Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    These heartfelt poems have attracted a large and loyal following around the world. This highly anticipated follow-up to Chasers of the Light, presents Tyler’s favorites, some previously unpublished, accompanied by his signature photographs, which capture the rich texture of daily life. This vibrant collection reveals the intimate reflections of one of poetry's most popular new voices -- honest, vulnerable, generous, and truly present in the gift that is each moment.From the Hardcover edition.

    Chris Riddell brings them to life with his exquisite, intricate artwork in this beautiful anthology.This book features famous poems, old and new, and a few surprises. Classic verses from William Shakespeare, Lewis Carroll, W. B. Yeats and Christina Rossetti sit alongside poems from Nick Cave, Leonard Cohen, Carol Ann Duffy, Neil Gaiman and Roger McGough to create the ultimate collection.

    Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality the dangers experienced in skin and body and blood and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, some of us all at once. Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

    While most of the country has spent the last few years fighting about everything from politics to the existence of science, there are some things we can all agree about, like that we only really need one flavor of Oreo cookies. And that despite all the challenges we're currently facing, America can get it together if we can, simply, rise above it all, and admit that a lot what we're fighting about is actually pretty stupid, especially when told in Nick's signature comedic voice--songs included. An Audiobook Original, 106 minutes.Cover illustration by Matt Davies

    Equipped with 144 pages of self-discovery. Alex shares some of her deepest and darkest moments that are intertwined with faith, hope and finding her light. This body of work explores the ins and out of trials and tribulations, partnered with successes and failures. The pages of "Love in my Language" are filled with poetry, narrative essays, and gentle reminders. You will get an authentic look into the life of the author, and she hopes that readers take away peace after reading the pages.

    Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    Plum, her debut for Picador Poetry, is a wise, sometimes rude and piercingly candid account of her memories from childhood to attempted adulthood. This is a book about growing up, about guilt, flesh, fruit, friendships, work and play - and the urgent need to find a voice for the poems that will somehow do the whole glorious riot of it justice.Throughout Plum, McNish allows her recent poems to be interrupted by earlier writing from her younger selves – voices that speak out from the past with disarming and often very funny results. Plum is a celebration, a salute to a life in which we are always growing, tripping, changing and discovering new selves to add to our own messy stores. It will leave the reader in no doubt as to why McNish is considered one of the most important poets of the new generation.Praise for Hollie McNish‘She writes with honesty, conviction, humour and love. She points out the absurdities we've grown too used to and lets us see the world with fresh eyes’ Kate Tempest'Her rhymes have a driving quality, urgent words pinning down fleeting feelings' Observer

    To date, it has been watched over 10 million times. Our Numbered Days is Neil’s debut full-length poetry collection, containing 45 of Neil’s poems including “OCD”, “Joey”, “Future Tense”, “Liminality”, “Moving Day”, and many, many never-before-seen poems.

    Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward.

    For Cazzie David, the world is one big trap door leading to death and despair and social phobia. From shame spirals caused by hookups to panic attacks about being alive and everyone else having to be alive too, David chronicles her life’s most chaotic moments with wit, bleak humor, and a mega-dose of self-awareness. In No One Asked for This, David provides readers with a singular but ultimately relatable tour through her mind, as she explores existential anxiety, family dynamics, and the utterly modern dilemma of having your breakup displayed on the Internet. With pitch-black humor resonant of her father, comedy legend Larry David, and topics that speak uniquely to generational malaise, No One Asked for This is the perfect companion for when you don’t really want a companion.Mean sister --Do not disturb --Ex dysmorphia --Almost pretty --Is everything gonna be fine? --Tweets I would tweet if I weren't morally opposed to Twitter: I --Why God is definitely real --Too full to fuck --So embarrassing --Love you to death --Insecurity when you're the new girlfriend --Environ-mental mom --Tweets I would tweet if I weren't morally opposed to Twitter: II --Shit-talking etiquette --My parasite --Privileged assistant --I got a cat for my anxiety --This essay doesn't pass the Bechdel test --Tweets I would tweet if I weren't morally opposed to Twitter: III --Moving out --Erase me --Thanksgiving

    John Brown's raid. Brown v. the Topeka Board of Ed. The prize-winning author of Blue Laws meditates on all things "brown" in this powerful new collection.Divided into "Home Recordings" and "Field Recordings," Brown speaks to the way personal experience is shaped by culture, while culture is forever affected by the personal, recalling a black Kansas boyhood to comment on our times. From "History"--a song of Kansas high-school fixture Mr. W., who gave his students "the Sixties / minus Malcolm X, or Watts, / barely a march on Washington"--to "Money Road," a sobering pilgrimage to the site of Emmett Till's lynching, the poems engage place and the past and their intertwined power. These thirty-two taut poems and poetic sequences, including an oratorio based on Mississippi "barkeep, activist, waiter" Booker Wright that was performed at Carnegie Hall and the vibrant sonnet cycle "De La Soul Is Dead," about the days when hip-hop was growing up ("we were black then, not yet / African American"), remind us that blackness and brownness tell an ongoing story. A testament to Young's own--and our collective--experience, Brown offers beautiful, sustained harmonies from a poet whose wisdom deepens with time.

    In this modern epic poem, poet Analog de Leon (Chris Purifoy) offers an empowering message to anyone who has loved, lost, or yearned for freedom.Inspired by the life of Syrian Saint Simeon Stylites, a 4th-century Monk who lived for many years on a small platform atop a pillar, Vertigo encourages introspection, contemplation, and self-love.

    Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicenter of the break.The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T.S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

    In another first, it provides an insight into his 35 years inside the maximum-security prison system including his everyday life on the wings; his interactions with the authorities and other notorious prisoners; and his artistic endeavours of music, writing and drama. It also reveals the truth behind many of the myths surrounding Dennis Nilsen, as reported in the media.Nilsen was determined to have his memoir published but to his frustration, the Home Office blocked publication during his lifetime. He died in 2018, entrusting the manuscript to his closest friend and it is now being published with the latter's permission.Any autobiography presents the writer's story from just one perspective - his own, and as such this record should be treated with some caution. An excellent foreword by criminologist Dr Mark Pettigrew offers some context to Nilsen's words, and this important work provides an extraordinary journey through the life of a remarkable and inadequate man.