The novel describes the encounter between a visitor from the nineteenth century, William Guest, and a decentralized and humane socialist future. Set over a century after a revolutionary upheaval in 1952, these Chapters from a Utopian Romance recount his journey across London and up the Thames to Kelmscott Manor, Morris's own country house in Oxfordshire. Drawing on the work of John Ruskin and Karl Marx, Morris's book is not only an evocative statement of his egalitarian convictions but also a distinctive contribution to the utopian tradition. Morris's rejection of state socialism and his ambition to transform the relationship between humankind and the natural world, give News from Nowhere a particular resonance for modern readers. This text is based on the 1891 version, incorporating the extensive revisions made by Morris to the first edition.

    This masterpiece of science fiction is the fascinating story of Griffin, a scientist who creates a serum to render himself invisible, and his descent into madness that follows.

    A dystopian novel about the terrible oppressions of an American oligarchy at the beginning of the Twentieth Century, and the struggles of a socialist revolutionary movement.

    Largely set in a futuristic World State, inhabited by genetically modified citizens and an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by only a single individual: the story's protagonist.

    Set partly in America, which Dickens had visited in 1842, the novel includes a searing satire on the United States. Martin Chuzzlewit is the story of two Chuzzlewits, Martin and Jonas, who have inherited the characteristic Chuzzlewit selfishness. It contrasts their diverse fates of moral redemption and worldly success for one, with increasingly desperate crime for the other. This powerful black comedy involves hypocrisy, greed and blackmail, as well as the most famous of Dickens's grotesques, Mrs Gamp.

    One day, after winning some money from a bet, he goes back to the village where he grew up, to fish for carp in a pool he remembers from thirty years before. The pool, alas, is gone, the village has changed beyond recognition, and the principal event of his holiday is an accidental bombing by the RAF.

    The journey is triggered by a mysterious package left to Leo by his father, to be opened on his 25th birthday; the package contains an ancient shard of pottery and several documents, suggesting an ancient mystery about the Vincey family. Holly and Leo eventually arrive in eastern Africa where they encounter a primitive race of natives and a mysterious white queen, Ayesha, who reigns as the all-powerful "She" or "She-who-must-be-obeyed" and who has a mysterious connection to young Leo. The story expresses numerous racial and evolutionary conceptions of the late Victorians, especially notions of degeneration and racial decline prominent during the fin de siècle. In the figure of She, the novel notably explored themes of female authority and feminine behaviour. It has received praise and criticism alike for its representation of womanhood. (From Wikipedia)

    The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

    With intriguing portraits of Percy Bysshe Shelley and Lord Byron, the novel offers a vision of the future that expresses a reaction against Romanticism, and demonstrates the failure of the imagination and of art to redeem the doomed characters.

    The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square [sic – ed.], a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions—a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space. "Instructive, entertaining, and stimulating to the imagination." — Mathematics Teacher.

    The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were.Source: anthonyburgess.org

    She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss. Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force.

    Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD, We is the classic dystopian novel and was the forerunner of works such as George Orwell's 1984 and Aldous Huxley's Brave New World. It was suppressed for many years in Russia and remains a resounding cry for individual freedom, yet is also a powerful, exciting and vivid work of science fiction. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

    It purports to be the true account of the life of the eponymous Moll, detailing her exploits from birth until old age.By 1721, Defoe had become a recognised novelist, with the success of Robinson Crusoe in 1719. His political work was tapering off at this point, due to the fall of both Whig and Tory party leaders with whom he had been associated (Robert Walpole was beginning his rise). Defoe was never fully at home with the Walpole group. Defoe's Whig views are nevertheless evident in the story of Moll. The novel's full title gives some insight into this and the outline of the plot: "The Fortunes & Misfortunes of the Famous Moll Flanders, &c. Who was Born in Newgate, & during a Life of continu'd Variety for Threescore Years, besides her Childhood, was Twelve Year a Whore, five times a Wife (whereof once to her own Brother), Twelve Year a Thief, Eight Year a Transported Felon in Virginia, at last grew Rich, liv'd Honest, & died a Penitent. Written from her own Memorandums."