While Charlotte and her sister, Sally, grew up at "Lakeside," their stepbrothers, Spin and Perry, were welcomed as weekend guests. Now the grown boys own the estate, which Joan occupies by their grace--and a provision in the family trust. When Spin, the youngest and favorite of all the children, brings his fiancé home for the summer, the entire family is intrigued. The beautiful and accomplished Laurel Atwood breathes new life into this often comically rarefied world. But as the wedding draws near, and flaws surface in the family's polite veneer, an array of simmering resentments and unfortunate truths is exposed.With remarkable wit and insight, Ann Leary pulls back the curtain on one blended family, as they are forced to grapple with the assets and liabilities - both material and psychological - left behind by their wonderfully flawed patriarch.

    She finds solace in the one person she trusts, her boyfriend, and she soon finds herself pregnant. Kenzie’s boyfriend and mother do not understand her determination to keep the baby. She is sent to southern Spain for the summer, where she will live out her pregnancy as a cook’s assistant on a bull ranch, and her baby will be adopted by a Spanish couple. Alone and resentful in a foreign country, Kenzie is at first sullen and difficult. She begins to open her eyes and her heart to the beauty that is all around her and inside of her.

    For the first time since they were teenagers sharing a bunk bed over a decade ago, they find themselves in the place where long-kept secrets were born, where jealousy, comfort, anger, forgiveness, and repulsion coexist with the fiercest love and loyalty. What they don't expect is for their visit to expose a new, horrifying truth: their mother, Lorraine, is in a violent relationship.As Tanya urges Lorraine to get a restraining order, Nessa struggles to reconcile her fondness for their stepfather with his capacity for brutality. Their differing responses to the abuse bring up the sisters' shared secret—a traumatic, unspoken experience from their adolescence has shaped their lives, their sense of selves, and their relationship with each other and the men in their life. In the midst of this family crisis, they have no choice but to reckon with the past and face each other in the present, in the hope that there's a way out of the violence so deeply ingrained in the Bloom family.Told in alternating perspectives that deftly interweave past and present, Something Wild is a magnetic, unflinching portrait of the bond between sisters, as well as a psychologically acute exploration of the legacy of divorce, the ways trauma reverberates over generations, and how it might be possible to overcome the past.

    Gone forever. It’s what her sister, Kit, an ER doctor in Santa Cruz, has always believed. Yet all it takes is a few heart-wrenching seconds to upend Kit’s world. Live coverage of a club fire in Auckland has captured the image of a woman stumbling through the smoke and debris. Her resemblance to Josie is unbelievable. And unmistakable. With it comes a flood of emotions—grief, loss, and anger—that Kit finally has a chance to put to rest: by finding the sister who’s been living a lie.After arriving in New Zealand, Kit begins her journey with the memories of the past: of days spent on the beach with Josie. Of a lost teenage boy who’d become part of their family. And of a trauma that has haunted Kit and Josie their entire lives.Now, if two sisters are to reunite, it can only be by unearthing long-buried secrets and facing a devastating truth that has kept them apart far too long. To regain their relationship, they may have to lose everything.

    . . .Ireland, 1912 . . .Fourteen members of a small village set sail on RMS Titanic, hoping to find a better life in America. For seventeen-year-old Maggie Murphy, the journey is bittersweet. Though her future lies in an unknown new place, her heart remains in Ireland with Séamus, the sweetheart she left behind. When disaster strikes, Maggie is one of the few passengers in steerage to survive. Waking up alone in a New York hospital, she vows never to speak of the terror and panic of that fateful night again.Chicago, 1982 . . .Adrift after the death of her father, Grace Butler struggles to decide what comes next. When her great-grandmother Maggie shares the painful secret about the Titanic that she's harbored for almost a lifetime, the revelation gives Grace new direction—and leads both her and Maggie to unexpected reunions with those they thought lost long ago.Inspired by true events, The Girl Who Came Home poignantly blends fact and fiction to explore the Titanic tragedy's impact and its lasting repercussions on survivors and their descendants.

    This colourful story focuses on the relationship between the girls as they grow into women and their attempt to escape their impoverished background.The story is alternatively narrated by the eloquent Fag and the sensitive Ginnie, as well sections told by an historian and industrial psychologist.

    She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises.The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles. With concerns about the child’s home situation, Jo reluctantly agrees to let her stay—just until she learns more about Ursa’s past.Jo enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have. How does a young girl not only read but understand Shakespeare? Why do good things keep happening in her presence? And why aren’t Jo and Gabe checking the missing children’s website anymore?Though the three have formed an incredible bond, they know difficult choices must be made. As the summer nears an end and Ursa gets closer to her fifth miracle, her dangerous past closes in. When it finally catches up to them, all of their painful secrets will be forced into the open, and their fates will be left to the stars.In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.

    

    Thomas Edgar, a passionate collector of butterflies, is offered the chance of a lifetime: to travel to the Amazon as part of a scientific expedition. Hoping to find the mythical butterfly that will make his name and immortalise that of his wife, Sophie—for if he finds it, he will call it the "Papilio Sophia"—he eagerly accepts the invitation, and embarks on a journey that will take him to a whole new world.On his return, Sophie greets her husband at the railway station, and is appalled by the change in him: he is thin, obviously sick, and apparently so traumatised by what he witnessed while he was away, he has been rendered mute. As Thomas struggles to find the words to describe what he's seen, it's unclear whether or not Sophie—and their marriage—will be able to withstand what he has to tell her, for the story that unfolds, the story behind Thomas's silence, is one of great brutality. Like the butterflies Thomas is so obsessed by, the butterflies that he catches and kills, it's a story of men who have been dazzled by surface splendour and wealth, and consequently refuse to acknowledge its underlying cruelty. But when that cruelty ends in murder, the question for Thomas—and Sophie—is whether or not he should be the one to speak out.Written in rich, sensuous prose, and taking the reader from the demure gentility of Edwardian England to the decadence of Brazil's rubber boom, The Sound of Butterflies is a compelling and noteworthy debut.

