Through the eyes of the young Earl Przepasniak ("a name unwieldy as a tumour"), it narrates the outrageous and tender story of Mavis, poet and mother, and Robert, the American dad. Earl's life revolves around the deeply wounding split of his parents and his attempts, through a less-than-idyllic childhood and the inexorable onslaught of manhood, to overcome the irresistible force of his father. But it is only when his parents meet their respective fates that Earl can feel not only loyal and guilty, but also free...

    Davis Prize for Fiction "Storm Riders examines the conflicted love of a single father struggling to raise his adopted Native American son, who was born with fetal alcohol syndrome. When a small girl mysteriously drowns near a student-housing complex, the boy is implicated and the father wrestles with his own doubt, guilt, and responsibility. Bringing to life the austere beauty of the Tlingit Alaskan village of the boy's family, as well as the highly educated pockets of the East Coast, Lesley vividly portrays a father and a son struggling to come to terms with each other and above all, with the truth. This novel, as "The Chicago Tribune noted, is "a powerful tale with a strong emotional core."

     She tries to remember her mother's voice and the pitch and treble of it passes through her; the rhythm of it so clear that for a moment they are...connected by frail strings. So begins The Land of Women, and we are swept into Fiona O'Faolain's last summer in Ireland, the season of her burgeoning sexuality. It is a time, too, when mother and daughter step toward friendship among the voluminous gowns they make for local brides. Yet that giddy summer also delivers betrayal. Fiona's journey from the shame that ended her girlhood takes her to Santa Fe and to Carlos Aragon, a restorer of antiquities, whose ancestry is mysteriously linked to hers. As he explores their pasts with the precision of an artisan, Fiona must face her excruciating memory. In The Land of Women the past lives in the present, and physical and emotional geography touch.

    has dared to take on a difficult, grief-stricken period of English history, and done so with sensitivity and understanding; EARTH AND HEAVEN is the clever, compelling result' The Times

    So, with great resourcefulness, she advertised for a companion and eventually staked out a corner of her own—one with a view. Mildred Walker's skill as a storyteller never falters in this portrayal of an elderly woman who won't give up.

    His marriage is over and he is alone, teaching poetry as a visiting professor in Montana and continuing to avoid actually writing himself. He drinks to oblivion every night.At this freezing college, in the dead of winter, Winslow meets Erika, one of his poetry students. What begins with office hours and Jim Beam in paper cups becomes a road trip as they travel through Utah and Arizona. Long haunted by thoughts of death, both Erika and Winslow begin to glimpse the power life can hold if they will only open up to the shame, beauty, and heartbreak of it all.

    Reeling from shock, Lang realizes all of her perfect arrangements (from the caramel cake in the freezer for his first Christmas without her to love letters for his first anniversary alone) are in utter disarray. A mute stray dog posts itself on her front porch and a grammar-butchering fashion plate posts herself in Lang's kitchen, regularly revealing too much information. Lillian, Lang's long-lost mother, reappears for the funeral and is as obnoxious as ever. Her son, Teddy, has his own ideas of how she should manage her life, and they don't include cavorting about with a veterinarian who resembles Wimpy. Lang's granddaughter is a bright spot in her life, and Lang can't imagine life without her.With her historical family estate in jeopardy, Lang discovers her husband wasn't as perfect as she thought. Is she strong enough to keep her husband's secret from destroying her life?

     Her two daughters, from a previous relationship, are now both adult. Jo, ambitious and independent, is pursuing a career as a barrister. Jo’s younger sister is very different. Shelley, just 20, sweet natured, trusting and innocent, still lives at home and works at a local animal clinic. They are a normal, happy family - and then Shelley meets Sam on the street and everything changes. Martha struggles to accept Shelley’s choice of boyfriend as, with increasing anger, she witnesses the erosion of all Shelley’s values under Sam’s influence. When Martha’s efforts to persuade Shelley to give Sam up fail, she decides on a more direct approach. The consequences of her actions are devastating for everyone and change the course of Martha’s life forever. “After I’d gone up to bed that night, leaving Gabe amidst the carnage I had created in the living room, I formulated my plan. But it was pure chance that I met Sam on Putney Bridge some three weeks later and I went ahead with it.”

    [Penguin Readers Level 6]

    There he meets the eminent professor, Gordon Stone, and his beautiful wife, Judith Silver, with whom he soon falls into a passionate affair. Into this explosive mix, a young woman appears--a single mother at the end of her emotional rope. Crystal desperately needs David. Yet caught between two women, David bears witness to a heartbreaking turn of events that seems as inevitable as the push and pull of ocean waves. . . .

    

    

    Her mother, to whom she hasn't spoken for many years, comes to see her. Her unexpected visit forces Lucy to confront the tension and longing that have informed every aspect of her life: her impoverished childhood in Amgash, Illinois, her escape to New York and her desire to become a writer, her faltering marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable. In My Name Is Lucy Barton, one of America's finest writers shows how a simple hospital visit illuminates the most tender relationship of all-the one between mother and daughter.

    He can identify every car in town from the sound of its engine, but his world is changing faster then he can fathom. His wife has become an artist, selling sea-glass sculptures to tourists. His daughter is bound for college, while his son has turned angry and lawless. Lucky's own heart is failing him, too. An operation has kept it ticking, but he can't run the boat alone any more. As the spring lobster season opens, the only deckhand Lucky can find to help load his traps is Ronette, the not-quite-divorced wife of the local lobster wholesaler. When the two make it out to the fishing grounds, someone else's buoys are bobbing in his ancestral waters. Before he knows it, Lucky is in a lobster war and has abandoned all the rules: family, health, finance, even the rules of the sea that have guided him throughout his life. As waves of trouble turn into a flood tide, Lucky's pride propels him into an epic confrontation with his enemies and a rogue whale -- a battle his unreliable heart may not survive. The Wooden Nickel is a classic story of a man raging against a changing world, full of pathos and comedy. It is a remarkable novel by a writer with a powerful, distinct, and original voice.

    Not for him the stereotype of the greedy lawyer. He'd be the defender of the abused, the voice of the poor, the champion of the oppressed. And he was for a time...until Rottman Maughan and Nash dangled the office with the harbour view in front of him.Now he's turning blind eye to suspect time sheets, championing the powerful against the powerless, and not being entirely honest with his girlfriend.Is there a way back?