R. James is widely regarded as the father of the modern ghost story, and his tales have influenced horror writers from H. P. Lovecraft to Stephen King. First published in the early 1900s, they have never been out of print, and are recognized as classics of the genre. This collection contains some of his most chilling tales, including A View from a Hill, Rats, A School Story, The Ash Tree, and The Story of a Disappearance and an Appearance. Read by BAFTA and Emmy-award winning actor Derek Jacobi, and with haunting and evocative music, these tales cannot fail to send a shiver down your spine.

    To the outside world they pretend she is ill and confined to her room.Their problems begin immediately. Curious officials make inquiries, well-meaning neighbors offer assistance. The children themselves fall to quarreling.Then a spellbinding stranger appears, claiming to be their father. He agrees to keep their secret -- and from that point the story moves relentlessly to its incredible climax.

    — Sherlock HolmesWhen Holmes wearied of mundane Victorian reality, he reached for the cocaine; his creator Doyle reached beyond reality, to the occult mystery world as real to him as a hansom cab—so real that it became part of his fiction. It is no surprise that in the year "A Study in Scarlet" appeared (1887), this versatile writer was reading seriously in spiritualism, attending séances, and had already written some of the thrilling tales in this book. The Best Supernatural Tales of Arthur Conan Doyle gathers together for the first time in an American edition the fifteen finest short stories in this genre by the master storyteller. Relative to his vast literary output, Doyle wrote comparatively few stories dealing specifically with spiritualism, Egyptian magic, psychometry, and other occult domains he knew so thoroughly — and these scattered stories, skeptically dismissed or simply buried beneath the mass of his detective, historical, sports, medical, and other pieces, have yet to receive their due as superior or typical examples of his narrative power. The polymath Doyle has recourse to many twilit borderline realms of the beyond in these stories which appeared in various periodicals from 1880 to 1921. "The Bully of Brocas Court" gives a new slant to the Victorian ghost story in one of Doyle's favorite settings, the world of boxing. "The Captain of the Polestar" recalls the weird northern backdrop of the author's whaling adventures; "The Brown Hand" deals in body-soul bondage with a touch of the East. Two hackle-raising histories, "Lot No. 249" and "The Ring of Thoth," depend on the riddle of Egyptian mummy lore; "The Leather Funnel" and "The Silver Hatchet" involve psychometry, a material object's retention of an aura or memory of its past, which a sensitive being can "replay" through dreams. And then there is "J. Habakuk Jephson's Statement," Doyle's speculative solution to the Marie Celeste conundrum, which was vehemently denounced when published (anonymously) because it seemed so true and so terrible. Doyle readers, students of the occult, and anyone who loves an imaginative tale will wish to experience, through these obscure, rarely reprinted stories, what was personally so close to their author.

    For Francesca it is an introduction to terror...

    She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life. Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together.

    But dreams can change into nightmares...When one of her students accuses his friend Ethel's grandmother of abusing her, Miss Mayfield cannot let it go. But Ethel won't say anything, despite the evidence of Miss Mayfield's own eyes. But as she attempts to get to the truth of the matter, she stumbles on something far more sinister. Walwyk seems to be in the grip of a centuries-old evil, and anybody who questions events in the village does not last long.Death stalks more than one victim, and Miss Mayfield begins to realise that if she's not careful, she will be the next to die...

    Sandra Fischer relaxes in bed. Moments later, when her husband enters the room — she is dead. One by one, the women are dying. The leading medical experts are baffled. There is only one clue: the rich, sweet scent of the tropics — the scent of life, seconds after each woman's shocking death.One dedicated doctor. One beautiful woman. Together they will enter an awesome new realm of medical knowledge beyond both life and death. For he will discover a terrifying secret. And she has been chosen for … THE SEEDING.

    Damien Cole. Ignoring the whispered warnings and rumours that he's a man to fear, she takes her position at his eerie estate, where she quickly discovers that nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances ... and the murders.With her options dwindling and time running out, Darcie must rely on her instincts as she confronts the man she falling in love with. Is he an innocent and misunderstood man ... or a remorseless killer who prowls the East End streets?Note: All books in the Dark Gothic series can be read as stand-alone novels.

    It was there that she saw the clowns, with their large red noses, floppy shoes--and deadly grins. A hellish nightmare was about to begin. For these clowns craved terrified screams--not gleeful laughter--and were hungry for death!

    Among the castle's abandoned chambers, Matilda will discover the horrifying mystery of the missing Countess of Wolfenbach. But when her uncle tracks her down, can she escape his despicable intentions?One of the seven "horrid novels" named in Jane Austen's "Northanger Abbey," "The Castle of Wolfenbach" is perhaps the most important of the early Gothic novels, predating both "The Mysteries of Udolpho" and "The Monk."This edition reprints the complete text of the 1793 edition and includes a new introduction and notes by Diane Long Hoeveler, one of the foremost modern scholars of Gothic literature and feminism.

    At its heart was a beautiful, enigmatic woman called Pandora Gibson-Hoare, a photographer of genius whose only legacy is a handful of photographs and the clues to a mystery.Just weeks after four students cross the threshold of the derelict Fischer House, one of them has committed suicide and the other three are descending into madness.Nick Mason's sister is one of them. To save her, Nick must join ranks with Paul Seaton--the only person to have visited the house and survive. But Paul is a troubled man, haunted by otherworldly visions that even now threaten his sanity.Desperate, Nick forces Paul to go back into the past, to the secret journal of beautiful photographer Pandora Gibson-Hoare and a debauched gathering in the 1920s, and to the dark legacy of Klaus Fischer--master of the unspeakable crime and demonic proceedings that have haunted the mansion for decades.Because now, the Fischer House is beckoning, and some old friends have gathered to welcome Paul back. . . .

    But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew’s mind, he embarks on a nightmarish quest, with unexpected and horrifying results. Stephen Gregory earned worldwide acclaim with his first novel, The Cormorant (1986), which won the Somerset Maugham Award and was adapted for a BBC film. In The Woodwitch (1988), his second novel, Gregory once again proves himself a master of disturbing and unsettling horror.

    A young botanist leads a small expedition to find a way out to rescue humanity.

    This is the dark secret of a remote Highland village - a secret kept safe until a local fisherman builds some holiday chalets to attract tourists. Then the shameful conspiracy of silence is shattered at last - as the horrendous creatures shamble from their lair to mutilate and kill the unsuspecting visitors.

    What will begin, however, with the solemnity of marriage vows will end in the echoing screams of the damned - an ungodly spectacle of spilled blood and sobbing, throat-aching terror. There is a curse that grips the Bradwins from generation to generation, from horror to bloody horror, and that climaxes in a spine-chilling nightmare of black occultism and blood vengeance.