You’ll see. Draw me just one more time.”No one knows if his mother will come out of her coma, so fourteen-year-old Jordie memorializes her in the only way he knows how: by drawing her. His older brother doesn’t approve of these sketches, but Jordie’s determined to capture the person she used to be. Unfortunately, Jordie must draw her from memory because his mom didn’t keep pictures, and her body in the hospital no longer looks like her. But the images of her are quickly fading, and if he doesn’t get a drawing right soon, the mother he remembers may slip away forever. No matter how close Jordie gets to completing a drawing, his mom’s most vital feature always evades him.Will Jordie capture his mother’s eyes? Or are they and his mother gone forever?Content Warning:SuicideDeathAnimal Death​Reader discretion advised

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    To cope with her losses, Josie follows a strict daily routine of work, playing with her dog, Po, and trying to remember to eat a decent meal—and ending each night by drinking copious amounts of vodka. In other words, she is not coping at all.Everything changes when Josie wakes to find a small shrub has sprouted in her otherwise dirt backyard the morning after yet another bender. Within hours, the vine-like plant is running amok—and it’s brought company. The appearance of the unwieldly growth has also heralded the arrival of a busybody new neighbor who insists on thrusting herself into Josie’s life. The neighbor Josie can deal with. The talking skeleton called Skelly that has perched itself in Josie’s backyard on a throne made of vines, however, is an entirely different matter.As the strangely sentient plant continues to grow and twist its tendrils inside Josie’s suddenly complicated life, Josie begins to realize her new neighbor knows a lot more about the vines and her bizarre new visitor than she initially lets on. There’s a reason Skelly has chosen to appear in Josie’s suddenly-blooming backyard and insists on pulling her out of her carefully kept self-isolation. All Josie has to do is figure out what that reason is—and she has only a few days to do it, or else she might find herself on the wrong side of catastrophe.LITTLE BIRD is a story about found family, no matter how bizarre.

    But one car crash and broken cattle fence later, CC ends up at the home of ruggedly handsome rancher Reese Brockbank.Reese doesn’t hesitate to rescue the reckless woman who has crashed into his life, but when circumstances require him to put CC up in his house for a few days, he vows to remain aloof—a woman already derailed his life once. As CC’s warmth and childlike love of Christmas turn his beautiful but sterile house into a home, however, she wears down his defenses. Still, something in her story doesn’t quite add up, and Reese’s questions soon cause CC to retreat.The pain of their pasts has brought them to this moment, but will they seize it or put the possibility of love in jeopardy?

    But what happens when those desires are thwarted, when dreams and goals fall apart? In It Needs to Look Like We Tried, Todd Robert Petersen explores the ways in which our failures work on the lives of others, weaving an intricate web of interconnected stories.A fastidious man takes a detour on the way to his father's wedding and kicks off a series of events that ricochets from the bride to her real estate clients; to a crazed former homeowner and his sister-in-law's reality TV lover; to a hoarding family whose lives are wrecked by their appearance on the second-rate show. Their daughter decides to escape the gravity of her tiny town with the help of her boyfriend who has a not-quite-legal plan to scrape together enough money to fund their departure.On their way across the country, these star-crossed lovers encounter our fastidious man, and the Rube-Goldberg machine of life continues. Their fling has petered out, and they are driving home, whatever home is left after walking away from everything they abandoned a month before.

    A telegraph operator finds an unexpected companion in the middle of the Amazon. A doctor is beset by seizures, in which he is possessed by a second, perhaps better, version of himself. And in Regency London, a bare-knuckle fighter prepares to face his most fearsome opponent, while a young mother seeks a miraculous cure for her ailing son.At times funny and irreverent, always moving and deeply urgent, these stories---among them a National Magazine Award and a Pushcart Prize winner---cap a fifteen-year project. From the Nile's depths to the highest reaches of the atmosphere, from volcano-racked islands to an asylum on the outskirts of Rio de Janeiro, these are tales of ecstasy, epiphany, and what the New York Times Magazine called the "struggle for survival...hand to hand, word to word," by "one of the finest prose stylists in American fiction."

