Unwilling to accept the idea of the twice-married American as future Queen of England, the government was determined to pressure the King into giving up Mrs. Simpson and, when that failed, into giving up his crown. The King's phone lines were tapped by his own government, dubious police reports poisoned Mrs Simpson's reputation, and threats to sabotage her divorce were deployed to edge the King towards abdication.The hopeless attempts of the King's allies, particularly Winston Churchill, to keep him on the throne were dismissed as sinister conspiracy, whilst the King wrecked his own chances with wildly unrealistic goals and ill-thought-out schemes that served only to frame him as erratic and unreliable as a monarch. As each side was overwhelmed by desperation and distrust, Prime Minister Stanley Baldwin fought to steer events to a smooth conclusion.In this fascinating behind-the-scenes account of the royal abdication crisis of 1936, Adrian Phillips reveals the previously untold story of the hidden political machinations and insidious battles in Westminster and Whitehall that settled the fate of the King and Mrs Simpson.

    Featuring spectacular photographs from the production, interviews with the cast and crew, and a look into the historical and geographical backdrop of the film, this official guide to the Downton Abbey film is made to be treasured and loved by fans across the globe.The film revolves around the King and Queen making an official visit to Downton in 1927, and not only sees the return of all the main cast from the final television series, but also introduces some great British actors to the world of Downton, as we meet the royal family and their retinue. The accompanying book is lavishly illustrated with stunning shots from both behind and in front of the camera, which capture some wonderful off-guard moments during filming, as well as the original costume illustrations.

    Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power.Alan Bennett's play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the ruler's delirium erodes his authority and status.The Madness of George III premiered at the National Theatre, London, in November 1991.

    The king’s shy nature was offset by Churchill’s willingness to cast himself as the nation’s savior. Meanwhile, Churchill’s complicated political past was given credibility by the king’s embrace and counsel. Together as foils, confidants, conspirators, and comrades, the duo guided Britain through war while reinspiring hope in the monarchy, Parliament, and the nation itself.Books about these men as individuals could fill a library, but Kenneth Weisbrode’s study of the unique bond between them is the first of its kind.

    Yet the relationship between the two men did not end there. Far from it: in the years that followed, Logue was to play an even more important role at the monarch's side.The King's War follows this relationship through the dark days of Dunkirk and the drama of D-Day to eventual victory in 1945 - and beyond. It is written by Peter Conradi, a Sunday Times journalist, and Mark Logue, Lionel's grandson, whose previous book, The King's Speech: How One Man Saved the British Monarchy, was a best-seller in Britain and America and translated into more than 20 languages.The book draws on exclusive material from the Logue Archive - the collection of diaries, letters and other documents left by Lionel and his feisty wife, Myrtle. It provides a fascinating portrait of two men and their respective families - the Windsors and the Logues - as they together faced up to the greatest challenge in Britain's history.

    Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards? The 1981 Tony Award winner for Best Play. An L.A. Theatre Works full cast performance featuring: Steven Brand as Baron van Swieten James Callis as Mozart Michael Emerson as Salieri Darren Richardson as Venticello 2 Alan Shearman as Count Orsini-Rosenberg Mark Jude Sullivan as Venticello 1 Simon Templeman as Joseph II Brian Tichnell as Count Johann Kilian Von Strack Jocelyn Towne as Constanze Directed by Rosalind Ayres. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in September of 2016.

    Winner of the 2011 Christopher Ewart-Biggs Literary Award, and nominated for the 2009-2010 PEN/JR Ackerley prize.On the August bank holiday weekend in 1979, 14-year-old Timothy Knatchbull went out on a boat trip off the shore of Mullaghmore in County Sligo, Ireland. It was a trip that would cost four lives - and change his own for ever.The IRA bomb that exploded in their boat killed Knatchbull's grandfather Lord Mountbatten, his grandmother Lady Brabourne, his twin brother Nicholas, and local teenager Paul Maxwell. In telling this story for the first time, Knatchbull is not only revisiting the terrible events he and his family lived through, but also writing an intensely personal account of human triumph over tragedy.For thirty years, Knatchbull has lived with the echoes of that day: the death of the twin from whom he had been inseparable; the loss of his adored grandparents, whose funerals along with his twin's he and his parents were too injured to attend; the recovery from physical wounds; and the emotional legacy that proved harder to endure.In From A Clear Blue Sky Timothy Knatchbull delves into his past, present and future, and reveals a story of courage and fortitude as he, his family, and their English and Irish friends dealt with the shocking assassinations and their aftermath. Taking place in Ireland at the height of the Troubles, it gives a compelling insight into that period of Irish history. But more importantly it brings home that although tragedy can strike at any moment, the human spirit is able to recover and evolve over time.This book about truth and reconciliation, unflinching in its detail, asks searching questions about why human beings inflict misery on others, and holds lessons about how we can learn to forgive, to heal and to move on. It will resonate with readers the world over.

