Finding it difficult to settle into civilian life, he turns to drink and gambling - and is challenged to a bet he cannot resist. All he has to do is walk from London to Oxford in under twelve hours. But what starts as a harmless venture turns into something altogether different when Richard recklessly accepts an unusual request from a stranger ...

    So join all the characters: Bugsy, Fat Sam, Tallulah and Dandy Dan for great fun with the whole class.Students will relish this opportunity to play a cast of Prohibition-era mobsters.Fat Sam, who runs one of the most popular speakeasies in town, is in danger of being closed down by his ‘business rival’ Dandy Dan. Enter baby-faced Bugsy Malone, a killer with the ladies and a definite asset to Fat Sam. Unfortunately, Bugsy has also caught the eye of Sam’s girlfriend Tallulah – though he’s set his designs on the showgirl Blousey Brown.This play lends itself perfectly to school performance with its large mixed cast and consistent humour.The book contains a stimulating playscript suitable for classwork and school production, accompanied by resources including background material and lively activities.

    The story of 'The Murder in the Red Barn', this book describes the events through the eyes of Ann Marten, a woman suffering guilt and despair following the terrible history of her family, as she tells her tale to a reluctant young rector. James Coyte has taken up his called in Suffolk, but sinks into his own despair as Ann's story unfolds.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    In these current times there is not aperson that isn’t somehow linked to a social networking site. Technology has evolved in ways that allow you to access such sites from your iPad or cellphone. With that said, do you know the person behind your next friend request? Do you know the person behind that profile picture, or better yet the person you’ve been chatting with for months or the person you been flirting with, or do you just think you know? Detective Lauren Pitman and her partner Detective Alexis Lovett head a Special Division Unit, in charge of solving Internet Crimes. Those crimes include rape, homicide and missing persons to name a few. Recently women have been targeted throughout the Tri-State Area. Several victims have been found dead with missing body parts. What these women seem to have in common is that all these women were all online on different social networking sites, talking and interacting with a man, who police cannot seem to be able to trace or locate almost as if he doesn’t exist. A recent development has found that this particular social network killer is into cannibalism. Detective Lauren Pitman and Alexis Lovett must work fast to uncover the killers identity before he claims his next victim.

    How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

    Pagford is not what it first seems.And the empty seat left by Barry on the parish council soon becomes the catalyst for the biggest war the town has yet seen. Who will triumph in an election fraught with passion, duplicity and unexpected revelations?

    Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past–a story propelled by a riveting mystery. Unfolding against the deeply evocative background of Sri Lanka’s landscape and ancient civilization, Anil’s Ghost is a literary spellbinder–Michael Ondaatje’s most powerful novel yet.

    Premiering at the Royal Court, NSFW is a sharp, biting, satirical new comedy that marks the breakthrough of one of the United Kingdom's most exciting playwrights.

    

    She joins a self-help group for people in similar situations and there she meets three women who have been betrayed or abandoned by their husbands. Carla decides to rehearse her revenge on these men and starts by buying a ticket to Cuba.[Cambridge English Readers Level 6 Award-winning original fiction for learners of English. At seven levels, from Starter to Advanced, this impressive selection of carefully graded readers offers exciting reading for every student's capabilities. Paperback-only version. Also available with Audio CDs including complete text recordings from the book. Contains adult material that may not be suitable for younger readers.]

    Though they were born within three minutes of each other and spent their childhoods dressed in matching outfits, they’ve grown up to have less in common than Kim Kardashian and the Duchess of Cambridge. So both women are horrified when a luggage mix-up means that sensible Clare must attend a company conference in the United States with Rosie’s suitcase full of pink, frills and stripper heels, while flamboyant Rosie heads for a friend’s destination wedding in Italy's Tuscany with Clare’s case full of suiting and sensible courts. Both believe wearing the other’s clothes is going to ruin their chances: Clare’s of getting a promotion and Rosie’s of getting a snog. But as three days of literally having to walk in each other’s shoes unfold, will the sisters discover they should try to be more like each other after all? This exclusive new novella (short novel at around 100 pages) by Chrissie Manby explores sisterhood, identity and love in a thoroughly summery way.

    

    A gripping thriller from the author of the Goodfellowe Series.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?