ever-present, phantom thing; My slave, my comrade, and my king' Some of Emily Brontë's most extraordinary poems Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Emily Brontë (1818-1848). Brontë's Wuthering Heights and The Complete Poems are available in Penguin Classics

    William and Mary was later adapted for Roald's American television series 'Way Out and several of the stories appeared in British television adaptations for the series Tales of the Unexpected in the 1980s. Also included here is The Champion of the World - the first time Roald wrote about the man who would go on to become Danny's dad in Danny the Champion of the World.The stories featured in Kiss Kiss are: The LandladyWilliam and MaryThe Way up to HeavenParson's PleasureMrs Bixby and the Colonel's CoatRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigThe Champion of the World--roalddahl.com

    H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden.As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.

    Martin's innovative Case Studies in Contemporary Criticism series has introduced more than a quarter of a million students to literary theory and earned enthusiastic praise nationwide. Along with an authoritative text of a major literary work, each volume presents critical essays, selected or prepared especially for students, that approach the work from several contemporary critical perspectives, such as gender criticism and cultural studies. Each essay is accompanied by an introduction (with bibliography) to the history, principles, and practice of its critical perspective. Every volume also surveys the biographical, historical, and critical contexts of the literary work and concludes with a glossary of critical terms. New editions reprint cultural documents that contextualize the literary works and feature essays that show how critical perspectives can be combined.

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    Rejected by several publishing houses, Brontë shelved the novel in order to write her masterpiece Jane Eyre (1847). After her death, The Professor was edited by Brontë's widower, Arthur Bell Nichols, who saw that the novel was published posthumously. Based on Brontë's experience as a student and teacher in Brussels--which similarly inspired her novel Villette--The Professor is an underappreciated early work from one of English literature's most important writers.After rejecting a life as a clergyman, William Crimsworth goes to work as a clerk for his brother Edward, a successful businessman. Although he excels, his brother grows jealous of his ability and intelligence, abusing and belittling him until he is forced to quit. Disappointed, he accepts a job at a boarding school in Belgium where, mentored by the kind Monsieur Pelet, William flourishes as a professor. When news of his work reaches Mademoiselle Reuter, a local headmistress at a school for girls, she offers him a position, and William joins her staff. He begins to grow suspicious, however, when he overhears Reuter speaking about him with Pelet and discovers that the pair are engaged to be married. As he begins to second-guess their kindness, he falls in love with Frances, a young teacher-in-training. Harboring her own secret affection for William, Mademoiselle Reuter decides she must dismiss Frances if she is to maintain her control of the young Englishman. Charlotte Brontë's The Professor is a novel of romance, jealousy, and gothic mystery, an early and promising work by one of Victorian England's most prominent writers.With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Brontë's The Professor is a classic of English literature reimagined for modern readers.

    H. Lawrence. The story describes a young middle-class Englishwoman who "had no luck." Though outwardly successful, she is haunted by a sense of failure; her husband is a ne'er-do-well and her work as a commercial artist doesn't earn as much as she'd like. The family's lifestyle exceeds its income and unspoken anxiety about money permeates the household. Her children, a son Paul and his two sisters, sense this anxiety; moreover, the kids even claim they can hear the house whispering "There must be more money." Paul tells his Uncle Oscar Cresswell about betting on horse races with Bassett, the gardener. He's been placing bets using his pocket money and has won and saved three hundred twenty pounds. Sometimes he says he is "sure" of a winner for an upcoming race, and the horses he names do in fact win, sometimes at remarkable odds. Uncle Oscar and Bassett both place large bets on the horses Paul names. After further winning, Paul and Oscar arrange to give the mother a gift of five thousand pounds, but the gift only lets her spend more. Disappointed, Paul tries harder than ever to be "lucky." As the Derby approaches, Paul is determined to learn the winner. Concerned about his health, his mother rushes home from a party and discovers his secret. He has been spending hours riding his rocking horse, sometimes all night long, until he "gets there," into a clairvoyant state where he can be sure of the winner's name. Paul remains ill through the day of the Derby. Informed by Cresswell, Bassett has placed Paul's bet on Malabar, at fourteen to one. When he is informed by Bassett that he now has 80,000 pounds, Paul says to his mother: "I never told you, mother, that if I can ride my horse, and get there, then I'm absolutely sure - oh absolutely! Mother, did I ever tell you? I am lucky!" "No, you never did," said his mother. The boy dies in the night and his mother hears her brother say, "My God, Hester, you're eighty-odd thousand to the good, and a poor devil of a son to the bad. But, poor devil, poor devil, he's best gone out of a life where he rides his rocking horse to find a winner.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    At first the island seems a paradise, with its plentiful foods and wealth of natural wonders. But then a party of cannibals arrives, and after that a pirate ship...what is to become of them?

