists. Seven girls and women reading. A young orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in 17th-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A young woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure. Each chapter of this richly textured debut takes us into a perfectly imagined tale of how each portrait came to be, and as the connections accumulate, the narrative leads us into the present and beyond - an inspired celebration of women reading and the artists who have caught them in the act.

    It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back.Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised. It turns out that Patrick’s ex-girlfriend is stalking him. Ellen thinks, Actually, that’s kind of interesting. She’s dating someone worth stalking. She’s intrigued by the woman’s motives. In fact, she’d even love to meet her.Ellen doesn’t know it, but she already has.

    Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes—just as Blix told her it would.When her marriage ends after two miserable weeks, Marnie is understandably shocked. She’s even more astonished to find that she’s inherited Blix’s Brooklyn brownstone along with all of Blix’s unfinished “projects”: the heartbroken, oddball friends and neighbors running from happiness. Marnie doesn’t believe she’s anything special, but Blix somehow knew she was the perfect person to follow in her matchmaker footsteps.And Blix was also right about some things Marnie must learn the hard way: love is hard to recognize, and the ones who push love away often are the ones who need it most.

    Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family—especially his wife, Elda—to let him redeem himself.Isabel and Martin settle into married life in a Texas border town, and Omar returns each year on the celebratory Day of the Dead. Every year Isabel listens, but to the aggrieved Martin and Elda, Omar’s spirit remains invisible. Through his visits, Isabel gains insight into not just the truth about his disappearance and her husband’s childhood but also the ways grief can eat away at love. When Martin’s teenage nephew crosses the Mexican border and takes refuge in Isabel and Martin’s home, questions about past and future homes, borders, and belonging arise that may finally lead to forgiveness—and alter all their lives forever.

    Former Bolshoi ballerina Nina Revskaya auctions off her jewelry collection and becomes overwhelmed by memories of her homeland, the friends she left behind amidst Stalinist aggression, and the dark secret that brought her to a new life in Boston.

    But at home, she was a narcissistic, disinterested mother who alienated her three daughters. As soon as possible, tomboy Nell fled her mother's overbearing presence to work on a farm and find her own way in the world as a single mother. The target of her mother s criticism, Meredith never felt good enough, thin enough, pretty enough. Her life took her to London and into the arms of a man whom she may not even love. And Lizzy, the youngest, more like Ronni than any of them, seemed to have it easy, using her drive and ambition to build a culinary career to rival her mother's fame, while her marriage crumbled around her. But now the Sunshine Girls are together again, called home by Ronni, who has learned that she has a serious disease and needs her daughters to fulfill her final wishes. And though Nell, Meredith, and Lizzy are all going through crises of their own, their mother s illness draws them together to confront old jealousies and secret fears and they discover that blood might be thicker than water after all.

    Her four children have flown, her husband is otherwise occupied, and after twenty years of being a good wife and mother, Kate Brown is free for a summer of adventure. She plunges into an affair with a younger man, travelling abroad with him, and on her return to England, meets an extraordinary young woman whose charm and freedom of spirit encourages Kate in her own liberation. Kate's new life has brought her a strange unhappiness, but as the summer months unfold, a darker, disquieting journey begins, devastating in its consequences.

    Kate Madison’s stylish resale shop has been a big SoHo success, supporting her and her four kids since her husband’s untimely death. Now they are grown and ready to forge lives of their own. And they all choose to play against the odds, to their mother’s dismay.Isabelle, a dedicated attorney, is in line to make partner at her Wall Street firm when she falls for a client she represents in a criminal case. She tells herself she can make a life with him—but can she? Julie, a young designer, meets a man who seems too good to be true and falls under his spell. She marries him quickly, gives up her job, and moves to Los Angeles to be at his side—but is all what it seems? Justin is a struggling writer who pushes for children with his partner before they’re financially or emotionally ready. Will the strain on the relationship take too high a toll? And Willie, the youngest, a tech expert, makes a choice that shocks them all, with a woman twelve years older.Kate—loving, supportive, and outspoken—can’t keep her children from playing against the odds. Can the odds be beaten? Not often—as her children have to learn for themselves. For Kate, the hardest lesson will be that she can’t protect the children she loves from the choices they make—but can only love them as they make them.

    Every year the children have looked forward to spending the summer with their grandmother in Nantucket: but this year Blair, the oldest sister, is marooned in Boston, pregnant with twins and unable to travel. Middle sister Kirby, a nursing student, is caught up in the thrilling vortex of civil rights protests, a passion which takes her to Martha's Vineyard with her best friend, Mary Jo Kopechne. Only son Tiger is an infantry soldier, recently deployed to Vietnam. Thirteen-year-old Jessie suddenly feels like an only child, marooned in the house with her out-of-touch grandmother who is hiding some secrets of her own. As the summer heats up, Teddy Kennedy sinks a car in Chappaquiddick, a man flies to the moon, and Jessie experiences some sinking and flying herself, as she grows into her own body and mind.

    Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa's grandmother—the woman who raised him—catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar, Guapa, who has been arrested by the police. Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. Each new encounter leads him closer to confronting his own identity, as he revisits his childhood and probes the secrets that haunt his family. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.

    One Dress.A tale of faith, redemption, and timeless love.Charlotte owns a chic Birmingham bridal boutique. Dressing brides for their big day is her gift . . . and her passion. But with her own wedding day approaching, why can't she find the perfect dress...or feel certain she should marry Tim?Then Charlotte discovers a vintage dress in a battered trunk at an estate sale. It looks brand-new-shimmering with pearls and satin, hand-stitched and timeless in its design. But where did it come from? Who wore it? Who welded the lock shut and tucked the dog tags in that little sachet? Who left it in the basement for a ten-year-old girl? And what about the mysterious man in the purple vest who insists the dress had been "redeemed."Charlotte's search for the gown's history-and its new bride-begins as a distraction from her sputtering love life. But it takes on a life of its own as she comes to know the women who have worn the dress. Emily from 1912. Mary Grace from 1939. Hillary from 1968. Each with her own story of promise, pain, and destiny. And each with something unique to share. For woven within the threads of the beautiful hundred-year-old gown is the truth about Charlotte's heritage, the power of courage and faith, and the timeless beauty of finding true love.

    After twenty-five years spent juggling husband, career, and kids with admirable success, Rose suddenly finds both her marriage and her career in unexpected ruin. Forced to begin a new life, she is at first terrified, then energized, by her newfound freedom — it’s amazing what prolonged reflection, a little weight loss, a new slant on independence, and some Parisian lingerie will do for the psyche! Witty, insightful, and emotionally resonant, Buchan’s novel will strike a chord with anyone who has ever wondered what Middle Age would look like from the other side of the looking glass (answer: much better than you could ever expect).