It's a ranching town in the Texas hill country�and it's a place with a mysterious past. But Promise has a heart of goodness, and everyone here knows what really matters in life. Love, family, community…Now meet the people of Promise.They call her Dr. Texas. She's Jane Dickinson, a newly graduated physician from California who's working at the Promise clinic. They call him Mr. Grouch. Cal Patterson was left at the altar by his out-of-state fiancée, and he's not over it yet. Too bad Jane reminds him so much of the woman he's trying to forget! Dr. TexasNell Bishop, widowed mother of two children, is turning Twin Canyons into a dude ranch. One of her first guests is Travis Grant, a wannabe cowboy, an Easterner known for his books about the West. Nell's kids are crazy about him, and Nell�she could fall for him herself. Except that it's too soon… Nell's CowboyWade McMillen might be a minister, but he's also a man. Is it as a man that he responds to the lovely young woman who shows up in Promise, pregnant and alone? Or as a man of God? Maybe it's both. Amy Thornton hopes to make a new life for herself and her baby, and she needs Reverend McMillen's help. What she wants is the love of a man named Wade. Lone Star Baby The Heart of Texas. There's no place like it!

    

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    

    The First Folio is a literary icon and is the version of Shakespeare's text preferred by many actors and directors, yet no one has edited it in its entirety for over three hundred years.At the request of the Royal Shakespeare Company, Jonathan Bate and Eric Rasmunssen, two of today's most accomplished Shakespearean scholars, have used the very latest techniques and research to correct the errors and variations in the early printed copies and to present the First Folio for modern readers. The result is a fresh and definitive Complete Works for the twenty-first century.This edition includes all the material that might be needed by a student of Shakespeare. The Sonnets, The Two Noble Kinsmen, Pericles, Shakespeare's scene from Sir Thomas More, Venus and Adonis, The Rape of Lucrece, The Phoenix and Turtle, and a number of other interesting passages not published in the First Folio are also included.'This is a glorious edition of one of the world's most important books. It's the essential reference book for anyone who's ever been in love, felt jealousy, hatred, or desire. All human life is here — and every home should have one.'-Dame Judi Dench'A splendid edition … the general introduction is among the best 50-page guides to Shakespeare you could hope to find, while the short essays prefixed to each play are informative, thought-provoking and humane. Marginal notes help readers imagine what's happening onstage … the RSC's edition allows you to lose yourself in the wonder of the works.'-Dr Colin Burrow, Oxford University'A triumphant addition to our times.'-Fiona Shaw, The Times'The scholarly apparatus is discreet, elegant and pertinent. For each play, we get brief accounts of plots, dates and sources … footnotes are found snugly and legibly at the bottom of each page … there is a universe to be found in these annotations: the Renaissance world of power and fate, sex and death, language and philosophy … an edition full of endless fascination.'-Tom Deveson, Times Educational Supplement'Bate's general introduction to Shakespeare's life, stage and reputation is superb, and the short introductions to individual works are among the best of their kind available … they manage to speak about what really matters about the plays.'-Professor Michael Dobson, London Review of Books'Excellent, succinct notes and introductions to each play.'-John Carey, Sunday Times'Outstanding … Jonathan Bate writes with as much elegance as insight about the making of theatre and the creation of the plays … an impeccably informative introduction gives a comprehensive theatrical, social, political and biographical context to the plays … exemplary notes at the foot of each page translate verbal and topical obscurities … for actors and directors it will be incomparably useful, but for any curious reader of Shakespeare's plays it provides an invaluable guide to reading them not as novels or dramatic poems, but as they were intended to be read: blueprints for live performance.'-Richard Eyre, Sunday Telegraph

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."

    

    D. Robb Treachery in Death Eve Dallas and her partner, Peabody, are following up on a brutal, senseless crime—an elderly grocery owner killed by three stoned punks for nothing more than kicks and snacks. And for the first time, Peabody is primary detective on the case, which means she has to get used to a new level of authority and responsibility. Good thing she learned the ropes from a master like Eve.But after rounding up the perps, Peabody stumbles upon a much trickier situation. Determined to start working out as hard as she grills suspects, she chooses to do it at the old, rarely-used gym at Central. After a grueling workout, she squeezes into one of the narrow shower stalls, happy to have the place to herself. Just after she shuts the water off, the gym door clatters open—and while she cringes inside the stall, trying not to make a sound, Peabody overhears two fellow officers, Garnet and Oberman, arguing. References are made to delivering product, and a house in the islands, and someone named Keener who’s supposed to look like an OD. It doesn’t take long for a naked and vulnerable Peabody to realize that both officers are crooked—guilty not just of corruption but of murder as well. Fortunately, the two clear out of the locker room without realizing there was a witness.Eve Dallas may have trained Peabody well—but this is too dangerous for one person to take on alone. Now Peabody, Eve, and her husband, Roarke, must try to get the hard evidence they need to bring the dirty cops down—knowing all the while that the two have already killed to keep their secret, and are no doubt willing to do it again. New York to Dallas It was one of Eve Dallas’s earliest takedowns, back in her uniform days. A monster named Isaac McQueen had been abducting young victims and leaving them scarred in both mind and body. Thanks to Eve, he wound up where he belonged, removed from civilized society in Rikers. But he’s not behind bars anymore.After his escape, McQueen has two things in mind. One is to take up where he left off, preying on the young and innocent—when necessary, with the help of a female partner all too willing to be manipulated and to aid and abet his crimes. His other goal: to get revenge on the woman who stopped him all those years ago, now a high-profile lieutenant in the NYPSD and married to one of the city’s richest men.Commanding Eve’s attention with a chilling and brazen crime, McQueen sets off the chase—forcing Eve down a road marked with blood and tears, a road that eventually leads southwest to Dallas, Texas, the home Eve fled long ago. And each new twist brings her closer to the harrowing memory of when she wasn’t a hardened detective but a vulnerable girl just like McQueen’s innocent prey. As her husband, Roarke, tries to rescue her from the nightmares that claw at her mind, and her partner, Peabody, doggedly works to support her, Eve must confront—and call upon—the darkest parts of her own soul in order to survive.

    

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    

    She had felt that Hercule Poirot should not have been included in the plot, and for the stage she removed him entirely

    These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it.

    The killing of one of her best customers reminded her of the one thing -- they slaying of her own mother years earlier. Faced with a variety of suspects, Neeve plunges into the mystery of Lambston's death, determined to find the truth. But as she is drawn into a whirlwind of money and romance, she is also being stalked by a killer who's closer than she could ever dream . . .Weep No More, My LadyYoung Elizabeth Lange is haunted by the tragic death of her beloved sister, the legendary actress Leila LaSalle. Ted Winters, Leila's multi-millionaire fiance, has been accused of her murder -- and Elizabeth is slated to be the star witness for the prosecution. But before the trial begins, Elizabeth gets an invitation to unwind at a swank California spa. There is caught up in a torrent of confusing emotions and perplexing questions. Elizabeth must discover the truth -- and soon. Because someone is stalking her, patiently waiting for the right moment to strike . . .