A brooding stranger seduces her from the remote island onto his yacht. Trapped in a web of intrigue, cruelty, and deceit, she flees to Italy, France, Germany, from Paris garret to mental asylum, from convent to chateau - stalked by obsessed Phillip Tempest.Two years before Little Women, serialized in a magazine under the alias A.M. Barnard in 1866, this was buried among the author's papers over a century.

    The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.

    Set in the seventeenth century, it tells the story of a country and a family riven by war, and features one of fiction's most original heroines.Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As Richard rises through the ranks of the army, marries and makes enemies, Honor remains true to himAs the English Civil war is waged across the country, Richard rises through the ranks of the army, marries and makes enemies, and Honor remains true to him, and finally discovers the secret of Menabilly.Decades later, an undaunted Sir Richard, now a general serving King Charles I, finds her. Finally they can share their passion in the ruins of her family's great estate on the storm-tossed Cornish coast-one last time before being torn apart, never to embrace again.

    Confronting the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost college friend, a mathematics prodigy who disappeared many years earlier under mysterious circumstances. The friend has resurfaced with a confession of unsettling power.Zia Haider Rahman takes us on a journey of exhilarating scope, ranging over Kabul, London, New York, Islamabad, Oxford, and Princeton and dealing with love, belonging, finance, science, and war. Its framework is an age-old story: the friendship of two men and the betrayal of one by the other, both of them desperate in their different ways to climb clear of their wrong beginnings. Set against the breaking of nations and beneath the clouds of economic recession, the novel chronicles the lives of people carrying unshakable legacies of class, culture, and faith as they struggle to tame their futures. In the Light of What We Know is by turns tender, intimate, and panoramic, telescoping the great upheavals of our young century into a first novel of rare ambition and profundity.

    Embellished with the author's lyrical prose, here is the story of Harvard-educated, aspiring aesthete Anthony Patch and his beautiful wife, Gloria. As they await the inheritance of his grandfather's fortune, their reckless marriage sways under the influence of alcohol and avarice. A devastating look at the nouveau riche, and the New York nightlife, as well as the ruinous effects of wild ambition, The Beautiful and the Damned achieved stature as one of Fitzgerald's most accomplished novels. Its distinction as a classic endures to this day. Pocket Book's Enriched Classics present the great works of world literature enhanced for the contemporary reader. Special features include critical perspectives, suggestions for further read, and a unique visual essay composed of period photographs that help bring every word to life.

    Genji, the Shining Prince, is the son of an emperor. He is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superior translation is detailed, poetic, and superbly true to the Japanese original while allowing the modern reader to appreciate it as a contemporary treasure. Supplemented with detailed notes, glossaries, character lists, and chronologies to help the reader navigate the multigenerational narrative, this comprehensive edition presents this ancient tale in the grand style that it deserves.

    This is kind of literature which is the link between dastaan and novel. It was written almost 175 years ago but still found attractive and appreciated by critics. Although the language used is obsolete even then reader can find it interesting. There is brief vocabulary given at the end to help reader understand some old terms. Fasan e Ajaib had great influence on other books of its era and writers of that time tried to wrote books in its style. It was originally written in 1824 but published after 19 years in 1843 from Matba e Khusni Lakhnau.

    It is a union which establishes the powerful Morland dynasty and in the succeeding volumes of this rich tapestry of English life, we follow their fortunes through war and peace, political upheaval and social revolution, times of pestilence and periods of plenty, and through the vicissitudes which afflict every family - love and passion, envy and betrayal, birth and death, great fortune and miserable penury. The Morland Dynasty is entertainment of the most addictive kind.

