Although many critics have commented on the poetic quality of Dickinson's letters, William Shurr is the first to draw fully developed poems from them. In this remarkable volume, he presents nearly 500 new poems that he and his associates excavated from her correspondence, thereby expanding the canon of Dickinson's known poems by almost one-third and making a remarkable addition to the study of American literature. Here are new riddles and epigrams, as well as longer lyrics that have never been seen as poems before. While Shurr has reformatted passages from the letters as poetry, a practice Dickinson herself occasionally followed, no words, punctuation, or spellings have been changed. Shurr points out that these new verses have much in common with Dickinson's well-known poems: they have her typical punctuation (especially the characteristic dashes and capitalizations); they use her preferred hymn or ballad meters; and they continue her search for new and unusual rhymes. Most of all, these poems continue Dickinson's remarkable experiments in extending the boundaries of poetry and human sensibility.

    Combining science with a sense of adventure, she conveys the sheer excitement of her work, from riding the tail of a white whale to saving animals harmed by drift nets or toxic spills.

    News professionals are inclined to blame themselves, but the real culprit is technology and its competing demands on the public's time. The Internet is just the latest in a long series of new information technologies that have scattered the mass audience that newspapers once held. By isolating and describing the factors that made journalism work as a business in the past, Meyer provides a model that will make it work with the changing technologies of the present and future. He backs his argument with empirical evidence, supporting key points with statistical assessments of the quality and influence of the journalist's product, as well as its effects on business success.

    The city in question is London in the 1690s; but it is also New York in the 1990s. The new technologies are diving bells, pneumatic winches, and "sucking-worm" drainage engines; but they are also wireless telecommunication devices, patented biotechnology processes, and revolutionary electronic Internet routers. Only the sense of unlimited possibility remains the same throughout.Unfolding simultaneously in two distant--but remarkably similar--periods of history, Extravagance is a comic, pictaresque novel of financial mania, the story of a world gripped by a terminal case of irrational exuberance. Navigating the perils of both eras is a single cast of characters: Will himself, a young man on the make, eager to do whatever it takes to make his fortune; Will's uncle (and sponsor) Gilbert Hawking, a shrewd businessman with one foot in the Old Economy and one in the New; Benjamin Fletcher, the developer of a pioneering new technology destined to set the world on fire; and Theodore Witherspoon, the cheerfully unscrupulous wizard of the financial markets who promises to make them all wealthy beyond their dreams.Meanwhile, Will's aspirations are complicated by his pursuit of Ben Fletcher's sister, Eliza, the gorgeous and disconcertingly aggressive woman who is as desirable as she is elusive. Can Will succeed in his efforts to win both Eliza and the fortune that her brother's new technology seems likely to bring him? And can he make it all happen before the general euphoria of the age reaches its inevitable climax?Extravagance is a uniquely conceived work of high comic entertainment -- an ultra-smart time machine of a novel that proves that both love and greed are timeless.From the Hardcover edition.

    Compiled by the staff and contributors of Mojo magazine, The Mojo Collection tells the stories behind the greatest albums of all time and the artists who made them.

    Consuelo, the elder, is thought of as pensive and book-loving, the serious child-la niña seria-while Mili, her younger sister, is seen as vivacious, a ray of tropical sunshine. Two daughters: one dark, one light; one to offer comfort and consolation, the other to charm and delight. But, for all the joy both girls should bring, something is not right in this Puerto Rican family; a tragedia is developing, like a tumor, at its core.In this fierce, funny, and sometimes startling novel, we follow a young woman's quest to negotiate her own terms of survival within the confines of her culture and her family.magazine"Judith Ortiz Cofer has created a character who takes us by the hand on a journey of self-discovery. She reminds readers young and old never to forget our own responsibilities, and to enjoy life with all its joys and sorrows."--Bessy Reyna, MultiCultural Review

     In December 1953 Anthony Amedeo's world is nested in his Bronx neighborhood, his parents' Studebaker, the Paradise Theater, Yankee Stadium -- and in his imagination, where he longs for a stencil kit to decorate the windows like all the other kids on his street. Instead he gets a very different present: his uncle Malcolm's family. Malcolm is in jail for stealing -- once again -- from his last new job, and Anthony's aunt and twin cousins settle into the Amedeos' fifth-floor walk-up. Sharing a room with girls is excruciating for Anthony, despite his affinity for the twins. But the real change in Anthony's life comes one evening when he causes the unthinkable to happen, changing each family member's life forever. Evoking all the plenty and optimism of postwar America, Sacred Time spans three generations, taking us from the Bronx of the 1950s to contemporary Brooklyn. Keenly observing the dark side of family as well as its gracefulness, Hegi has outdone herself with this captivating novel about childhood's tenderness and the landscape of loneliness. Ultimately she reveals how the transforming power of a singular event can reverberate through a family for generations. With gravity and poise, Hegi turns her astute yet forgiving eye on the essential frailty and dignity of the human condition in this elegant and fast-paced novel.

    He focuses his study on the question: Was the war inevitable, or could it have been avoided?Kagan takes issue with Thucydides' view that the war was inevitable, that the rise of the Athenian Empire in a world with an existing rival power made a clash between the two a certainty. Asserting instead that the origin of the war "cannot, without serious distortion, be treated in isolation from the internal history of the states involved," Kagan traces the connections between domestic politics, constitutional organization, and foreign affairs. He further examines the evidence to see what decisions were made that led to war, at each point asking whether a different decision would have been possible.

