After her grandmother’s death, Olivia found some of her grandmother’s journals and letters describing her homeland. Now, ten years later, she resolves to travel to Algeria and experience the country for herself; she arrives alone, with her grandmother’s postcards and letters in tow, and with but a single phone number in her pocket, of an Algerian Djaffar, who will act as her guide. Olivia’s quest to understand her origins will bring her to face questions about heritage, history, shame, friendship, memory, nostalgia, fantasy, the nature of exile, and our unending quest to understand who we are and where we come from.

    Tell My Horse is an invaluable resource and fascinating guide. Based on Zora Neale Hurston’s personal experience in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of ceremonies and customs and superstitions of great cultural interest.

    More than half a billion women live their entire lives peeking out from behind heavy veils. Theirs is a mysterious, misunderstood life often lived without hope and under great persecution.This groundbreaking book is written by evangelical Christian women who have seen the other side. Ranging from missionaries in Islamic countries, to former reporters and columnists, the contributors give a powerful and unsilenceable voice to the women behind the veil.Written by women with such deep knowledge of Muslim life that some of the identities have been obscured for their protection A discussion of the real women of Islam--not the veils, protocols, and rules

    Until the credit crunch knocked it flat, Dubai was the fastest-growing city in the world, with a roaring economy that outpaced China's while luring more tourists than all of India. It's one of the world's safest places, a stone's throw from its most dangerous. In "City of Gold, " Jim Krane, who reported for the AP from Dubai, brings us a boots-on-the-ground look at this fascinating place by walking its streets, talking to its business titans, its prostitutes, and the hard-bitten men who built its fanciful skyline. He delves into the city's history, paints an intimate portrait of the ruling Maktoum family, and ponders where the city is headed. Dubai literally came out of nowhere. It was a poor and dusty village in the 1960s. Now it's been transformed into the quintessential metropolis of the future through the vision of clever sheikhs, Western capitalists, and a river of investor money that poured in from around the globe. What has emerged is a tolerant and cosmopolitan city awash in architectural landmarks, luxury resorts, and Disnified kitsch. It's at once home to America's most prestigious companies and universities and a magnet for the Middle East's intelligentsia. Dubai's dream of capitalism has also created a deeply stratified city that is one of the world's worst polluters. Wild growth has clogged its streets and left its citizens a tiny minority in a sea of foreigners. Jim Krane considers all of this and casts a critical eye on the toll that the global economic downturn has taken on a place that many tout as a blueprint for a more stable Middle East. While many think Dubai's glory days have passed, insiders like Jim Krane who got to know the city and its creators firsthand realize there's much more to come in the City of Gold, a place that, in just a few years, has made itself known to nearly every person on earth.

    Just who were the Christians in the Arabic-speaking milieu of Mohammed and the Qur'an? The Church in the Shadow of the Mosque is the first book-length discussion in English of the cultural and intellectual life of such Christians indigenous to the Islamic world. Sidney Griffith offers an engaging overview of their initial reactions to the religious challenges they faced, the development of a new mode of presenting Christian doctrine as liturgical texts in their own languages gave way to Arabic, the Christian role in the philosophical life of early Baghdad, and the maturing of distinctive Oriental Christian denominations in this context.Offering a fuller understanding of the rise of Islam in its early years from the perspective of contemporary non-Muslims, this book reminds us that there is much to learn from the works of people who seriously engaged Muslims in their own world so long ago.

    In this timely and revealing book, Zachary Karabell traces the legacy of tolerance and cooperation from the advent of Islam to the present day.In an extraordinary narrative spanning fourteen centuries, Karabell introduces us to the court of the caliphs in Baghdad, where scholars of various faiths engaged in spirited debate. He evokes the wonders of medieval Spain, where Jewish sages, Muslim philosophers, and Christian monks together deciphered the meaning of God and the universe. He offers a portrait of the Crusades that goes beyond the rivalry of Saladin and Richard the Lionheart, and shows how Christians and Muslims lived side by side. And he paints a vivid picture of religious autonomy in the Ottoman Empire. As he explores the growing tensions of the modern era, Karabell traces the rise of Arab nationalism, the redrawing of the Middle East map in the wake of World War I, and the increased hostilities following the creation of the state of Israel. Through it all, he reminds us that dialogue and friendship have always punctuated times of war and discord. Today, while some Muslims, Christians, and Jews engage in confrontation, others—in Dubai, in Turkey, and around the globe—find common ground. Remembering the legacy of coexistence and recognizing its prevalence even today is a vital ingredient to a more stable, secure world.

