He knows what he wants to do with his life. But then he meets Natalie and he realizes he doesn't know anything much at all. A slender, realistic story of a young man's coming of age, Very Far Away from Anywhere Else is one of the most inspiring novels Ursula K. Le Guin has ever published.

    Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous–it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.

    Now with fresh and gorgeous new cover art, this touching tale has received many starred reviews, and was called a "warm, funny, philosophical novel" by Kirkus Reviews.With the backdrop of a large family and a theater as its frame, this is a story about twelve-year-old Leo, who has a talent for transforming the ordinary into the extraordinary. That's why he's called "fog boy." He's always dreaming, always replaying things in his brain. As an actor in the school play, he is poised and ready for the curtain to open. But in the play that is his life, he is eager to discover what part will be his.With the universal theme of finding one's true identity, and set amid a loud, noisy, memorable family, Leo's story is one that all kids will relate to. And there's a full play at the end of the book that kids and teachers can perform!

    The important, secret things . . . The story of you, all buried, let the music caress it out into the open."When Allegra was a little girl, she thought she would pick up her violin and it would sing for her—that the music was hidden inside her instrument. Now that Allegra is twelve, she believes the music is in her fingers, and the summer after seventh grade she has to teach them well. She's the youngest contestant in the Ernest Bloch Young Musicians' Competition. She knows she will learn the notes to the concerto, but what she doesn't realize is she'll also learn—how to close the gap between herself and Mozart to find the real music inside her heart.The Mozart Season includes an interview with author Virginia Euwer Wolff.

    I'm here to lay the record straight, to let you know them folks saying I done a terrible thing are liars. I aim to prove it, too. I hated Parnell Caraway as much as the next person, but I didn't kill him. Dovey Coe says what's on her mind, so it's no secret that she can't stand Parnell Caraway. Parnell may be the son of the richest man in town, but he's mean and snobby, and Dovey can't stand the fact that he's courting her sister, Caroline, or the way he treats her brother, Amos, as if he were stupid just because he can't hear. So when Parnell turns up dead, and Dovey's in the room where his body is discovered, she soon finds herself on trial for murder. Can the outspoken Dovey sit still and trust a city slicker lawyer who's still wet behind the ears to get her out of the biggest mess of her life?

    Girls of her class receive no education and rarely leave the palazzo. In a noble family, only one daughter and one son will be allowed to marry; Donata, like all younger daughters, will be sent to a convent. Donata longs to be tutored like her brothers and to see the Venice she has glimpsed only on the map. What is the world beyond her balcony, beyond what she sees when she glides, veiled, in a gondola down the canal? She dresses as a boy and escapes the palazzo on the Grand Canal to see the world before she is shut away, and to try to find a way to escape her fate. Donata risks everything; she changes her life, and her family’s life, forever when she walks through the door and encounters a Venice she never knew existed.From the Hardcover edition.

    Everyone else is enchanted by her - including Rachel's boyfriend. But what does Julia really want?

    Weeks after a tragic accident, all that is left are eerie connections between the two girls, former classmates who both kept the same secret without knowing it. Now, even while on vacation at the ocean, Martha can't stop thinking about Olive. Things only get more complicated when Martha begins to like Jimmy Manning, a neighbor boy she used to despise. What is going on? Can life for Martha be the same ever again?

    This remarkable and heart-warming prequel to the classic Anne of Green Gables was specially authorized by L.M. Montgomery's heirs to celebrate the 100th anniversary of the publication of the original novel. Before Green Gables is the story of Anne Shirley's life before her arrival at Green Gables-a heartwarming tale of a precocious child whose lively imagination and relentless spirit help her to overcome difficult circumstances and of a young girl's ability to love, learn, and above all, dream. Published in 1908, L. M. Montgomery's coming-of-age classic Anne of Green Gables has enchanted generations of readers, both children, and adults. The story of the spunky red-haired orphan from Prince Edward Island is known to millions, and copies of the eight titles in the series have never gone out of print. But when readers first meet Anne, she is eleven and has just been sent from an orphanage to meet her new family. No one ever learned the events of Anne's life before she arrived at Green Gables. Until now. For the millions of readers who devoured the Green Gables series, Before Green Gables is an irresistible treat; the account of how one of literature's most beloved heroines became the girl who captivated the world.

    His mother named him and his sisters after her favorite constellations, and his father makes funky-flavored jelly beans for a living. One sister acts as if she’s always onstage and the other is a walking dictionary. But no one in the family is more odd than Rion’s grandfather, Papa Kwirk. He’s the kind of guy who shows up on his motorcycle only on holidays, handing out crossbows and stuffed squirrels as presents. Rion has always been fascinated by Papa Kwirk, especially since his son—Rion’s father—is the complete opposite. Where Dad is predictable, nerdy, and reassuringly boring, Papa Kwirk is mysterious, dangerous, and cool.Which is why, when Rion and his family learn of Papa Kwirk’s death and pile into the car to attend his funeral and pay their respects, Rion can’t help but feel that that’s not the end of his story. That there’s so much more to Papa Kwirk to discover.He doesn’t know how right he is.

    Now the war front approaches, and when Peter’s father enlists, Peter has to move in with his grandpa. Far worse than being forced to leave home is the fact that Pax can’t go. Peter listens to his stern father—as he usually does—and throws Pax’s favorite toy soldier into the woods. When the fox runs to retrieve it, Peter and his dad get back in the car and leave him there—alone. But before Peter makes it through even one night under his grandfather’s roof, regret and duty spur him to action; he packs for a trek to get his best friend back and sneaks into the night. This is the story of Peter, Pax, and their independent struggles to return to one another against all odds. Told from the alternating viewpoints of Peter and Pax.

    In a split second, Linh is ripped from her arms—and Hằng is left behind in the war-torn country.Six years later, Hằng has made the brutal journey from Việt Nam and is now in Texas as a refugee. She doesn’t know how she will find the little brother who was taken from her until she meets LeeRoy, a city boy with big rodeo dreams, who decides to help her.Hằng is overjoyed when she reunites with Linh. But when she realizes he doesn’t remember her, their family, or Việt Nam, her heart is crushed. Though the distance between them feels greater than ever, Hằng has come so far that she will do anything to bridge the gap.

    When he disappears without a trace, Lizzy realizes that the way she sees things is not always the way they are. Inspired by the legend of the "miraculous" staircase in the Chapel of Loretto in Santa Fe, Ann Rinaldi skillfully blends the mystery surrounding the staircase's builder with the daily trials of a spunky thirteen-year-old girl growing up in the 1870s.

    He didn't ask his grandfather not to come home from the Vietnam War. He didn't ask for a father who never got over it. He didn't ask for a mother who keeps pretending their dysfunctional family is fine. And he didn't ask to be the target of Nader McMillan's relentless bullying, which has finally gone too far.But Lucky has a secret--one that helps him wade through the daily mundane torture of his life. In his dreams, Lucky escapes to the war-ridden jungles of Laos--the prison his grandfather couldn't escape--where Lucky can be a real man, an adventurer, and a hero. It's dangerous and wild, and it's a place where his life just might be worth living. But how long can Lucky keep hiding in his dreams before reality forces its way inside?

    They are the "goats." The kids at camp think it's a great joke, just a harmless old tradition. But the goats don't see it that way. Instead of trying to get back to camp, they decide to call home. But no one can come and get them. So they're on their own, wandering through a small town trying to find clothing, food, and shelter, all while avoiding suspicious adults—especially the police. The boy and the girl find they rather like life on their own. If their parents ever do show up to rescue them, the boy and the girl might be long gone. . . .