Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    Soon after their arrival at Illyria, the Reniers’ rambling beachside home, Theron is sent on a diplomatic mission, leaving Stella alone with his family. As she tries to settle into her new life, Stella quickly discovers that the Reniers are not what they seem. Trapped in a world unlike anything she’s ever known, vulnerable Stella attempts to uncover her new family’s dangerous secrets—and stirs up a darkness that was meant to stay buried.

    Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," she has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence.

    The central character is Josip Lasta, the son of an impoverished school teacher in a remote village high in the mountains of the Bosnian interior. As the novel begins, World War II is underway and the entire region of Yugoslavia is torn by conflicting factions: German and Italian occupying armies, and the rebel forces that resist themthe fascist Ustashe, Serb nationalist Chetniks, and Communist Partisans. As events gather momentum, hell breaks loose, and the young and the innocent are caught in the path of great evils; their only remaining strength is their religious faith and their families. For more than a century, the confused and highly inflammatory history of former Yugoslavia has been the subject of numerous books, many of them rife with revisionist history and propaganda. The peoples of the Balkans live on the border of three worlds: the Islamic, the orthodox Slavic East, and Catholic Europe, and as such they stand in the path of major world conflicts that are not only geo-political but fundamentally spiritual. This novel cuts to the core question: how does a person retain his identity, indeed his humanity, in absolutely dehumanizing situations? In the life of the central character, the author demonstrates that this will demand suffering and sacrifice, heroism and even holiness. When he is twelve years old, his entire world is destroyed, and so begins a lifelong Odyssey to find again the faith which the blows of evil have shattered. The plot takes the reader through Josip's youth, his young manhood, life under the Communist regime, hope and loss and unexpected blessings, the growth of his creative powers as a poet, and the ultimate test of his life. There are journeys that show him

    Others only whisper the questions to themselves, fearing or being taught that they might lose their faith and their church if they ask them out loud. But what if these questions trouble us for good reason? What if the story of heaven and hell we have been taught is not, in fact, what the Bible teaches? What if what Jesus meant by heaven, hell, and salvation are very different from how we have come to understand them? What if it is God who wants us to face these questions? Author, pastor, and innovative teacher Rob Bell presents a deeply biblical vision for rediscovering a richer, grander, truer, and more spiritually satisfying way of understanding heaven, hell, God, Jesus, salvation, and repentance. The result is the discovery that the "good news" is much, much better than we ever imagined.

    Innocent Smith, a bubbly, high-spirited gentleman who literally falls into their midst. Later accused of murder and denounced for philandering everywhere he goes, Smith prompts his newfound acquaintances to recognize an important idea in most unexpected ways.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    . . and bind her husband's heart...An ambitious tyrant threatens genocide against the Jews in ancient Persia, so an inexperienced beautiful young queen must take a stand for her people. When Xerxes, king of Persia, issues a call for beautiful young women, Hadassah, a Jewish orphan living in Susa, is forcibly taken to the palace of the pagan ruler. After months of preparation, the girl known to the Persians as Esther wins the king's heart and a queen's crown. But because her situation is uncertain, she keeps her ethnic identity a secret until she learns that an evil and ambitious man has won the king's permission to exterminate all Jews--young and old, powerful and helpless. Purposely violating an ancient Persian law, she risks her life in order to save her people...and bind her husband's heart. Esther marks bestselling author Angela Hunt's return to biblical fiction. In each novel she explores an example of a Hebrew Old Testament tob woman: a woman whose physical beauty influences those around her--and can change the course of history.

    And besides, it furnished me seven times the pleasure afforded me by any of the others; twelve years of preparation, and two years of writing. The others needed no preparation and got none." --Mark Twain

    It explores the gaping national disconnect between the war at home and the war abroad.Ben Fountain’s remarkable debut novel follows the surviving members of the heroic Bravo Squad through one exhausting stop in their media-intensive "Victory Tour" at Texas Stadium, football mecca of the Dallas Cowboys, their fans, promoters, and cheerleaders.

    Jesus Christ shed his own blood for the sake of millions. Hitler set himself up as a god and the masses succumbed. Jesus Christ was God in the form of lowly man. Hitler created a living hell for the masses. Jesus endured hell to save the masses. Hitler’s name is synonymous with power, evil, and genocide. Jesus’ name with love, peace, and life. Put the two in a room together and you won’t believe your ears. The third compelling book in Ravi Zacharias’ Great Conversations series addresses fundamental issues of life and death, the evil of violence in light of the value of human life, and other tough issues in modern society. Adolf Hitler Evil. Hatred. Pride. Destruction. Jesus Christ Peace. Love. Humility. Life. What could they possibly have to talk about? In this compelling dialogue, two men of contrasting values meet face-to-face. They address fundamental issues of life and death, the evil of violence in light of the value of human life, and the timeless search for unity in diversity. Dietrich Bonhoeffer, the German pastor Hitler ordered hanged, joins in and the heat intensifies when the three begin to weigh the value of relationships, love, and forgiveness. You won’t want to miss this imaginative discourse that will take you inside the mind of one of the most brutal tyrants of all time…and the very God who made him. “The works of Ravi Zacharias are a vital resource around our house.” Frank Peretti Story Behind the BookThis third book in the intriguing Great Conversations series takes Jesus out of the New Testament setting and places him in the 1900s to confront one of the world’s most influential people of all time—Adolf Hitler. The other books in the series reveal fictitious conversations Jesus might have with Buddha and with Oscar Wilde. The three books combine to attract readers who have friends practicing other religions, or who admire or question contemporary figures. These conversations are rich, begging for eavesdroppers.From the Hardcover edition.

    Forced into prostitution by Dabir, counselor to the Syrian king, Rahab despairs of ever regaining her freedom and her self-respect. But when Israelite spies enter Jericho and come to lodge at her house, Rahab sees a glimmer of hope and the opportunity of a lifetime. In one risky moment, she takes a leap of faith, puts her trust in a God she does not know, and vows to protect the spies from the authorities. When the armies of Israel arrive weeks later, Rahab hopes they will keep their promise, but she has no idea what kind of challenges await her outside Jericho's walls--or if she will ever know the meaning of love.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    Luke, Dickens hoped to teach his young children about religion and faith. Author: Charles DickensFormat: 128 pages, HardcoverPublisher: Simon Schuster (November 9, 1999) ISBN: 978-0684865379

    As a rebellious child seated beside the tyrannical Roman Emperor Tiberius, she first spies the powerful gladiator who will ultimately be her one true passion. Yet it is the ambitious magistrate Pontius Pilate who intrigues the impressionable young woman she becomes, and Claudia finds her way into his arms by means of a mysterious ancient magic. Pilate is her grand destiny, leading her to Judaea and plunging her into a seething cauldron of open rebellion. But following her friend Miriam of Magdala's confession of her ecstatic love for a charismatic religious radical, Claudia begins to experience terrifying visions—horrific premonitions of war, injustice, untold devastation and damnation . . . and the crucifixion of a divine martyr whom she must do everything in her power to save.