    She knows her role in life: supportive wife of a successful architect and calm, capable mother of two. But on a warm summer night, as the house grows quiet around her and her children fall asleep, she wonders what’s missing from her life. When her husband echoes that lonely question, announcing that he’s leaving her for another woman, Sophie realizes she has no idea what’s next. Impulsively renting a guest cottage on Nantucket from her friend Susie Swenson, Sophie rounds up her kids, Jonah and Lacey, and leaves Boston for a quiet family vacation, minus one.Also minus one is Trevor Black, a software entrepreneur who has recently lost his wife. Trevor is the last person to imagine himself, age thirty and on his own, raising a little boy like Leo—smart and sweet, but grappling constantly with his mother’s death, growing more and more closed off. Hoping a quiet summer on the Nantucket coast will help him reconnect with Leo, Trevor rents a guest house on the beautiful island from his friend Ivan Swenson.Best-laid plans run awry when Sophie and Trevor realize they’ve mistakenly rented the same house. Still, determined to make this a summer their kids will always remember, the two agree to share the Swensons’ Nantucket house. But as the summer unfolds and the families grow close, Sophie and Trevor must ask themselves if the guest cottage is all they want to share.Inspiring and true to life, The Guest Cottage is Nancy Thayer at her finest, inscribing in graceful, knowing prose matters of the heart and the meaning of family.

     For four young immigrant women living in Boston’s North End in the early 1900s, escaping tradition doesn’t come easy. But at least they have one another and the Saturday Evening Girls Club, a social pottery-making group offering respite from their hectic home lives—and hope for a better future.Ambitious Caprice dreams of opening her own hat shop, which clashes with the expectations of her Sicilian-born parents. Brilliant Ada secretly takes college classes despite the disapproval of her Russian Jewish father. Stunning Maria could marry anyone yet guards her heart to avoid the fate of her Italian Catholic mother, broken down by an alcoholic husband. And shy Thea is torn between asserting herself and embracing an antiquated Jewish tradition.The friends face family clashes and romantic entanglements, career struggles and cultural prejudice. But through their unfailing bond, forged through their weekly gathering, they’ll draw strength—and the courage to transform their immigrant stories into the American lives of their dreams.

    When she wakes up in the hospital, the doctors insist she’s someone else: Lauren Richardson, wife and mother of four.Lauren’s husband wants nothing more than for life to get back to normal—complete with a well-organized house and very properly behaved children. But Lauren’s kids haven’t been allowed to have much fun, and one of them has special needs. Can Jessica embrace this family of strangers and become the wife and mother they need? As she struggles to find her way in this new life—and the way back to her old life—she reconnects with Lauren’s estranged sister and discovers a secret that could rip the family apart.Now, torn between Lauren’s responsibilities to her family and Jessica’s chance at love, one woman is about to find out whether the road not taken leads to happiness—or to heartbreak.

    Then Clover wakes up one morning to discover she's invisible--truly invisible. She panics, but when her husband and son sit down to dinner, nothing is amiss. Even though she's been with her husband, Arthur, since college, her condition goes unnoticed. Her friend Gilda immediately observes that Clover is invisible, which relieves Clover immensely--she's not losing her mind after all!--but she is crushed by the realization that neither her husband nor her children ever truly look at her. She was invisible even before she knew she was invisible.Clover discovers that there are other women like her, women of a certain age who seem to have disappeared. As she uses her invisibility to get to know her family and her town better, Clover leads the way in helping invisible women become recognized and appreciated no matter what their role.

    It is a set text in most New Zealand courses in universities, and is often grossly misrepresented as a kind of celebration of the Kiwi bloke going it alone, getting offside with the law and women, and making a fist of it on his own terms. It also has been glibly accused of misogyny and racism. For all its local emphases and colour, the novel must be read in the context of post-war Europe, as it takes a hard look at the reality of ‘ordinary’ life, without the self-congratulatory assurances common to both British and New Zealand conservatism. The starkness of the novel is also a philosophical one. Such values as emerge are what the individual manages to put together as the historical moment allows—fiction as existentialism, before such a term became modish. At the same time as he was working on the novel, Mulgan edited for Victor Gollancz Poems of Freedom, an anthology of poets who ‘were unafraid’, and whom W.H. Auden, in his Introduction, valued not for their wisdom, but for raising their voices against oppression.

    Until she finds out he wasn't alone when he died.Since a plane crash killed her husband two years ago, Annabelle Murphy has found solace in raising her two children. Just when she thinks the grief is behind her, she receives the news that the wreckage of the small plane has been discovered and that her husband did not die alone. He was with another woman. Suddenly, Annabelle is forced to question everything she once held true.Sophie Parker knows the woman who was on that plane. A dolphin researcher who has lived a quiet life, Sophie has never let anyone get too close. But when Annabelle shows up on Sophie's doorstep full of painful questions, both women must confront their intertwining pasts and find the courage to face the truth.