The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    It is not a prison, not a hospital; it has no walls, no ceiling, no floor. Nothing but endless flights of stairs leading nowhere, except back to a strange red machine. The five must learn to love the machine and let it rule their lives. But will they let it kill their souls?

    But nothing was ordinary about the day she met ten-year-old Nick Anderson, a boy from the wrong side of town. Armed with only a tin of bee balm and steely determination, Alix treats the raw evidence of a recent beating that mars his back, an act that changes both of their lives forever.Through childhood disasters and teenage woes they cling together as friendship turns to love. The future looks rosy until the fateful night when Frank Anderson, Nick's abusive father, is shot to death in his filthy trailer.Suddenly, Nick is gone—leaving Alix alone, confused and pregnant. For the next fifteen years she wrestles with the pain of Nick's abandonment, a bad marriage, her family and friends. But finally, she's starting to get her life back together. Her divorce is almost final, her business is booming, and she's content if not happy—until the day she looks up and sees Nick standing across the counter. He's back…and he's not alone.Once again Alix is plunged into turmoil and pain as Nick tries to win her love, something she resists with all her strength. Only one thing might break the protective wall she's built around her emotions—the truth about Frank Anderson's death. But when that truth comes out and those walls crumble, neither Alix nor Nick is prepared for the emotional explosion that could destroy as well as heal.

    Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly.The Wasp Factory is a work of horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; compulsive, because the humour and compassion of that mind reach out to us all. A novel of extraordinary originality, imagination and comic ferocity.

    When unleashed, it leaves total destruction in its wake, and cannot be subdued by normal human methods, but only by the power of God. The Cold War saw “Leviathan” snarling at his gate, salivating to be let loose, when humanity was treading ever closer to nuclear holocaust. During this period, American servicemen went into the breech to stand against whatever form “Leviathan” took, and like the American warriors of past years they held strong to their faith in God to see them through. Such a warrior is Daniel O’Kean, a World War II UDT/OSS veteran and commissioned naval officer, turned covert deep-penetration maritime CIA specialist, who has only his faith to see him through his own encounters with “Leviathan.” His first test is a pre-invasion, reconnaissance mission behind the lines of Inchon Korea, where the threat of capture by North Korean invaders is around every corner. Later he leads an assignment into Latvia with near disastrous consequences. Then called upon again, into the steaming jungles near Haiphong Vietnam, while attempting to retrieve evidence of active Soviet intervention in the war, he uncovers an unusual and vital turn of events that leads to a twisted plot in the streets of London England. With each step he takes he sees God’s hand guiding him closer to a fate he does not fully understand, but follows faithfully. While O’Kean is battling an evil he cannot see, the captain of the nuclear submarine USS Seadragon, LCDR Renzo MacKenna has his own faith challenged in another form of “Leviathan” as he and CDR David Heidleman of the USS Permit coordinate to foil a Soviet plot to end America’s involvement in Vietnam. One wrong move by them and “Leviathan’s” bite could go nuclear.

    Hers was the last generation to grow up before the economic collapse that followed the Corona pandemic. Amidst roiling climate chaos, the government has been taken over by extremists, incompetents, and con-men who tear the country apart while clinging to power. Lauren is swept up in the madness when she falls for the wrong man. She’s looking for love and safety, but Bryan becomes distant and abusive as he obsesses over White Sharia and deepens his ties to the racist patriot militia group. Lauren worries about the safety of her sister and nephew, who is mixed-race. Will Lauren escape from Bryan and keep her nephew safe from danger? In a world where values are tested and morality is unsettlingly murky, Lauren must break free from the constraints in her mind to protect her family.

    There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams, which are nothing compared to what life actually has in store for him. He embarks on an epic journey through a land of tribal superstition and modern prejudice where he will learn the power of words, the power to transform lives and the power of one.

    Her fist book, Pole Dancing to Gospel Hymns opened the door to Gibson's unapologetic voice, yet The Madness Vase manages to take an even more intimate look at the subjects of family, war, spirituality, gender, grief and hope. The poems' topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson's work seizes us by the collar and hauls us inside some of her darkest moments, then releases out the other side. Moments later, we find ourselves inhaling words that fill us with light. Her luminous imagery is a buoy that allows us to resurface from her world clutching new possibilities of our own. Throughout her career, Gibson's poems have always been a call to social justice. But this collection goes beyond awareness. Her images linger in our psyches and entreat us to action. They challenge us to grow into our own skin. The journey may be raw at times but we are continuously left inspired, held, and certain we are not alone. By the time you finish reading The Madness Vase, you too will believe, "Folks like us/We've got shoulder blades that rust in the rain/But they are still G-sharp/Whenever our spinal chords are tuned to the key of redemption/So go ahead world/Pick us/To make things better."