    And when she is offered a place as an exchange student at a school in America it seems as if her dreams will be fulfilled. welcoming ... until she starts having to live in the suffocating and repressed atmosphere of their suburban mansion and things begin to go terribly wrong. of American Beauty in its dissection of engrained prejudices and middle-class hypocrisy. In Lou Connor, Hyland has created a larger-than-life protagonist who mesmerises the reader with her vivacity and vulnerability, from hopeful beginning to unexpected, haunting end.

    As she puts it: “The economic game is not supposed to be rigged like some shady ring toss on a carnival midway.” Yet it has been, allowing corporate crooks to bilk the public out of trillions of dollars, magically making our pensions and 401(k)s disappear and walking away with astronomical payouts and absurdly lavish perks-for-life.The media have put their fingers on pieces of the sordid puzzle, but Pigs at the Trough presents the whole ugly picture of what’s really going on for the first time—a blistering, wickedly witty portrait of exactly how and why the worst and the greediest are running American business and government into the ground.Tyco’s Dennis Kozlowski, Adelphia’s John Rigas, and the Three Horsemen of the Enron Apocalypse—Ken Lay, Jeff Skilling, and Andrew Fastow—are not just a few bad apples. They are manifestations of a megatrend in corporate leadership—the rise of a callous and avaricious mind-set that is wildly out of whack with the core values of the average American. WorldCom, Enron, Adelphia, Tyco, AOL, Xerox, Merrill Lynch, and the other scandals are only the tip of the tip of the corruption iceberg.Making the case that our public watchdogs have become little more than obedient lapdogs, unwilling to bite the corporate hand that feeds them, Arianna Huffington turns the spotlight on the tough reforms we must demand from Washington. We need, she argues, to go way beyond the lame Corporate Responsibility Act if we are to stop the voracious corporate predators from eating away at the very foundations of our democracy.Devastatingly funny and powerfully indicting, Pigs at the Trough is a rousing call to arms and a must-read for all those who are outraged by the scandalous state of corporate America.From the Hardcover edition.

    He maintains that the widest possible freedom in content and approach will help ensure narrative fiction's continued vitality.

    Includes 200 pages of songs, incidental music and dialogue cues.

    He shares his favorite off-the-beaten-path towns, trails, and natural wonders. With this guidebook, you'll experience the culture like a local, spend less money, and have more fun.

    At its core are the candid assessments of former Secretary of the Treasury Paul O'Neill, the only member of Bush's cabinet to leave and speak frankly about how and why the administration has come to its core policies and decisions -- from cutting taxes for the rich to conducting preemptive war.O'Neill's account is supported by Pulitzer Prize-winning journalist Ron Suskind's interviews with numerous participants in the administration, by transcripts of meetings, and by voluminous documents. The result is a disclosure of breadth and depth unparalleled for an ongoing presidency. As readers are taken to the very epicenter of government, Suskind presents an astonishing picture of a president so carefully managed in his public posture that he is a mystery to most Americans. Now, he is revealed.

    In July 1944, after two and a half years in the woods, more than one thousand Jewish men, women and children, emerged from the woods triumphant and alive.It is one of the most remarkable dramas of World War II -- untold until now. In 1941, three young men -- brothers, sons of a miller -- witnessed their parents and two other siblings being led away to their eventual murders. It was a grim scene that would, of course, be repeated endlessly throughout the war. What makes this particular story of interest is how the survivors responded. Instead of running or capitulating or giving in to despair, these brothers -- Tuvia, Zus, and Asael Bielski -- did something else entirely. They fought back, waging a guerrilla war of wits and cunning against both the Nazis and the pro-Nazi sympathizers. Along the way they saved well over a thousand Jewish lives. Using their intimate knowledge of the dense forests surrounding the Belorussian towns of Novogrudek and Lida, the Bielskis evaded the Nazis and established a hidden base camp, then set about convincing other Jews to join their ranks. When the Nazis began systematically eliminating the local Jewish populations -- more than ten thousand were killed in the first year of the Nazi occupation alone -- the Bielskis intensified their efforts, often sending fighting men into the ghettos to escort Jews to safety. As more and more Jews arrived each day, a robust community began to emerge, a "Jerusalem in the woods." They slept in camouflaged dugouts built into the ground. Lovers met, were married, and conceived children. The community boasted a synagogue, a bathhouse, a theater, and cobblers so skilled that Russian officers would wait in line to have their boots reshod. But as its notoriety grew, so too did the Nazi efforts to capture the rugged brothers; and on several occasions they came so near to succeeding that the Bielskis had to abandon the camp and lead their massive entourage to newer, safer locations. And while some argued in favor of a smaller, more mobile unit, focused strictly on waging battle against the Germans, Tuvia Bielski was firm in his commitment to all Jews. "I'd rather save one old Jewish woman," he said, "than kill ten Nazis." In July 1944, after two and a half years in the woods, the Bielskis learned that the Germans, overrun by the Red Army, were retreating back toward Berlin. More than one thousand Bielski Jews emerged -- alive -- on that final, triumphant exit from the woods. The Bielski Brothers is a dramatic and heartfelt retelling of a story of the truest heroism, a historic testament to courage in the face of unspeakable adversity.