    In Urdu, basti means any space, from the most intimate to the most universal, in which groups of people come together to try to live together, and the universal question at the heart of the book is how to constitute a common world. What brings people together? What tears them apart? “When the world was still all new, when the sky was fresh and the earth not yet soiled, when trees breathed through centuries and ages spoke around in the voices of birds, how astonished he was that everything was so new and yet looked so old”—so the book begins, with a mythic, even mystic, vision of harmony, as the hero, Zakir, looks back on his childhood in a subcontinent that had not yet been divided between Muslims and Hindus. But Zakir is abruptly evicted from this paradise—real or imagined—into the maelstrom of history. The new country of Pakistan is born, separating him once and for all from the woman he loves, and in a jagged and jarring sequence of scenes we witness a nation and a psyche torn into existence only to be torn apart again and again by political, religious, economic, linguistic, personal, and sexual conflicts—in effect, a world of loneliness. Zakir, whose name means “remember,” serves as the historian of this troubled place, while the ties he maintains across the years with old friends—friends who run into one another in cafés and on corners and the odd other places where history takes a time-out—suggest that the possibility of reconciliation is not simply a dream. The characters wait for a sign that minds and hearts may still meet. In the meantime, the dazzling artistry of Basti itself gives us reason to hope against hope.

    Greeted by fireworks displays, cheering crowds, and Prime Minister Nehru himself, Saleem grows up to learn the ominous consequences of this coincidence. His every act is mirrored and magnified in events that sway the course of national affairs; his health and well-being are inextricably bound to those of his nation; his life is inseparable, at times indistinguishable, from the history of his country. Perhaps most remarkable are the telepathic powers linking him with India’s 1,000 other “midnight’s children,” all born in that initial hour and endowed with magical gifts. This novel is at once a fascinating family saga and an astonishing evocation of a vast land and its people–a brilliant incarnation of the universal human comedy. Twenty-five years after its publication, Midnight’ s Children stands apart as both an epochal work of fiction and a brilliant performance by one of the great literary voices of our time.

    Determined to escape the parochial English enclave and explore the 'real India', they seek the guidance of the charming and mercurial Dr Aziz, a cultivated Indian Muslim. But a mysterious incident occurs while they are exploring the Marabar caves with Aziz, and the well-respected doctor soon finds himself at the centre of a scandal that rouses violent passions among both the British and their Indian subjects. A masterful portrait of a society in the grip of imperialism, A Passage to India compellingly depicts the fate of individuals caught between the great political and cultural conflicts of the modern world. In his introduction, Pankaj Mishra outlines Forster's complex engagement with Indian society and culture. This edition reproduces the Abinger text and notes, and also includes four of Forster's essays on India, a chronology and further reading.

    Before their journey ends, one of them will be hanged, one will vanish, and the others will face a murder trial. Out of the truths and lies that envelop these events, John Fowles has created a novel that is at once a tale of erotic obsession, an exploration of the conflict between reason and superstition, an astonishing act of literary legerdemain, and the story of the birth of a new faith.

    With the country in the grip of the Black Death, brothers John and William fear that they will shortly die and go to Hell. But as the end draws near, they are given an unexpected choice: either to go home and spend their last six days in their familiar world, or to search for salvation across the forthcoming centuries – living each one of their remaining days ninety-nine years after the last.   John and William choose the future and find themselves in 1447, ignorant of almost everything going on around them. The year 1546 brings no more comfort, and 1645 challenges them still further. It is not just that technology is changing: things they have taken for granted all their lives prove to be short-lived.   As they find themselves in stranger and stranger times, the reader travels with them, seeing the world through their eyes as it shifts through disease, progress, enlightenment and war. But their time is running out – can they do something to redeem themselves before the six days are up?

    Each of the 104 ghazals, 7 miscellaneous nazms, and 68 selected letters are presented in the original Urdu text, with a parallel translation in simple, lucid English, and a transliteration in Roman script for readers who are not familiar with Urdu in Persian script. A critical introduction to Ghalib's work, chronology of important events in his life, and bibliography are also provided.

    . .1681: When Sir Isaac Newton turns his restless mind to the ancient art of alchemy, he unleashes Philosopher's Mercury, a primal source of matter and a key to manipulating the four elements of Earth, Air, Fire, and Water. Now, as France and England battle for its control, Louis XIV calls for a new weapon--a mysterious device known only as Newton's Cannon.Half a world away, a young apprentice named Benjamin Franklin stumbles across a dangerous secret. Pursued by a deadly enemy--half scientist, half sorcerer--Ben makes his fugitive way to England. Only Newton himself can help him now. But who will help Sir Isaac? For he was not the first to unleash the Philosopher's Mercury. Others were there before him. Creatures as scornful of science as they are of mankind. And burning to be rid of both . . .