. . Hilarious and poignant."--Entertainment Weekly Bream Gives Me Hiccups: And Other Stories is the whip-smart fiction debut of Academy Award-nominated actor Jesse Eisenberg. Known for his iconic film roles but also for his regular pieces in the New Yorker and his two critically acclaimed plays, Eisenberg is an emerging literary voice.Taking its title from a group of stories that begin the book, Bream Gives Me Hiccups moves from contemporary L.A. to the dorm rooms of an American college to ancient Pompeii, throwing the reader into a universe of social misfits, reimagined scenes from history, and ridiculous overreactions. In one piece, a tense email exchange between a young man and his girlfriend is taken over by his sister, who is obsessed with the Bosnian genocide (The situation reminds me of a little historical blip called the Karadordevo agreement); in another, a college freshman forced to live with a roommate is stunned when one of her ramen packets goes missing (she didn't have "one" of my ramens. She had a chicken ramen); in another piece, Alexander Graham Bell has teething problems with his invention (I've been calling Mabel all day, she doesn't pick up! Yes, of course I dialed the right number - 2!).United by Eisenberg's gift for humor and character, and grouped into chapters that open with illustrations by award-winning cartoonist Jean Jullien, the witty pieces collected in Bream Gives Me Hiccups explore the various insanities of the modern world, and mark the arrival of a fantastically funny, self-ironic, and original voice.

    The colonies are linked together by the occasional sublight colony ship voyages and hyperspatial data-casting. Human consciousness is digitally freighted between the stars and downloaded into bodies as a matter of course.But some things never change. So when ex-envoy, now-convict Takeshi Kovacs has his consciousness and skills downloaded into the body of a nicotine-addicted ex-thug and presented with a catch-22 offer, he really shouldn't be surprised. Contracted by a billionaire to discover who murdered his last body, Kovacs is drawn into a terrifying conspiracy that stretches across known space and to the very top of society.

    The magic is gone but the monsters remain.I'm Fetch Phillips, just like it says on the window. There are a few things you should know before you hire me:1. Sobriety costs extra.2. My services are confidential.3. I don't work for humans.It's nothing personal—I'm human myself. But after what happened, to the magic, it's not the humans who need my help.Walk the streets of Sunder City and meet Fetch, his magical clients, and a darkly imagined world perfect for readers of Ben Aaronovitch and Jim Butcher.

    Stranded on the road with an unconscious young woman, he is forced to propose marriage to protect his identity, as well as his dangerous mission.Trapped by not only the duty to her country but her limited options, Miss Elizabeth Cantrell and her illegitimate son are whisked away to Middlecrest Abbey by none other than the elder brother of her son’s absent father. She is met by Torrington’s beautiful grown daughters, a vicious murderer, and an urgent hunt for the missing intelligence that could turn the war with France. Afraid of what Lord Torrington might do if he learns of her son’s true identity, Elizabeth must remain one step ahead of her fragile heart, her uncertain future, and the relentless mystery person bent on her new family’s ruin.

    The daughter of a wealthy and influential Charleston family has been missing on Mt Everest for three years. Presumed dead, her remains had been irretrievable until an earthquake caused her body to move down the mountain.The family want only one person to identify her remains: Tempe Brennan.Though reluctant to take the case, Tempe soon realises that the girl did not die of natural causes. It seems the victim was murdered and all her fellow climbers fall under suspicion.But which one is the killer? And if Tempe gets too close to the truth, will they kill again?Also gives readers the first chance to read the opening chapters of Kathy’s highly anticipated new Temperance Brennan novel, Speaking in Bones, out in July.

    But that’s only part of the challenge – one that many trained agents could handle effectively. They’ve called upon Monarch because, after the interrogation, he must return the scientist without the Russians, the Iranians, or the scientist himself ever knowing he’s been grabbed.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    In the confusion that followed, the keys to the vault’s safe-deposit boxes were lost.In the years since, Cleveland’s wealthy businessmen kept the truth buried in the abandoned high-rise. The ransacked offices and forgotten safe-deposit boxes remain locked in time, until young engineer Iris Latch stumbles upon them during a renovation survey. What begins as a welcome break from her cubicle becomes an obsession as Iris unravels the bank’s sordid past. With each haunting revelation, Iris follows the looming shadow of the past deeper into the vault—and soon realizes that the key to the mystery comes at an astonishing price.