    . .Louisa Clark is an ordinary girl living an exceedingly ordinary life—steady boyfriend, close family—who has barely been farther afield than their tiny village. She takes a badly needed job working for ex–Master of the Universe Will Traynor, who is wheelchair bound after an accident. Will has always lived a huge life—big deals, extreme sports, worldwide travel—and now he’s pretty sure he cannot live the way he is.Will is acerbic, moody, bossy—but Lou refuses to treat him with kid gloves, and soon his happiness means more to her than she expected. When she learns that Will has shocking plans of his own, she sets out to show him that life is still worth living.A Love Story for this generation and perfect for fans of John Green’s The Fault in Our Stars, Me Before You brings to life two people who couldn’t have less in common—a heartbreakingly romantic novel that asks, What do you do when making the person you love happy also means breaking your own heart?

    One day whilst unpacking new stock Joe comes across an old military coat that he just can't resist trying on.Excited by the powers of the coat, Joe quickly takes it home where he discovers it allows him to travel between present day Alston, Cumbria and the same area during WWII. Joe soon finds himself in the midst of living a double life.However, one night an unexpected air raid hits town and everybody is thrown into disarray; and Joe is faced with standing up for the ones he loves, even if it could cost him everything.

    Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960's, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for something pure.

    British novelist Kevin Brooks's masterpiece is set on the island community of Hale over one summer, as 15-year-old Caitlin McCann realizes her small world is changing. Her brother is acting strangely, hanging out with the neighborhood reprobates and getting drunk, and her best friend follows his lead. To make matters worse, the son of an influential local has begun making lewd advances. And Caitlin feels she has no one in whom to confide: Her mother died in a car accident years ago, and her father, though loving and supportive, is a writer who spends much of his time holed up in his study.It's in this confusing context that Caitlin encounters Lucas, a lean, blond, blue-eyed stranger who mysteriously appears on the island. Caitlin feels drawn to him, but the other local kids are not: they call him a gypsy, and even throw rocks at him. Before long, Lucas is accused of a crime he did not commit, and Caitlin finds herself in a moral quandary.Lucas is filled with the kind of pain, love, and anguish that teenage readers adore. And Caitlin's quest to find her place in the world and to determine what's right is a struggle to which every teenager will relate. Why not start your own parent/teen book club with Lucas? Neither of you will be disappointed. (Summer 2003 Selection)

    With honesty, poignancy, and romantic flair, Atticus distills the most exhilarating highs and the heartbreaking lows of life and love into a few perfectly evocative lines, ensuring that his words will become etched in your mind—and will awaken your sense of adventure.

    Michael’s Catholic school outside Boston in the 60s and 70s, takes refuge in her wacky misunderstandings of Bible Stories and Catholic beliefs to avoid the problems of her Irish/Italian family life. Her musings on sadistic nuns, domestic violence, emerging sexuality, and God the Father’s romantic life will delight readers. Bridget creates glorious supernatural worlds—with exorcisms, bird relics, Virgin Martyrs, time travel, Biblical plagues, even the ‘holy’ in holy water—to cope with a family where leather handbags and even garlic can cause explosions. An avid Bible reader who innocently believes everything the nuns tell her, Bridget’s saints, martyrs, and boney Christs become alive and audible within her. While the nuns chide her sinful ‘mathematical pride’ and slow eating habits, God answers her prayers instantly by day, but the devil visits nightly in the dark. Scenes run the gamut from laugh-out-loud Catholic brainwashing of children, to heart-wrenching abuse, to riveting teenage excursions toward sex. Young Bridget tries to make sense of a world of raging men and domestically subjugated women and carve a future for herself, wrestling with how God and men treat women. Her Italian female relatives—glamorous Santa Anna, black-and-blue Aunt Maria, sophisticated Eleanor with a New York ‘Fellini pageboy’—offer sensual alternatives to the repression of her immediate family. She prays fervently that “despite God’s bizarre treatment of married women... some [girls] might still discover ways to have a great time without being a nun.” Dodging Satan is the flip-side of l'Histoire d'une Âme by Saint Thérèse of Lisieux authored by a twentieth century American girl chomping on a blue-gum cigar while she talks to a confidant about God and sex.