    Former political prisoner, and current refugee, Yassin al-Haj Saleh exposes the lies that enable Assad to continue on his reign of terror as well as the complicity of both Russia and the US in atrocities endured by Syrians.

    In ISIS: Inside the Army of Terror, American journalist Michael Weiss and Syrian analyst Hassan Hassan explain how these violent extremists evolved from a nearly defeated Iraqi insurgent group into a jihadi army of international volunteers who behead Western hostages in slickly produced videos and have conquered territory equal to the size of Great Britain. Beginning with the early days of Abu Musab al-Zarqawi, the founder of ISIS’s first incarnation as “al-Qaeda in Iraq,” Weiss and Hassan explain who the key players are—from their elusive leader Abu Bakr al-Baghdadi to the former Saddam Baathists in their ranks—where they come from, how the movement has attracted both local and global support, and where their financing comes from. Political and military maneuvering by the United States, Iraq, Iran, and Syria have all fueled ISIS’s astonishing and explosive expansion. Drawing on original interviews with former US military officials and current ISIS fighters, the authors also reveal the internecine struggles within the movement itself, as well as ISIS’s bloody hatred of Shiite Muslims, which is generating another sectarian war in the region. Just like the one the US thought it had stopped in 2011 in Iraq. Past is prologue and America’s legacy in the Middle East is sowing a new generation of terror.

    As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov. In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.

    Out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran and into Kurdish Turkey, Colin Thubron covers some seven thousand miles in eight months. Making his way by local bus, truck, car, donkey cart and camel, he travels from the tomb of the Yellow Emperor, the mythic progenitor of the Chinese people, to the ancient port of Antioch—in perhaps the most difficult and ambitious journey he has undertaken in forty years of travel.The Silk Road is a huge network of arteries splitting and converging across the breadth of Asia. To travel it is to trace the passage not only of trade and armies but also of ideas, religions and inventions. But alongside this rich and astonishing past, Shadow of the Silk Road is also about Asia today: a continent of upheaval.One of the trademarks of Colin Thubron's travel writing is the beauty of his prose; another is his gift for talking to people and getting them to talk to him. Shadow of the Silk Road encounters Islamic countries in many forms. It is about changes in China, transformed since the Cultural Revolution. It is about false nationalisms and the world's discontented margins, where the true boundaries are not political borders but the frontiers of tribe, ethnicity, language and religion. It is a magnificent and important account of an ancient world in modern ferment.

    This is incorrect, for at the very outset the movement was stigmatized as aberrant by the leading Sunni scholars of the day, because it rejected many of the traditional beliefs and practices of Sunni Islam and declared permissible warfare against all Muslims that disputed Wahhabi teachings. Nor can Wahhabism be regarded as a movement of “purification” or “renewal,” as the source of the genuinely revivalist movements that were underway at the time. Not until Saudi oil money was placed at the disposal of its propagandists did Wahhabism find an echo outside the Arabian Peninsula. The author discusses the rise of Wahhabism at the hands of Muhammad b. `Abd al-Wahhab, a native of Najd in the eastern part of the Arabian peninsula, the doctrines he elaborated to serve as the basis of the Wahhabi sect, and the alliance he concluded with the Saudi family, then rulers of the principality of al-Dir'iya. An early result of this union was a creeping conquest of the Arabian Peninsula, misnamed as jihad; it culminated in the sacking of Taif and the occupation of Mecca in 1803. This first Wahhabi occupation was short-lived but Wahhabism triumphed anew with the foundation of the Kingdom of Saudi Arabia in 1925. Among the extensions of Wahhabism beyond Arabia must be accounted the perverse and brutal regime of the Taliban in Afghanistan.