    It was first staged in 1976 at the Royal Court Theatre Upstairs and revived at the National Theatre in 1996.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    The popular image of the men who made the bomb is of dispassionate intellects who number-crunched their way towards a weapon whose devastating power they could not even imagine. But in his Tony Award-winning play Copenhagen, Michael Frayn shows us that these men were passionate, philosophical, and all too human, even though one of the three historical figures in his drama, Werner Heisenberg, was the head of the Nazis' effort to develop a nuclear weapon. The play's other two characters, the Danish physicist Niels Bohr and his wife, Margrethe, are involved with Heisenberg in an after-death analysis of an actual meeting that has long puzzled historians. In 1941, the German scientist visited Bohr, his old mentor and long-time friend, in Copenhagen. After a brief discussion in the Bohrs' home, the two men went for a short walk. What they discussed on that walk, and its implications for both scientists, have long been a mystery, even though both scientists gave (conflicting) accounts in later years. Frayn's cunning conceit is to use the scientific underpinnings of atomic physics, from Schr?dinger's famous cat to the Heisenberg uncertainty principle, to explore how an individual's point of view renders attempts to discover the ultimate truth of any human interaction fundamentally impossible. To Margrethe, Heisenberg was always an untrustworthy student, eager to steal from her husband's knowledge. To Bohr, Heisenberg was a brilliant if irresponsible foster son, whose lack of moral compass was part of his genius. As for Heisenberg, the man who could have built the bomb but somehow failed to, his dilemma is at the heart of the play's conflict. Frayn's clever dramatic structure, which returns repeatedly to particular scenes from different points of view, allows several possible theories as to what his motives could have been. This isn't the first play to successfully merge the world

    “They are mistaken. I have not known you long, but I observe in you a natural dignity that cannot be learnt. To me, ma’am, you are every inch a Queen.”In 1837, less than a month after her eighteenth birthday, Alexandrina Victoria – sheltered, small in stature, and female – became Queen of Great Britain and Ireland. Many thought it was preposterous: Alexandrina — Drina to her family — had always been tightly controlled by her mother and her household, and was surely too unprepossessing to hold the throne. Yet from the moment William IV died, the young Queen startled everyone: abandoning her hated first name in favor of Victoria; insisting, for the first time in her life, on sleeping in a room apart from her mother; resolute about meeting with her ministers alone.One of those ministers, Lord Melbourne, became Victoria’s private secretary. Perhaps he might have become more than that, except everyone argued she was destined to marry her cousin, Prince Albert of Saxe-Coburg and Gotha. But Victoria had met Albert as a child and found him stiff and critical: surely the last man she would want for a husband….Drawing on Victoria’s diaries as well as her own brilliant gifts for history and drama, Daisy Goodwin, author of the bestselling novels The American Heiress and The Fortune Hunter as well as creator and writer of the new PBS/Masterpiece drama Victoria, brings the young queen even more richly to life in this magnificent novel.

    Royal Tudor blood ran in her veins. Her mother was a Queen, her father an Earl, and she herself was the granddaughter, niece, cousin and grandmother of monarchs.Beautiful and tempestuous, she created scandal not just once but twice by falling in love with unsuitable men. Fortunately the marriage arranged for her turned into a love match.

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    A family chronicle based on two romances--that of Elizabeth Barrett and Robert Browning and that of her sister and a soldier.

    The classic play about Sir Thomas More, the Lord chancellor who refused to compromise and was executed by Henry VIII.

    Christmas Eve, 1914 follows one company of British officers as they rotate forward to spend their Christmas on the front lines, a mere 80 yards from the German guns. Upper- and working-class men and boys are thrown together into one trench and struggle to survive. Beyond the exploding shells and artillery, the merciless freezing cold, extreme hunger, and crushing exhaustion, these young men - both British and German - discover a miracle of grace, as enemies becomes friends and an impossible Christmas finally arrives.Written by Emmy Award winner Charles Olivier and produced by Dawn Prestwich (The Killing) to commemorate the Christmas Truce's centennial anniversary, this astonishing moment of peace in the midst of total war is brought to life as a vivid and immersive audiodrama, featuring a full-cast performance, elaborate sound design, and an original musical score. Listeners will also enjoy a classic Christmas carol, "Il Est Ne", performed by Tom Tom Club, at the conclusion of the story.The full cast includes Damon Herriman, Cameron Daddo, Xander Berkeley, James Scott, Lance Guest, Nate Jones, Cody Fern, John Beck, Gabe Greenspan, and Heiko Obermoeller.©2014 Audible Inc. (P)2014 Audible Inc.