    Scottish novelist and poet Sir Walter Scott (1771 - 1832), a literary hero of his native land, turned to writing only when his law practice and printing business foundered. Among his most beloved works are Rob Roy (1818), and Ivanhoe (1820). American writer William Vaughn Moody (1869 - 1910) served as co-editor of the Harvard Monthly and assistant professor of English at the University of Chicago. He authored several verse plays, books of poetry, and histories and criticisms of English literature.

    Lewis said that upon reading this astonishing 19th-century fairy tale he "had crossed a great frontier," and numerous others both before and since have felt similarly.In MacDonald's fairy tales, both those for children and (like this one) those for adults, the "fairy land" clearly represents the spiritual world, or our own world revealed in all of its depth and meaning. At times almost forthrightly allegorical, at other times richly dreamlike (and indeed having a close connection to the symbolic world of dreams), this story of a young man who finds himself on a long journey through a land of fantasy is more truly the story of the spiritual quest that is at the core of his life's work, a quest that must end with the ultimate surrender of the self.The glory of MacDonald's work is that this surrender is both hard won (or lost!) and yet rippling with joy when at last experienced. As the narrator says of a heavenly woman in this tale, "She knew something too good to be told." One senses the same of the author himself.Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

    His colleagues are an assortment of misfits, including Prendy (plagued by doubts) and captain Grimes, who is always in the soup (or just plain drunk). Then Sports Day arrives, and with it the delectable Margot Beste-Chetwynde, floating on a scented breeze. As the farce unfolds and the young run riot, no one is safe, least of all Paul. Taking its title from Edward Gibbon's Decline and Fall of the Roman Empire, Evelyn Waugh's first, funniest novel immediately caught the ear of the public with his account of an ingénu abroad in the decadent confusion of 1920s high society.

    But Isabel, resolved to determine her own fate, does not hesitate to turn down two eligible suitors. She then finds herself irresistibly drawn to Gilbert Osmond, who, beneath his veneer of charm and cultivation, is cruelty itself. A story of intense poignancy, Isabel's tale of love and betrayal still resonates with modern audiences.

    Here you will find the secrets of eternal youth, souls that exchange bodies, and ancient Englishmen and Romans newly thawed out of ice. In addition to several stories by Mary Shelley, this volume also features a brand new story by renowned science fiction author Michael Bishop, which serves as a narrative introduction for this collection. Mary Shelley's considerable reputation rests squarely on the shoulders of her one great novel - Frankenstein, or the Modern Prometheus, published anonymously in 1818 and revised under her own byline in 1831. Her powerful tale of blasphemous creation is perhaps more familiar to modern readers through its many film adaptations as it is from the book itself. From Boris Karloff's electrifying performance as Frankenstein to Kenneth Branaugh's latest directorial rendering, the story has received numerous interpretations which have renewed interest in the book time and time again. However, Shelley's other works have not fared as well as Frankenstein. She wrote just a handful of novels, of which only The Last Man (1826) has remained sporadically in print. A precursor to such disaster novels as George R. Stewart's Earth Abides and Richard Jeffries' After London, The Last Man follows its protagonist Lionel Verney through a distant future world which has been depopulated by plague. The shorter works of Mary Shelley have remained difficult to find. During her lifetime, she published just over two-dozen stories, only three of which were of interest to readers of science fiction and fantasy. In addition to these three supernaturally-themed stories, two additional stories were published after Shelley's death. "Roger Dodsworth: The Reanimated Englishman," was printed in a volume of reminisces by a magazine editor who had commissioned the story thirty years earlier. "Valerius: The Reanimated Roman," a story in a similar vein to "Roger Dodsworth," remained unpublished until 1976, when both stories were discovered by Charles E. Robinson, a Shelley scholar and professor of English at the University of Delaware.Contents"The Unexpected Visit of a Reanimated Englishwoman": Introduction by Michael Bishop"The Mortal Immortal: A Tale""Transformation""Roger Dodsworth: The Reanimated Englishman""The Dream""Valerius: The Reanimated Roman"

    News From Nowhere, one of the most significant English works on the theme of utopia, is the tale of William Guest, a Victorian who wakes one morning to find himself in the year 2102 and discovers a society that has changed beyond recognition into a pastoral paradise, in which all people live in blissful equality and contentment. A socialist masterpiece, News From Nowhere is a vision of a future free from capitalism, isolation and industrialisation. This volume also contains a wide selection of Morris's writings, lectures, journalism and letters, which expand upon the key themes of News From Nowhere.