    Now available in paperback, this collection of three long stories, three short ones, and a theoretical postface by one of North Africa's leading writers depicts the plight of urban Algerian women who have thrown off the shackles of colonialism only to face a postcolonial regime that denies and subjugates them even as it celebrates the liberation of men. Denounced in Algeria for its political criticism, Djebar's book quickly sold out its first printing of 15,000 copies in France and was hugely popular in Italy. Her stylistically innovative, lyrical stories address the cloistering of women, the implications of reticence, the connection of language to oppression, and the impact of war on both women and men. The Afterword by Clarisse Zimra includes an illuminating interview with Djebar.

    Located in a maze of donkey-trod alleyways, the house - a traditional riad - was beautiful but in desperate need of repair. Walls were in danger of collapse, the plumbing non-existent. While neither Suzanna nor her husband spoke Arabic, and had only a smattering of French, they were determined to restore the building to its original splendour, using only traditional craftsmen and handmade materials. But they soon found that trying to do business in Fez was like being transported back several centuries in time and so began the remarkable experience that veered between frustration, hilarity and moments of pure exhilaration. But restoring the riad was only part of their immersion in the rich and colourful life of this ancient city. A House in Fez is a journey into Moroccan culture, revealing its day-to-day rhythms, its customs and festivals; its history, Islam, and Sufi rituals; the lore of djinns and spirits; the vibrant life-filled market places and the irresistible Moroccan cuisine. And above all, into the lives of the people - warm, friendly, and hospitable.Beautifully descriptive and infused with an extraordinary sense of place, this is a compelling account of one couple's adventures in ancient Morocco.

    In a devastating satire on the climate of fear in the UK today, Murray’s analysis is wildly entertaining yet ultimately profound:“If absolutely everybody in the world agrees on something – from the President of the United States to most film-stars, pop-stars, Popes, Bishops, atheists, writers, film-makers, brain-boxes and everyone else – then surely they must be right. Well, no. I think they are wrong. Wildly, terribly, embarrassingly and dangerously wrong, “ writes Murray.ISLAMOPHILIA shows how so many of the celebrities above, have, at some point chosen to abandon any hope or wish to criticize Islam and instead decided to profess some degree of love for it. Love, that Murray points out in the book, is often irrational and certainly misguided: Murray is not afraid to name and shame, and the book’s tour includes novelists Sebastian Faulks and Martin Amis, Boris Johnson, South Park, Tony Blair, Ridley Scott, David Cameron, Liam Neeson, Justin Bieber, Random House Publishers, the BBC, Richard Dawkins, the Prince of Wales and even George Bush. Yes, George Bush.“They may have done this for a range of good and bad reasons. Some of them have to done it to save other people. Some of them have done it to save themselves. Some of them have done it because they are too stupid to do anything else and others because clever people can be really dumb at times.”Murray then goes to detail the extraordinary strategic cultural efforts made in recent years to “rewrite the last few millennia of history, minimising and denigrating the impact of actual scientists and promoting the claims of Islamic proselytisers” and he has fighting words for the version of history depicted by Ridley Scott and others in Hollywood.Artists and writers have been caught off-guard, he alleges, “Having poked at empty hornets nests for so many years they have forgotten the courage required to do the necessary poking at full ones.”He concludes, “Let’s be clear. For the record I don’t think everybody needs to spend their time being offensive about Islam. Not only is there no need to be offensive all the time, but most Muslims just want to get on with their lives as peacefully and successfully as everybody else. But there is an un-evenness in our societies that needs to be righted…to think that the answer to any criticism of Islam or Muslims is a delegitimizing of critics and an indulgence in self-pity is not to make an advance. It is to pave the way for self-harm. For all of us.Where people are telling lies about it we should not be fearful to correct them. And where people are fearful – and genuine reasons to be so do keep coming along – people should remind themselves of something. Which is that just as bravery in one person instils bravery in others, so cowardice in one person has a tendency to be catching.”

    Her reported essay blends lyrical travelogue, cultural history, personal insights, and provocative conversations with top policymakers, activists, bloggers, writers, artists, scholars, religious leaders, students, and ordinary citizens in many walks of life. This book is sure to fascinate readers interested in travel, Buddhism, progressive politics, and especially the study and practice of happiness.