    But when he stumbles upon a beautiful archer deep in the wilderness, they begin an electrifying and wild romance like no other. To make matters even more complicated, the woman is the goddess Artemis.Like her Mount Olympus kin, Artemis has walked among mortals for thousands of years. But Desmond and Artemis’s isolated paradise is violently shattered when they’re tracked down by the goddess Athena’s insane mortal son: a man hell-bent on killing every last god.Thrown into a fight to the death, Desmond finds himself traveling the globe at Artemis’s side, dodging bullets and proving himself as a fighter. Now, the gods must come together to defend themselves—or risk dying violently at the hands of the psychopath who is hot on their heels. While they are skilled in battle, there are but a few gods left to fight the steady onslaught of mercenaries sent by their vicious nemesis. Can Desmond stop the massacre of the last immortals, or could this truly be the end of the gods?

    Guilt and fear instead led the island’s original eight settlers to burn “the witch” out of her home. So Rona cursed them. Fast-forward one hundred–some years: All Nor Blackburn wants is to live an unremarkable teenage life. She has reason to hope: First, her supernatural powers, if they can be called that, are unexceptional. Second, her love life is nonexistent, which means she might escape the other perverse side effect of the matriarch’s backfiring curse, too. But then a mysterious book comes out, promising to cast any spell for the right price. Nor senses a storm coming and is pretty sure she’ll be smack in the eye of it. In her second novel, Leslye Walton spins a dark, mesmerizing tale of a girl stumbling along the path toward self-acceptance and first love, even as the Price Guide’s malevolent author — Nor’s own mother — looms and threatens to strangle any hope for happiness.

    That terrible night has thrown Princess Anthia into a deep depression. Her sister Caliza is busy running the kingdom after their mother's death, but all Thia can do is think of all she has lost. But when Caliza is forced to agree to a marriage between Thia and the crown prince of Illucia, Thia is finally spurred into action. And after stumbling upon a hidden Crow egg in the rubble of a rookery, she and her sister devise a dangerous plan to hatch the egg in secret and get back what was taken from them.

    

    More than a decade in the research and writing, Tom Peek's debut novel mills Hawaii's tensions into an epic tale that illuminates the irrepressible spirit of a native people struggling to keep faith with aloha.

    Or is he? They’re all keeping secrets but as the big birthday looms, the beans are about to be spilt, and one of them is going to need her friends more than ever…

    But an opportunity to help a friend is about to land her right back in the heart of the kitchen! The Plumberry School of Comfort Food is due to open in a few weeks’ time and has rather gone off the boil. It needs the kind of great ideas that only Verity could cook up . . .But as Verity tries to balance stirring up publicity, keeping their top chef sweet and soothing her aching heart, will her move to Plumberry prove to be a sheer delight . . . or a recipe for disaster?The Plumberry School of Comfort Food is an irresistibly charming novel told in four parts – following the adventures of Verity Bloom in love, friendship and cooking. This is the first part.

     Hard-hitting newspaper journalist turned stay-at-home mum and part-time failing food columnist, Marnie is wondering when her life went so wrong. While her husband Matt’s career takes off, she’s left with the impossible task of pairing socks and locating Lego. His late nights at the office are turning into late nights who knows where else and they haven’t had a proper conversation in weeks, sex in months, or a full night’s sleep in years. On the brink of losing everything when a fantasy about movie star Maddox Wolfe leads to a missed deadline and a disastrous case of food poisoning, Marnie becomes Mrs Make Believe: anonymous blogger, secret spiller, and voice of imperfect mums everywhere. However, Marnie Martin could never have imagined that her movie star daydream would walk off the screen and into her reality, turning her already muddled world totally on its head. Will Marnie find happiness in the arms of the (literal) man of her dreams? Or will she find that true love is just make believe?

    Field resolves to lay the first trans-Atlantic telegraph cable.