Whether targeting communist diplomats, foreign terrorists, or domestic dissidents, BIN and its precursor organizations have been the covert spearhead of the nation's security policy. Here, for the first time, this secretive agency is exposed in INTEL: Inside Indonesia's Intelligence Service by noted author Ken Conboy. Drawing from exclusive access to BIN's personnel and operational archives, Conboy examines the agents and their operations since BIN's founding fifty years ago, and sheds new light on Indonesia's role in the Cold War with case studies of North Korean, Soviet, and Vietnamese operations across the archipelago and BIN's current position at the forefront on the war against terrorism. From the activities and subsequent captures of both Faruq and Hambali to the Indonesian operations of al-Qaeda, this book provides far more detail and insight than previously available. Understanding BIN is an integral part of understanding the politics and security of Indonesia, and INTEL is essential reading for anyone interested in intelligence operations, contemporary Indonesian history, and international terrorism. KEN CONBOY is country manager for Risk Management Advisory, a private security consultancy in Jakarta. Prior to that, he served as deputy director at the Asian Studies Center, an influential Washington-based think tank, where his duties including writing policy papers for the U.S. Congress and Executive on economic and strategic relations with the nations of South and Southeast Asia. The author of a dozen books about Asian military history and intelligence operations, Conboy's most recent title, Spies in the Himalayas, has earned praise as an intriguing account of high-altitude mountaineering and covert missions. A graduate of Georgetown University's School of Foreign Service and of Johns Hopkins' School of Advanced International Studies, Conboy was also a visiting fellow at Chulalongkorn University in Bangkok and has lived in Indonesia since 1992.

    Written in the 1930s by Anak Agung Pandji Tisna, prince of the Balinese state of Bulelang, this novel presents a powerful indictment of the commercialization of Balinese society

    This book was based on Nasution's own experiences fighting and organizing guerrilla warfare during the Indonesian War of Independence. Originally released in 1953, it would become one of the most studied books on guerrilla warfare along with Mao Zedong's works on the same subject matter.

    When she meets two suitors who fit perfectly into her namesake’s myth, Amba cannot help but feel that fate is teasing her. Salwa, respectful to a fault, pledges to honor and protect Amba, no matter what. Bhisma, a sophisticated, European-trained doctor, offers her sensual pleasures and a world of ideas. But military coups and religious disputes make 1960s Indonesia a place of uncertainty, and the chaos strengthens Amba’s pursuit of freedom. The more Amba does to claim her own story, the better she understands her inextricable bonds to history, myth, and love. Revised edition: This edition of The Question of Red includes editorial revisions.

    W.L Olthof, a Dutch historian, translated this from an ancient Javanese script punika serat babad tanah jawi wiwit saking nabi adam doemogi ing taoen 1647. Many ancient Javanese script were located in Netherland, due to several hundred years of colonialism. This book only recently translated by Indonesian historian, H.R Soemarsono.

    Max is an inspirational figure, but he is also a flawed idealist whose vow to protect the Javanese from cruelty ends in his own downfall. In Max Havelaar, Multatuli (the pseudonym for Eduard Douwes Dekker) vividly recreated his own experiences in Java and tellingly depicts the hypocrisy of those who gained from the corrupt coffee trade. Sending shockwaves through the Dutch nation when it was published in 1860, this damning exposé of the terrible conditions in the colonies led to welfare reforms in Java and continues to inspire the fairtrade movement today.Roy Edwards's vibrant translation conveys the satirical and innovative style of Multatuli's autobiographical polemic. In his introduction, R. P. Meijer discusses the author's tempestuous life and career, the controversy the novel aroused and its unusual narrative structure.

    Terbukti, jauh sesudah Orde Baru jatuh, anti-komunisme tetap bercokol kuat dalam masyarakat Indonesia. Buku ini menjelajahi kembali faktor-faktor yang membentuk dan memelihara ideologi anti-komunis itu, bukan saja sebagai hasil dari kampanye politik, melainkan juga hasil dari agresi kebudayaan, terutama melalui pembenaran atas kekerasan yang dialami oleh anggota dan simpatisan komunis pada 1965-1966.Buku ini menganalisis upaya pemerintah Orde Baru beserta agen-agen kebudayaannya dalam memanfaatkan produk-produk budaya untuk melegitimasi pembantaian 1965-1966. Dengan bukti-bukti empiris ditunjukkan bahwa intervensi langsung CIA kepada para penulis dan budayawan liberal Indonesia untuk membentuk ideologi anti-komunisme bukanlah isapan jempol belaka. Siapa saja penulis yang terlibat? Bagaimana metodenya? Sebagai tambahan, buku ini juga menganalisis perlawanan kelompok-kelompok kebudayaan Indonesia kontemporer terhadap warisan anti-komunisme Orde Baru itu.The fall of Indonesia's New Order in 1998 was not followed by the demise of anti-communist ideology. On the contrary anti-communism remains strong within the community. This book traces some of the determinant factors which contributed to the establishment and the survival of anti-communism in Indonesia. This book argues that the survival of anti-communist ideology was not only a result of political campaigning but also and more importantly cultural aggression against communism, particularly through the justification of the violence experienced by the alleged communist members in 1965-1966.The justification of the 1965-1966 violence which was carried out by the New Order government and its cultural agents through cultural products fundamentally underpinned the viewpoint of communism as the ultimate enemy of the nation. This book also argues that the legitimisation of the 1965-1966 violence was no less brutal than the act of violence itself.By focusing on the discussion of how the New Order government and its cultural agents utilised cultural products in legitimating violence against communists, this book attempts to explore the ways in which the 1965-1966 violence was normalised.

    Before Dawn, a completely revised and expanded version of this work, contains an additional thirty poems by Sapardi Djoko Damono, on of Indonesia’s most prominent poets. The writer, through the language of his poetry and its meaning, sound and rhythem, proves himself capable of depicting a highly imaginative awareness of experience.

    It principal thesis is that many centuries of intensifying wet-rice cultivation in Indonesia had produced greater social complexity without significant technological or political change, a process Geertz terms "involution".Written for a US-funded project on the local developments and following the modernization theory of Walt Whitman Rostow, Geertz examines in this book the agricultural system in Indonesia and its two dominant forms of agriculture, swidden and sawah. In addition to researching its agricultural systems, the book turns to an examination of their historical development. Of particular note is Geertz's discussion of what he famously describes as the process of "agricultural involution" in Java, where both the external economic demands of the Dutch rulers and the internal pressures due to population growth led to intensification rather than change.

    Contents: A thousand fireflies in Manhattan My wife, Madame Schlitz and the monster Sybil A cup of coffee and a doughnut Chief Sitting Bull There goes Tatum Bawuk Fall in Connecticut Sri Sumarah The blue kimono.

    Percy Munn is one of Warren's innocent idealists whose delusions become murderous as he attempts to define himself by action in the unfolding violence around him. Southern Classics Series.

    D. Salinger. In the mid-1960s, the revered creator of The Catcher in the Rye suddenly stopped publishing and withdrew from public life. In David Morrell’s haunting “The Architecture of Snow,” an author similar to Salinger submits a manuscript after a four-decade absence. Why has he abruptly resurfaced? What caused his long-ago disappearance? When editor Tom Neal embarks on a search to a remote New England town, he uncovers the disturbing truth behind a tragic mystery that changes his life in unimaginable ways.

    There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    Sharing some of the recipes that they brought over, the tomatoes, the garlic, the sausage, the wine, this is a mouthwatering memoir of family and food. It is also a brilliant evocation of life between the wars, a triumphant story of survival against all the odds, that captures the sights and smells of Italian life and culture, at home and abroad.