    He's about to leave Puerto Rico on a mission when he meets Mary. She wants to hitch a ride on his sailboat; she doesn't care where he's going.Finn thinks she's a rootless kid looking for adventure. He'll take her along; she'll provide cover for his clandestine activity.They're preparing to leave when Finn learns there's more to Mary's baggage than her backpack. He has second thoughts about giving her a ride, but it's too late. They need to get away from Puerto Rico in a hurry.As they sail down island, Finn grows fond of Mary. She's had a run of bad luck, and he's sympathetic. When they reach their first stop, they discover that she didn't leave her troubles behind.What's Finn gotten himself into? Read Assassins and Liars  and find out.

    As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer’s block, and hours of Internet backgammon. Bored to Death was originally published in McSweeney’s Issue 24 and is the centerpiece of Ames’s collection of essays and fiction, The Double Life Is Twice as Good. Bored to Death Artwork © 2009 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

    Bullied, assaulted or psychologically abused, their road to redemption was never easy, and for some there would be no redemption, only a descent into evil.These are the stories of people you know. The settings are mostly 60’s and 70’s UK and USA, the driving themes are inclusion and social justice - but the real key to these stories is that I withhold the protagonists’ identities. This means that your job is to find them - leading to that Eureka moment when you realise who's mind you've been inhabiting for the last twenty minutes.I should also add that this is a book that operates on two levels. Yes, there’s the game of identifying the mystery activist or actor, singer or murderer, but there is then the more serious business of trying to understand them. This in turn leads to the challenge of overlaying what you now know about these famous people onto what you thought you knew – not to mention the inherent challenge to your moral compass.These are people you know, but not as you know them. Peel back the mask and see.This book is dedicated to the victims of violent crime, the struggle against discrimination in all its forms and making the world a better place for our children. That is why 30% of all profits will be shared between Stop Hate UK, The North East Autism Society and Friends of the Earth.Simon Van der Velde January, 2021Backstories is published by Smoke & Mirrors Press.

    Forty stories. On May 25, 1977, the world was introduced to Han, Luke, Leia, a pair of droids, a Wookiee, an old wizard, a villain in black, and a galaxy full of possibilities. Forty years on, Star Wars remains an unparalleled cultural phenomenon, having inspired and influenced generations of fans and creators. Decades of rich storytelling were sparked by one film, in part because the Star Wars galaxy feels alive. Strange and wonderful characters fill the edges of the screen and make us wonder:What are their stories?This unique anthology celebrates that legacy, as more than forty contributors lend their vision to this retelling of the original Star Wars film. Each of the forty stories reimagines a moment from the film through the eyes of a supporting character. From A Certain Point of View features contributions by bestselling authors, trendsetting artists, and treasured voices from the literary history of Star Wars:- Gary Whitta bridges the gap from Rogue One to A New Hope through the eyes of Captain Antilles.- Aunt Beru finds her voice in an intimate character study by Meg Cabot.- Nnedi Okorafor brings dignity and depth to a most unlikely character: the monster in the trash compactor.- Pablo Hidalgo provides a chilling glimpse inside the mind of Grand Moff Tarkin.- Wil Wheaton spins a poignant tale of the rebels left behind on Yavin.- Plus thirty-five more hilarious, heartbreaking, and astonishing tales.Experience the story of Star Wars from a whole new point of view.

    She was never caught, but he was the grandson of a mobster and she knows that someday this crime will catch up to her. Casey's best friend, Diana, is on the run from a violent, abusive ex-husband. When Diana's husband finds her, and Casey herself is attacked shortly after, Casey knows it's time for the two of them to disappear again.Diana has heard of a town made for people like her, a town that takes in people on the run who want to shed their old lives. You must apply to live in Rockton and if you're accepted, it means walking away entirely from your old life, and living off the grid in the wilds of Canada: no cell phones, no Internet, no mail, no computers, very little electricity, and no way of getting in or out without the town council's approval. As a murderer, Casey isn't a good candidate, but she has something they want: She's a homicide detective, and Rockton has just had its first real murder. She and Diana are in. However, soon after arriving, Casey realizes that the identity of a murderer isn't the only secret Rockton is hiding—in fact, she starts to wonder if she and Diana might be in even more danger in Rockton than they were in their old lives.

    Others will bring you to tears. And once again, every one of them will keep you spellbound.Contents:Stuck on YouThe Queen’s Birthday TelegramHigh Heels 4. Blind DateWhere There’s a WillDouble-Cross‘I Will Survive’A Good EyeMembers OnlyThe Undiplomatic DiplomatThe Luck of the IrishPolitically CorrectBetter the Devil You KnowNo Room at the InnCaste-Off