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Action Philosophers!: the lives and thoughts of history's A-list brain trust by Fred Van Lente
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Loki: Agent of Asgard, Vol. 1: Trust Me
Al Ewing - 2014
As Asgardia's one-man secret service, he's ready to lie, cheat, steal, bluff and snog his way through the twistiest, turniest and most treacherous missions the All-Mother can throw at him...starting with a heart-stopping heist on Avengers Tower! And that's just the beginning, as Loki takes on Lorelei in Monte Carlo's casinos, and heads back to the dawn of Asgard to join its greatest heroes on a quest for a certain magical sword! But when Loki puts together a crew to crack the deepest dungeons of Asgardia itself, there may be one plot twist too many for even Loki to handle!COLLECTING: LOKI: AGENT OF ASGARD 1-5, ALL-NEW MARVEL NOW! POINT ONE (LOKI: AGENT OF ASGARD STORY)
Unflattening
Nick Sousanis - 2015
But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge.Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page.In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend.